Roger Donaldson: Sleeping Dogs, Smash Palace, Hollywood, and more…

Early in his career, director Roger Donaldson was mixing risky adventure documentaries (The Adventure World of Sir Edmund Hillary) with adaptations of classic Kiwi short stories (Winners & Losers, made with his friend Ian Mune). Donaldson and Mune then turned CK Stead’s novel Smith’s Dream into movie Sleeping Dogs. Donaldson's second feature Smash Palace got him noticed overseas. Since Smash Palace, Donaldson has thrived in Hollywood, working with Tom Cruise, Mel Gibson, and Kevin Costner. He returned to New Zealand for Burt Munro biopic The World’s Fastest Indian.

In this ScreenTalk interview, Donaldson talks about:  

• Filming commercials for Norman Kirk’s Labour Party
• Taking risks to film at high speeds on the Bonneville Salt Flats in Utah for Offerings to the God of Speed
• The treacherous conditions on The Adventure World of Sir Edmund Hillary, and having his feet warmed in someone else’s armpits while sheltering in a snow cave
• Getting support from Don Brash and the NZ Air Force for his counter-culture film Sleeping Dogs
• Arranging a private screening of Sleeping Dogs for then Prime Minister Robert Muldoon 
• The moment he was inspired to write Smash Palace
• Convincing a reluctant NZ Film Commission to back the film
• Changing the child character from a boy to a girl after meeting Greer Robson
• How Smash Palace’s climactic train scene was filmed 
• Writing a sequel to Conan the Barbarian with Ian Mune
• Taking over from David Lean as director of The Bounty
• Helping to create a Beach Boys revival thanks to the soundtrack to Cocktail 
• Making up with Anthony Hopkins after falling out on The Bounty 

This video was first uploaded on 8 September 2014, and is available under this Creative Commons licence. This licence is limited to use of ScreenTalk interview footage only and does not apply to any video content and photographs from films, television, music videos, web series and commercials used in the interview.

Interview and Editing – Gemma Gracewood. Camera – Brett Stanley