The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
'L'Amour est l'Enfant de la Liberte' became a major 70s smash after it won television talent quest Studio One. Composed by Shade Smith, and sung by his twin brother Gerard, it topped the charts for six weeks in 1971, and became a fixture on Kiwi radio and TV. Sales of over 30,000 copies made it one of the biggest selling local songs of the era. Here, the band revisit freedom’s love child 14 years after birth, with a short rendition for a variety show at Wellington's Michael Fowler Centre. The show was made to mark 25 years of television in New Zealand.
“Through falling leaves I pick my way slowly…” In 1970 a musical paean to getting your nature buzz topped the charts. ‘Nature’, by The Fourmyula, became a Kiwi classic: in 2001 an APRA poll voted it the best local song of the past 75 years. This 2010 Close Up report, from Auckland’s Montecristo Room, sees presenter Mark Sainsbury introduce the band's second performance of 'Nature' in Aotearoa (the band were overseas when it topped the charts). He quizzes composer Wayne Mason, and drummer Chris Parry recalls encountering The Clash while working in the English music scene.
Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe.
This fast-paced trip through Bruno Lawrence’s first 50 years combines interviews, clips from his many film and TV roles, and priceless material from the vaults (early acting parts, Edmund Hillary presenting Bruno with a Feltex). Bruno talks about favourite roles, the challenges of breaking into the US after hit Smash Palace, and the music-based film he long hoped to direct. LA Times critic Sheila Benson raves about both Bruno and Sam Neill. The Bruno interviews conducted for this doco would later win an extended airing in biographical doco Numero Bruno.
Rocked the Nation launched in 2008 with six one hour-long shows. Production company Satellite Media ransacked the archives and interviewed protagonists, to survey 100 key moments in Kiwi music history: including smash hits, riots, TV talent shows, and sex, drugs and rock’n’roll. Hosted by Karyn Hay, the series screened on C4 during NZ Music Month, and was the channel’s highest-rating series to that date. Follow-up series counted down 100 New Zealand Pop Culture Stories (2009, hosted by Rhys Darby) and 100 New Zealand Sporting Moments (2011, hosted by Dai Henwood).
With more than three million song plays on their MySpace page, pop-punk rockers Goodnight Nurse led the way in Kiwi cyberspace popularity; the Auckland quartet also produced a string of Top 40 singles. The band's first album Always and Never was released in 2006 and Keep Me On Your Side followed it in 2008, which peaked at number five in the charts. Frontman Joel Little went on to produce Lorde’s smash hit album Pure Heroine, winner of a pile of Tui, Grammy and Brit awards; while guitarist Sam McCarthy went on to co-found synth pop duo Kids of 88.
This episode from Communicado’s series about popular culture heroes focuses on entertainment legend Howard Morrison. Presenter Neil Roberts finds him doing what he does best — performing live at the Huntly Working Men’s Club. He traces Morrison’s life from a Rotorua upbringing through stardom with The Howard Morrison Quartet, a solo career with appearances as The Sexy Savage in Manila, his smash hit ‘How Great Thou Art’ and work in TV and film (in his own feature Don’t Let It Get You, and as a singing shearer in Australia with a young Olivia Newton-John).
Before you could call her Queen Bee and ‘Royals’ became a Grammy-winning smash hit, Ella Yelich-O’Connor was a singer in Extreme and competing in the covers category of the 2009 Intermediate Schools Battle of the Bands finals. The 12-year-old Belmont Intermediate student and her band belt out covers of ‘Man on the Silver Mountain’, by British rockers Rainbow, and ‘Edie (Ciao Baby)’, The Cult’s tribute to Andy Warhol heroine Edie Sedgwick. “The gods lay at your fee-e-eet …” Ella. Post-performance Ella bemoans a “sore voice”, but Extreme still manage to take third place.
Acclaimed Director of Photography Leon Narbey has had a hand in many of New Zealand’s best known films. He directed the feature film Illustrious Energy in 1987, and has been the DOP on other major film projects such as Desperate Remedies; The Price of Milk; and the smash hit Whale Rider. More recent films include the Topp Twins doco Untouchable Girls and Samoan language feature The Orator.