NZ's first house record was a one-off studio project for Simon Grigg, Alan Jansson, Dave Bulog and James Pinker. With a nod to UK act MARRS' indie/electro hit 'Pump up the Volume' — and a sample from Indeep's 'Last Night a DJ Saved My Life' — it briefly featured in the UK club charts. The TVNZ-made music video borrows the record's original graphics (by novelist Chad Taylor) and marries them to a mash-up of 1960s black and white, music related archive footage (including C'mon) with the occasional novelty act and politician added for good measure.
Taking its title from a quote from Def Jam's Rick Rubin, NZ's first homegrown house record was a one-off studio project made by four graduates of the punk and post-punk scenes of the late 70s and early 80s — Simon Grigg (Suburban Reptiles manager and Propeller Records boss), Alan Jansson (Steroids and Body Electric), James Pinker (The Features) and Dave Bulog (Car Crash Set). It was released in NZ as a white label 12" 45 and made a brief appearance in the UK club charts. Grigg and Jansson went on to work together on OMC's international hit 'How Bizarre'.
Jam TV is a boutique production company owned and run by Melanie Rakena and Jane Andrews. The duo met while working at TVNZ and formed the company to make Intrepid Journeys, the long-running TV ONE show that took local personalities out of their comfort zones and into challenging locations around the globe. Jam has also produced a range of other well-received factual series including Off the Rails, ICE, South, and Off the Radar, as well as the documentary Our Lost War.
Whanganui Mayor and radio host Michael Laws visits Ecuador in South America for this Intrepid Journey. He is challenged by the tough travel conditions, and moved by the poor and difficult lives of the locals, but also manages to have some fun learning to salsa dance (this was before his Dancing with the Stars training); trying on panama hats (which, contrary to their name, originated in Ecuador); and shopping. In the city of Cuenca, Laws is surprised to find the presence of armed guards and police everywhere makes him feel safer than usual.
This is the Christmas episode of comedian Te Radar's green living series. In this excerpt, he prepares lunch for 17 family members, using only food he has hunted or grown himself. The turkey shoot (with a little help from his long suffering neighbour) reveals him to be a better shot than a spotter. Then it's on to preparations for lunch, which include removing "organic matter" from the dining area. His young nephews and nieces are given a glimpse of the wonder of new life, but are not spared the harsh realities of just where lunch is coming from.
This 2011 series has idiosyncratic host Marcus Lush roving over the northern tip of the North Island (from Auckland up). The first episode finds the self-confessed Jafa exploring all things Manukau Harbour: “this is something I’ve always wanted to do – arrive in Auckland by ship!”. Lush meets lighthouse lovers, learns about shipwrecks and World War II Japanese subs, goes shark tagging, travels by waka to a small island, and talks Mangere Bridge with comedian Jon Gadsby. North was the follow-up to JAM TV’s award-winning 2009 series South, also fronted by Lush.
Jon Gadsby visits Myanmar (formerly Burma) and discovers an achingly beautiful country. But behind endless golden temples and scenes from Kipling, Gadsby finds "a place of contradiction" where many live in abject poverty, controlled absolutely by their military government (most famously the ongoing house arrest of democracy advocate Aung San Suu Kyi). When Gadsby visits, it is not a country to be travelled to lightly. He finds the locals to be open and willing to play host; yet he is struck overall by their "sad beauty".
Media satirist Jeremy Wells travels through Libya and coments on what he sees with his trademark impassive delivery. He dresses in traditional male garb, takes in Tripoli's ancient medina, dines in traditional Berber settlements, and journeys through the Jebel Nafusa highlands. On the way Wells rides an angry camel, complains about the lack of women, holds hands with a man, and recounts Colonel Gaddafi trivia, musing with deadpan gormlessness, "he must be nice because nobody seems to have a bad word to say about him."
While Rawiri Paratene was directing TV's Korero Mai, conversation turned to Intrepid Journeys, and he mentioned offhandedly that he'd love to be a presenter. At the end of the day Paratene got an urgent message to call his agent: the Intrepid producers wanted him to guide an episode. Weeks later he found himself in Nicaragua, engaging with the people, places and troubled history of the country. But as this excerpt shows, it is the children who will live on in his memory. Paratene proves himself a generous host, revealing something of himself as much as Nicaragua.
Veteran broadcaster Paul Holmes brings his trademark stream of introspection and acerbic wit to the ancient cultures of Yemen in the Middle East. Holmes gets a lot of mileage from the country’s many curiosities: soldiers on patrol holding hands; the high volume manner of daily conversation and the ubiquitous Khat, a chewing plant known for its amphetamine-like effects. This excerpt sees him changing into an outfit that has more in common with the locals, and suddenly feeling much more welcome than before.