You are here:

Mauri

Film, 1988 (Drama, Māori)

 Mauri

Synopsis

When she made Mauri, Merata Mita became the first Māori woman to direct, write and produce a feature film. Mauri (meaning life force), is loosely set around a love triangle and explores cultural tensions, identity, and a changing way of life in a dwindling East Coast town. As with Barry Barclay's Ngati, Mauri played a key role in the bourgeoning Māori screen industry; the production team numbered 33 Māori and 20 Pākehā, including interns from Hawkes Bay wānanga. NZ art icon Ralph Hotere helmed the production design; Māori activist Eva Rickard played kuia Kara.

Credits (17)

 Merata Mita
 Don Selwyn
 Sonny Waru

Post a comment

   
I am:
 

Please keep your comments relevant to this title. Email addresses are never displayed, but they are required to confirm your comments.

Comments (0)

Produced by

Favourite:

You need to be logged in to add to your favourites.

Related Titles (11)

 Patu!

Film, 1983 (Full Length)

Documentary directed by Mita

 Hotere

Film, 2001 (Full Length)

Mita-directed doco on Mauri production designer Ralph Hotere

 Koha - Nga Pikitia Māori

Television, 1987 (Full Length)

1987 doco about the Māori film industry, featuring Mita talking about Mauri

 Restoring the Mauri of Lake Omapere

Film, 2007 (Full Length)

Doco on restoring the mauri of a degraded Northland lake

 Making Utu

Television, 1982 (Full Length)

Mita features in this making-of doco

 Boy

Film, 2010 (Excerpts and Extras)

Another East Coast story, co-Produced by Mita

 Utu

Film, 1983 (Trailer and Excerpts)

Mita features as an actor

 Ngati

Film, 1987 (Excerpts)

Directed by fellow Māori filmmaker Barry Barclay with similar production ethos

 This Way of Life

Film, 2009 (Trailer and Excerpts)

Another East Coast story

 The Makutu on Mrs Jones

Short Film, 1983 (Full Length)

Sonny Waru appears in this television drama

 Kete Aronui - Merata Mita

Television, 2007 (Excerpts)

Mita discusses her journey as an artist in this TV doco

Quotes

It was a quietly satisfying moment to enter the theatre on the opening night of Mauri and see the pride of so many brown faces. I am very proud to have made something for us, so relentless and uncompromising, and for me it was another brief fulfilled.