Jonathan Brugh and Jason Hoyte were once the shirtless, high energy, tights wearing 90s comedy duo Sugar and Spice. Here the pair reminisce about having fun on stage, thriving on failing and more...including: Being introduced through mutual friend Brendhan Lovegrove, and immediately hitting it off Feeling exhilarated after their second ever gig was a "hideous failure", with the audience throwing ice at them "Pretending" to be comedians by wearing no clothes and being messy, because they didn't know how to make jokes Performing on comedy show Pulp Comedy for the first time using baked beans and shaving cream Hoyte recalling the "tremendous thrill" of acting in TV comedy Seven Periods with Mr Gormsby — "I still get teachers coming up to me and telling me how much they love Gormsby" Brugh's joy in working and improvising on hit movie What We Do in the Shadows — including the beloved scene where his character Deacon showcases his erotic dancing skills
It started with grunge and ended with Spice Girls; Di died, Clinton didn't inhale and the All Blacks were poisoned. On screen, Ice TV and Havoc were for the kids and a grown-up Kiwi cinema delivered a powerful triple punch. Tua's linguistic jab proved just as memorable, Tem got a geography lesson and Thingee's eye popped and reverberated around our living rooms.
Sam Neill has acted in forgotten Kiwi TV dramas (The City of No) and classic Kiwi movies (Sleeping Dogs, The Piano, Hunt for the Wilderpeople). His career has taken him from the UK (Reilly: Ace of Spies) to Hawaii (Jurassic Park) to dodgy Melbourne nightclubs (Death in Brunswick). As Neill turns 70, this collection celebrates his range, modesty and style — and the fact he was directing films before winning acting fame. In these backgrounders, friends Ian Mune and Roger Donaldson raise a glass to a talented, self-deprecating actor and fan of good music and pinot noir.
The search for a New Zealand Spice Girls is underway in the first episode of this pioneering reality series. Manager Peter Urlich (formerly of Th' Dudes) and record company executive Mark Tierney (ex-Strawpeople) hold public auditions to find an all-female pop group for their record deal and TV series. The good, the bad and the unfortunate are out in full force. After an exhaustive selection process, Urlich and Tierney whittle down the talent to 15 hopefuls. The format for the show sold to multiple countries.
Pop Goes the Weasel was C4's twisted answer to iconic British pop quiz Never Mind the Buzzcocks, embracing a shambolic DIY approach with oversized props, lots of ribbing and an oiled up man in tights (the Weasel) handling the judging. It's fair to say that not every joke has aged well. This trans-Tasman stoush pits a young Dai Henwood and Evan Short from Concord Dawn, against Scott Owen from The Living End and a DJ called 'the Doctor'. Overseeing it all is quizmistress supreme, Jaquie Brown. Director Toa Fraser pops by to embarrass Henwood with a prank call.
Before he went Off the Rails Marcus Lush went off the beaten track to Egypt. He takes on a camel and donkey, drifts down The Nile aboard a felucca, samples the local fast food and deals with a dose of ‘Nile Belly'. Ancient treasures and stunning desert landscapes don't hide a more problematic recent history. But the warmth of the locals - Muslim or Christian - makes Lush a convert. When Lush tries the local Cairo barber he loses some eyelashes ("when in Rome") but nevertheless finds the whole Egypt experience to be an "eye opener."
Brendhan Lovegrove's comedy has been described as "verging on the psychotic side". He appeared on TV's A Night at the Classic and all eight series of Pulp Comedy. Lovegrove discusses his career in this Funny As interview, including: How he and friend Jason Hoyte (later half of comedy act Sugar and Spice) used to sit on a bench at school when they were eight years old, and make other students laugh Deciding that he wanted to do stand-up after watching an "electric" performance by Alan Brough Feeling blessed that one of his early stand-up gigs "bombed", as it made him work harder Moving to the United Kingdom, and performing at comedy clubs like Jongleurs and The Glee Club Taking a "long time" to feel confident on camera— his first TV appearance (on A Bit After Ten) was "terrible"
This Queer Nation episode, presented by Max Currie, is an overview of the capital city's queer history. The literary demimonde is first up: Katherine Mansfield's lesbian affairs and a scandal involving Norris Davey (aka Frank Sargeson). Then the role is explored of the Dorian Society (1962-1986) and its subgroup the Homosexual Law Reform Society, which paved the way towards decriminalisation in the 1980s. The programme also introduces viewers to NZ’s most famous trannies: Carmen and then-MP Georgina Beyer. Interviews and archive material spice up the history.
Paul Holmes signed off editions of his weeknightly current affairs show with "Those were our people today, and that's Holmes tonight". 'Our people' in this 1997 Christmas special — presented from the roof of TVNZ — include seemingly everyone deemed worthy of news in 1997: from surgery survivors, to stowaways (the notoriously laconic Ingham twins) and All Blacks. Reporter Jim Mora finds politicians bustling for cheery airtime; Tom Scott recalls where he was when Princess Di died; and international celebs (from the Spice Girls to Kylie) send wishes downunder.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.