This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.

This NZBC religious programme goes where TV cameras had never gone before: behind the walls of the Carmelite monastery in Christchurch. There, it finds a community of 16 Catholic nuns, members of a 400-year-old order, who have shut themselves off from the outside world to lead lives devoted to prayer, contemplation and simple manual work. Despite their seclusion, the sisters are unphased by the intrusion and happy to discuss their lives and their beliefs; while the simplicity and ceremony of their world provides fertile ground for the monochrome camerawork.

Recorded in varied locations across New Zealand, Praise Be mixed choral contributions and biblical readings. Though its siblings Country Calendar and Fair Go are even older, Praise Be ranked among New Zealand’s longest-running television shows. The Sunday worship show played from 1986 to 2016, apart from two years off air in the mid 2000s. Veteran broadcaster Graeme Thomson presented the show for its first two decades, before he passed away in 2008; then the show ws hosted by Chris Nichol, a Presbyterian minister and veteran of TVNZ’s Religious Programmes Unit.

Screening in primetime at 6pm, People Like Us was built around exploring the spiritual and emotional aspects of people’s lives. Subjects ranged from interviews with leaders — religious and otherwise — to live events and the Red Cross. Mini seasons within the series were devoted to everything from menopause and breaking up, to cultural diversity (the latter fuelling a book as well). Producer Allison Webber managed to win funding from outside of state TV for some of these specials, and the show shared resources on occasion with RNZ’s former Continuing Education Unit.

TVNZ's long running religious and choral music programme visits Christchurch's Anglican cathedral. Before its devastation by earthquakes, it was the centre of the city and one of the most celebrated of its great Gothic buildings. It could also claim to be "the most visited, the most accessible and best known church in New Zealand". Host Graeme Thomson explores the cathedral, its chapels and bell tower and outlines its history. He interviews Dean John Bluck and introduces hymns and songs of praise sung by the cathedral's choir and an ecumenical congregation.

“An ironic comedy about a disconnected New Zealand family” is the tagline to this early Alison Maclean short. Recently widowed Nan (Yvonne Lawley) assesses her life and the roles prescribed by her family as she readies a Sunday roast. Her new plans — “I won’t be able to make the Christmas Cake this year” — rattle the shackles of her Old Testament-bashing husband and her ex-All Black son. Nan was a comeback leading role for Lawley after time away raising a family. Written with playwright Norelle Scott, Maclean’s short screened with the About Face TV series.

In this special Easter episode of TVNZ’s Sunday morning mainstay, original Praise Be host Graeme Thomson introduces hymns from some of the country’s oldest churches. Throughout the country church choirs deliver praise, while Thomson offers intermittent quotes from the bible to remind viewers of the true meaning of Easter. The special includes a hymn performed inside Christchurch’s iconic cathedral, before it was destroyed in the 2011 quakes. Praise Be first debuted in 1986, and has been on air ever since, apart from two years off the air in the mid 2000s. 

Since debuting in 1986, Praise Be has become a Sunday morning perennial. In this extended 1993 Christmas special, original Praise Be presenter Graeme Thomson travels far and wide in search of heavenly vocals: including big city cathedrals, schools, among singing sailors at Devonport Naval Base, and to a disused Canterbury flour mill, where the local farming community pack in for 'Away in a Manger'. A number of TV personalities (Judy Bailey, Phillip Leishman) also make appearances, to talk about Christmas and read from the bible.

This July 1977 Seven Days report tunes in to Radio 1XX Whakatane, NZ’s then-smallest private radio station. Coastline Radio has been giving the Eastern Bay of Plenty its own MOR voice for six years. Seven Days reveals tensions between DJs in cut-throat jousting for spots. On-trial Breakfast DJ John Adeane describes his job as “personality projection” as he chugs on a Camel and rouses “the country giant”. He warns of the danger of being “an attractive proposition to the girls in town”, and describes behind the scenes activities during the religious programming.

After efforts to crack the UK market in the late 80s, The Dance Exponents returned to New Zealand, rebranded themselves as The Exponents and released chart-topping 1992 album Something Beginning with C. This song was one of a series of hook-laden follow-ups to the first single — top five hit ‘Why Does Love Do this to Me?’. The Kerry Brown-directed video sees the band playing the tune in front of a kaleidoscope of cosmopolitan backdrops (New York, fairgrounds, religious icons) which loosely echo the song's lyrics. Singer Jordon Luck is in dapper Mad Hatter mode.