Separation City is a comedy-drama about the complications that ensue as two marriages collapse. Men's groups and midlife crises in contemporary Wellington make up the world in which the multi-national cast explores, in screenwriter Tom Scott's words, "biology and human nature". This feature marks the first solo film script by political cartoonist Scott, who honed his writing skills on a run of TV projects during the two-decade journey to bring the film to the screen. Successful commercials director, Australian-based Kiwi Paul Middleditch, directs.
NZ On Air began funding local content in 1989. Timing in with the launch of a new funding system, this collection looks back at the 20 most watched NZ On Air-funded programmes over the years (aside from news and sports). Ratings information is only available from 1995, so this is how things have shaped up from 1995 to 2016 — plus some bonus titles. Most of the Top 20 has been captioned. Ex NZ On Air exec Kathryn Quirk tells us here how the complete list rated, while original NZOA boss Ruth Harley remembers how it all began.
NZ On Air is 30 years old! Over three decades, countless stories and songs reflecting New Zealand's culture and identity have been created, thanks to the organisation's investment of public funds. To celebrate this milestone, NZ On Air asked well-known Kiwis to reflect on a programme or song from the past 30 years that has stuck with them — then asked some of those who worked behind the scenes to provide their perspective. Plus Ruth Harley, the first boss of NZ On Air, describes how it all began.
For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
Smash Palace is a Kiwi cinema classic and launched Roger Donaldson's American career. Al Shaw (a brilliant, brooding Bruno Lawrence) is a racing car driver who now runs a wrecker's yard in the shadow of Mount Ruapehu. His French wife Jacqui is unhappy there and leaves him, taking up with Al's best mate. When she restricts Al's access to his young daughter, his frustration explodes and he goes bush with the girl, desperate not to lose her too. "There's no road back" runs the tagline. New Yorker critic Pauline Kael called the film "amazingly accomplished".
Director Vea Mafile'o's Tongan father Saia drives this deeply personal film. Vea raises thorny questions about the relationship between money and the church in Tongan culture, questions that caused her Kiwi/Tongan family pain. Pensioner Saia Mafile'o's dedication to raising large amounts of money for Misinale (an annual church celebration) upset his children and splintered his marriage. Mafile'o returns to Tonga with her father and siblings, to attend the Misinale and learn why the financial sacrifice matters to him. The documentary debuted at the 2019 Berlin Film Festival.
Nothing Trivial followed the lives and loves of five friends in their 30s and 40s, who compete in a weekly pub quiz. In this first 10 minutes of the debut episode, the Sex on a Stick team — played by Shane Cortese, Tandi Wright, Nicole Whippy, Debbie Newby-Ward and Blair Strang — gather at The Beagle to wrestle with John Wayne Bobbit trivia, and the trials of nearing middle age. The show was created by Rachel Lang and Gavin Stawhan (Go Girls). In the background piece, Lang explains how the show came to be, and argues Kiwis could give its professional actors more credit.