The Price of Milk

Film, 2000 (Trailer and Excerpts)

Lucinda (Danielle Cormack) lives a fairytale life with dairy farmer Rob (Karl Urban), and his 117 cows. But after a freak car accident she decides to test Rob's love for her by trying to make him angry. He passes her tests until a quilt goes missing from their bed; the price of getting it back is high. Harry Sinclair's follow-up to Topless Women Talk about their Lives is quirky and romantic, but not especially fantastical — yet it won a trio of awards at specialist fantasy film festivals overseas. The fulsome soundtrack is performed by the Moscow Symphony Orchestra.

Milk & Honey

Short Film, 2012 (Full Length)

During the Dawn Raids of the mid 1970s, police systematically raided the homes and workplaces of suspected Pacific Island overstayers. Milk & Honey follows one such raid, as a pregnant Samoan woman (Nora Aati) is taken into custody by two police officers. Despite assurances of a misunderstanding, she is denied a call to her husband. This does not sit well with Constable Salevao (Robbie Magasiva). Made as part of director Marina McCartney’s Masters in Screen Production at Auckland University, it was nominated for Best Short Film at the 2012 NZ International Film Festival. 

Collection

Sir Howard Morrison Collection

Curated by NZ On Screen team

Sir Howard Morrison (1935 - 2009) was a Kiwi show business icon. This collection is a celebration of 'Ol' Brown Eyes' on screen. From classic concerts and performances of 'Whakaaria Mai', to riffing with with Billy T James; from hosting Top Town, to starring in 60s feature film Don't Let it Get You, to a This is Your Life tribute. Ray Columbus: "He was a master entertainer".

Collection

NZ Short Film Collection

Curated by Juliette Veber

This selection — in partnership with the NZ Film Commission — showcases award-winning examples of Kiwi short filmmaking. From the the tale of two men and a Cow, to the sleazy charms of The Lounge Bar, from Cannes to Ngawi; this collection is a celebration of "a beautiful medium for nailing an idea to the fence post with a piece of No.8 wire." 

Collection

Turning Up the Volume

Curated by NZ On Screen team

Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen. 

Collection

The Top 10 NZ Television Ads

Curated by NZ On Screen team

Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.

Collection

Horror

Curated by NZ On Screen team

New Zealand filmmakers have won an international reputation thanks to their knack for horror. Along the way they have won fulsome acclaim (Braindead, Housebound, The Ugly ) and occasional arguments as to what actually counts as a horror tale (Braindead, Under the Mountain, Trail Run). Early entries — starting with the mutant shenanigans of Death Warmed Up in 1984 — were often of the splatter variety, laden with gorey bits. This collection of Kiwi horror also finds room for visions inspired by Frankenstein, writer Margaret Mahy...and milk.

Collection

The Banned Collection

Curated by NZ On Screen team

This badass collection features a select list of titles that were withheld from our TV screens when first made, or caused trouble in other ways. Moral offenders include heavy metal band Timberjack’s town belt satanists, Hell’s Angels bikers, and a ‘no nukes’ Spike Milligan. Also in the list is The Neville Purvis Family Show, which did manage to screen, but got in hot water after an infamous use of the ‘F' word (not included here). Other offenders include meat-is-murder music video AFFCO, and Headlights’ drunk babes at the milk bar. 

Liebesträume

Short Film, 1997 (Full Length)

Florian Habicht shot Liebesträume ('love dream' in German) on a windup Bolex 16mm camera. His decision to record the dialogue separately enhances the surreal feel of this tale of suburban desire. A paper boy is invited in for a glass of milk by an elderly man (played by Habicht's father, photographer Frank Habicht). Then Frank's alluring partner Donna enters the scene. Habicht rejects traditional narrative in favour of juxtaposition and dark humour. The film is not to be confused with Habicht's 2000 feature Liebesträume - The Absurd Dreams of Killer Ray, about late entertainer Killer Ray.

It is I Count Homogenized - Episode

Television, 1983 (Full Length Episode)

Roughly four years after debuting on A Haunting We Will Go, Count Homogenized made a memorable re-entrance in his own series. This fifth episode has the simplicity of a good cartoon: disguised as a movable charity bin, the vampire endeavours to trick or talk his way past the local dairy owners, on his endless mission to make it to the milk supplies. Aside from Russell Smith in full comic flight as the Count, Lynda Milligan takes the New Zild accent in dramatic new directions as no-nonsense shopkeeper Rhonda Dearsley.