It is time to pull back the curtains on classic Kiwi TV soaps of yesteryear. Soap operas officially hit NZ television in 1975: two of them did actually, although Close to Home was the one that lasted (A Going Concern was the one that didn't). The other longstayers in this Spotlight collection are...
It's now been more than 40 years since pioneering soap opera Close to Home first beamed into Kiwi living rooms. For just over eight years, the life and times of Wellington’s Hearte clan screened each Monday and Tuesday night. Toast the Heartes with the first and final episodes, plus a special com...
Dirty tricks, changing allegiances, a big public vote to see who stays ... it all sounds like a reality TV show. Alas it’s politics. Many of our representatives had practice for the soap opera of life in The House. See speculating John, smiling Lockwood, dancing Pita, charming Bob, geeky Charles,...
After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.
Close to Home first screened on TV One in May 1975 and ran for eight years. The popular and ground-breaking series was New Zealand television's first soap opera. It was based in Wellington and centred around the trials and tribulations of the Hearte family. At its peak in 1977, Close to Home attracted a twice weekly audience of one million viewers.
Steve La Hood began directing on soap opera Close to Home, and went on to direct tele-play Swimming Lessons, Bruno Lawrence documentary Numero Bruno and episodes of Shark in the Park and Shortland Street. He also produced ground-breaking series The Marching Girls. These days he creates multimedia attractions around the globe with company Story Inc, alongside James McLean.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
A forgotten slice of New Zealand TV history, A Going Concern was the country's second, short-lived soap opera. Launched in July 1975 — two months after rival soap Close to Home — it revolved around the staff of a South Auckland plastics factory. The characters were a mixture of Pākehā and Māori, plus a Brit (entertainer Ray Woolf, in his first acting role). Apart from this 23 second clip pulled from a 1975 variety show, the series is believed destroyed. A Going Concern won solid reviews, but the new channel's limited coverage affected audience numbers; it ended after a year.
The first episode of Shortland Street starts with a pregnant woman being rushed to the clinic after an accident. Only the doctors are all missing. Visiting Doctor Hone Ropata (Temuera Morrison), who is soon to join the Shortland Street team, makes the call to deliver the baby. Head nurse Carrie Burton (Lisa Crittenden) disagrees, and proceeds to mention that Doctor Ropata is no longer in Guatemala. This first episode of the five night a week soap screened on 25 May 1992. It would go on to become New Zealand's longest running TV drama (but not our first soap — that was Close to Home).
This is the final episode of the pioneering Kiwi soap. TV One’s Hearte family saga achieved enormous popularity during its eight year run, and provided a training ground for a generation of screen talent. But by 1982 Close to Home’s characters were aging, and the show faced competition from US youth-focused fare (eg. Fame, The Six Million Dollar Man). With this 818th episode it was time for moving house, nostalgic re-caps, for The Seekers’ ‘Carnival is Over’ to score the opening credits, and for Tom (John Bach) to stub out his last ciggie and write the ending.