Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order). 

Snow collects together titles celebrating the scenic, recreational and spiritual call of New Zealand's mountains and ice. They include retro ski classics Flare and Off the Edge, Sir Ed saga Kaipo Wall, and NZ's first Oscar nominated film Snows of Aorangi. The collection features everything from ski ballet, Middle Earth glaciers and mountain parrots, to polar ice-fishing. 

The urgent, pulsating 'Just a Little Bit' was the second single for Auckland electropop duo Kids of 88. On a set lit by suitably retro fluorescent light tubes, director Tim van Dammen's clip echoes the video for the band's debut 'Our House' — but with models fighting each other rather than having paint poured over them. Van Dammen's aim was to create "a fight, but shot to look like an orgy" — and, by the end of the video, the line between passion and aggression is all but indistinguishable. The single and video were both winners at the 2010 Vodafone NZ Music Awards.

This iconic travelling TV game show pitted teams representing New Zealand towns against each other in a series of colourful physical challenges. Top Town was run over a series of weekly heats, staged in different towns on local sports fields. It leveraged nostalgia for a fast-fading time when NZ's population (and identity) resided in rural hub towns. The series was light-hearted light-entertainment gold, but the battle for civic bragging rights was serious stuff and it screened for 14 years from 1976 until 1990.

This long-running travelling TV game show pitted towns against each other in a series of physical challenges. Leveraging nostalgia for a fast-fading time when NZ's population (and identity) resided in rural hub towns, Top Town was Kiwi light-entertainment gold. This 1977 final, presented by Howard Morrison and radio host Paddy O'Donnell, features short shorts, jockettes, greasy poles, 'balloon baloney', and beautiful scorer Theresa. A large crowd at Okara Park watch Timaru, Greymouth, Waihi and Woodville compete for civic bragging rights in the sun.

This first episode in the second series made about “South Auckland’s finest singer”, Wayne Anderson, sees his career at a crossroads. Poor sales have torpedoed his breakthrough concert at Sky City and his manager, Orlando, is preoccupied with his new job at a car park. Still, there’s a gig at Acacia Cove — the most glamorous venue on the rest home circuit; and Wayne is now getting styling advice from Faye (a fellow member of the Elvis Presley Fan Club). Even more exciting is the prospect of taking his music to Manukau with his own radio station.

“The big ALL FUN show for the whole family to enjoy!” said the ads for this musical comedy, which was one of only two New Zealand features made in the 1960s. Moving from Sydney to a Rotorua music festival, the plot follows the romance between a lively drummer (Gary Wallace) and Judy (Carmen Duncan), and the hurdles they face to stay true. This is only an excuse for a melange of madcap, pep-filled musical fun. Made by John O’Shea’s Pacific Films, the movie features performers Howard Morrison, Kiri Te Kanawa and Lew Pryme, plus distinctive graphics by artist Pat Hanly.

Wayne Anderson is a man out of time. His three and a half octave voice and undying devotion to the “evergreens” of popular music (Elvis, Engelbert and Tom) should surely have seen him in Vegas by now. However, despite the best attempts of hapless manager Orlando, Wayne’s star has never ascended higher than the rather less lucrative Manurewa rest home circuit. The cameras follow him in his quest for a show business career – along with the perfect perm and hot pie – in a series where the boundary between fact and fiction is as elusive as that big break.

This isn't an apartheid manual or minimalist design code, but a 1952 road safety film from the National Film Unit. The film follows 'Mrs White' and 'Mrs Black' leaving their respective homes (on foot) for a bridge evening. Mrs White wears visible clothing and faces the traffic (would a modern colour remake see a Mrs Fluoro?). Mrs Black dresses eponymously and walks with her back to the traffic. Predictable results ensue. Modern viewers who associate such character names with Reservoir Dogs will not be disappointed by the suspenseful denouement.

This debut episode of a not completely fictional series follows Wayne Anderson, “Manurewa’s greatest singer”, and his attempts to break out of the rest home circuit and find fame and fortune. Wayne dreams of taking the evergreen music of his idols Engelbert and Elvis to the world. But even his manager’s show business links  — he works in a video store  —  aren’t bringing in the 50 dollar gig needed each week. Things may be looking up with the best perm Wayne’s ever had, plus an audition in a Karangahape Road bar. As a non-driver, he will have to get there by bus.