Fraser Brown's acting roles have included a paranoid lawyer (Shortland Street), cynical womanising DJ (Insiders Guide to Happiness), and manager to a deluded politician (The Pretender). Behind the scenes, the former ski instructor has production managed the Cannes-nominated short Nothing Special, co-produced World War II short Dead Letters and is producing upcoming Paolo Rotondo feature Orphans and Kingdoms.
I'm an actor first and foremost. Part of me loves the totally creative element of acting. But there's another part of me that misses the logical, multi-faceted element to producing. Maybe I'm just greedy? Fraser Brown on whether he prefers acting to producing
Bruce McLaren was one of the icons of motor racing in the sport's 60s ‘golden age’ – he won four Grand Prix, and joined fellow Kiwi Chris Amon to win the 24 Hours of Le Mans. The McLaren team he founded became one of the most successful in Formula One. In this documentary, director Roger Donaldson returns to the tarmac where he has made a mark before — Smash Palace, his fictional story of a race car driver, and two films inspired by Invercargill's DIY racing legend Burt Munro. Stuff reviewer James Croot called McLaren "engrossing, enlightening and surprisingly emotional".
Inspired by Witi Ihimaera's Bulibasha, Mahana saw director Lee Tamahori making his first film on local soil since a very different family tale: 1994's Once Were Warriors. Temuera Morrison stars as a 60s era farming patriarch who makes it clear his family should have absolutely nothing to do with rival family the Poatas. Then romance enters the picture, and son Simeon sets out to find out how the feud first started. The powerhouse Māori cast includes Nancy Brunning (who is included in the interview clips) and Jim Moriarty. Mahana debuted at the 2016 Berlin Film Festival, before NZ release.
The first animated feature made and originated in New Zealand, 25 April tells the story of the country's involvement in an ill-fated mission to take a piece of Turkish coastline during World War I. 2700 Kiwis died and ‘ANZAC’ became a symbol of national identity. Director Leanne Pooley mines archive war diaries, and uses graphic novel style recreations from Flux Animation to evoke the the perspective of six participants. 25 April debuted at the 2015 Toronto Film Festival. Alongside the excerpt, a short making of video shows how facial motion capture fed into the film's distinctive look.
This telefeature follows the gruelling journey of Archibald Baxter, a pacifist who defied conscription and chose, on moral grounds, not to fight in World War I. The Otago farmer (father of poet James K), was one of 14 Kiwi 'conchies' who were jailed, disenfranchised and shipped to the war in Europe. There Baxter, played by actor Fraser Brown, was tied to a post in freezing conditions, then forced to the Front. The film continues a run of Lippy Features tales adapted from true events (Tangiwai, Until Proven Innocent); it screened on TV ONE on 22 April 2014.
Described by writer/director Paolo Rotondo as a “drama about how adults need kids as much as kids need adults”, Orphans & Kingdoms follows three teens on the run, who break into a holiday home to hide out. Then the owner (Colin Moy, who played the brother of the main character in In My Father’s Den) arrives home, followed by the police. Shot on Waiheke Island, the low-budget Escalator film had a sell-out world premiere at the 2014 Auckland Film Festival, before winning a Moa award for best editing. Best known as an actor, Rotondo won awards for writing short film Dead Letters.
This TV3 drama series follows the travails of a cop (Oscar Kightley) as he pursues justice on the mean streets of Auckland. Solo parent to a teenage daughter (following his wife’s suicide), Detective Sergeant Harry Anglesea is thrown into a murder investigation and an underworld of P and gang violence. Harry, not a stickler for the rules, marked a rare dramatic turn for Oscar Kightley. Sam Neill plays his policing buddy. NZ Herald reviewer Paul Casserly called it a “great, gritty crime show”. Harry was notable for using unsubtitled Samoan in primetime.
This first episode of this 2013 crime drama begins with a meth-fuelled bank heist gone very wrong. Harry is a Samoan-Kiwi detective (played by Oscar Kightley, a million miles away from Morningside) pursuing justice in South Auckland. Sam Neill, in his first role on a Kiwi TV series, plays Harry’s detective buddy. Off the case, Harry struggles with his teen daughter in the wake of his wife’s suicide. The Chris Dudman-directed series screened for a season on TV3. Broadcaster John Campbell tweeted: “Not remotely suitable for kids. But nor are many excellent things.”
In director Grant Lahood's 2013 Tropfest NZ entry a young boy takes Kiwi ingenuity to the next level by creatively adapting his gumboots to net sporting victory. But it’s a risky move. Sprung marks a return for Lahood to his dialogue free short film beginnings (eg. Cannes award-winner The Singing Trophy, and his debut Snail’s Pace). Like those shorts, Sprung has a devilish sense of humour, and a crisply edited contest of wills. The ode to the courage of the young and the unpredictability of science was scored by veteran film and TV composers Plan 9.
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Former Campbell Live reporter Brown plays an egomaniacal journalist looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The second series was retitled for DVD release as The Jaquie Brown Odyssey; both series won acclaim and Best Comedy gongs at the Qantas Film and TV Awards. The Listener gushed: "A local sitcom that doesn't suck."
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Brown plays an egomaniacal reporter looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The show won Best Comedy at the 2009 Qantas Film and TV Awards. This episode sees Jaquie striving to exit Woman's Day's 'Plump it Hottie' section, appropriating a tampon, and performing in a celeb singalong.
"This is me. This is my husband …" So narrates Evie as she watches her younger self labour with child-birth. "And this is the bitch who will one day steal him, and ruin my life." When the bitch is shown as an angelic six-year-old the tone is set for Katie Wolfe’s award-winning black comedy (her debut short as a director). Writer Kate McDermott’s wry narration moves between then and now, as fate delivers a less than wonderful life in Auckland suburbia. The Sundance-selected film was a break-out festival success, earning Wolfe notice as a filmmaker to watch.
During WWII the Post Office photographed letters, enabling mass mailing to soldiers via rolls of film. Post Office worker Ngaire (Yvette Reid) deals with mail for soldiers serving overseas. On this small, handsomely-framed canvas, writer-director Paolo Rotondo explores how war and distance affect relationships. Dead Letters makes a persuasive case that the memories preserved in words and film contain their own magic, even when that magic is tinged with sadness and death. It won best short screenplay at the 2006 New Zealand Screen Awards.
Written by Helena Brooks and comedian Jaquie Brown, Nothing Special could be seen as a cautionary tale: it's good to love your son, but not so good to think he's Jesus reincarnate. How can Billy escape the crazed adoration of his doting Mum? By striving to be the most boring man he can be. Featuring an aptly quirky soundtrack (Blerta's 'Dance All Around The World') and a very funny performance by Alison Routledge as the quintessential overzealous Mum, Nothing Special was chosen for competition in the short film section at Cannes (2005).
The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)
This series follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. An ambitious 'meta' concept, strong performances from the ensemble cast and stylishly-shot Wellington locations won the Gibson Group drama awards and acclaim, particularly from its targeted youth demographic. In this excerpt from Chapter Eleven, Lindy accepts a job in Toronto but fails to tell boyfriend William; Barry and James discuss Chaos Theory and relationships; and Sam uses flowers in an attempt to fix things with Tina.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.