Gary Scott began his television career as an assignment editor on TV3's news desk, before joining Ninox Films as a writer and researcher. He directed documentaries then joined Wellington company Gibson Group in 2001, where he has produced or executive produced a slew of factual programmes and series, including Kiwis at War, Here to Stay and NZ Detectives.
Your best friends are a sense of humour and good aphorism. Gary Scott
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
Actor Michael Hurst began life in northern England, then moved to Christchurch at age eight. In this Here to Stay episode he looks at the pervasive elements of Kiwi culture that derive from mother England — from roasts, rugby, tea and the Mini, to a language and legal system. In this excerpt Hurst fries up fish'n'chips with Ray McVinnie, stalks deer with Davey Hughes, and explores how class ideals travelled south to Mt Peel and Christ's College .... A chorus of Kiwis, including ex-All Blacks' captain David Kirk and historian Jock Phillips, ponder the influence.
This documentary revisits six eventful weeks in 1949. Led by cameraman Brian Brake, an all-star art team — James K Baxter as scriptwriter, composer Douglas Lilburn and painter John Drawbridge (all under 30; Drawbridge was 19) — attempt to make a 'cinematic poem' about an ascent of Mt Aspiring. Baxter's notes on the trip evolved into his poem In the Matukituki Valley. Aspiring features a lost script, Drawbridge's memories (he recalls storyboards for a snow cave light show here) and a surprise ending. View footage of the never-completed film after the excerpt.
This episode of arts show Frontseat visits the inaugural edition of the Māori Film Festival in Wairoa, with Ramai Hayward and Merata Mita making star turns, alongside a tribute to teenage filmmaker Cameron Duncan. Elsewhere, Deborah Smith and Marti Friedlander korero about their She Said exhibition, and about photographing kids and staging reality; and Auckland’s St Matthew in the City showcases spiritual sculpture. A ‘where are they now’ piece catches up with Val Irwin, star of Ramai and Rudall Hayward's interracial romance To Love a Māori (1972).
This documentary explores resurgent interest in Anzac Day and examines the Kiwi desire to “remember them” (those who served in war) — ranging from patriotism to protest to burgeoning dawn services. The doco is framed around the return of the Unknown Warrior to a Wellington tomb in 2004; and a trip to Trieste, Italy, for Gordon and Luciana Johnston and their 24-year-old granddaughter Kushla. Gordon was a World War II gunner and Luciana an Italian nurse. Kushla learns of their war experience, and the early Cold War stand-off in Trieste following Nazi surrender.
During World War ll South Islander Sandy Thomas was fighting in Crete, when he was wounded and captured by the German Army. Unwilling to spend the war in custody he repeatedly plotted escape from hospital, to the point his Houdini efforts became a running joke among his captors. Nevertheless a successful escape attempt from the Salonika Prisoner of War camp would have him fleeing across the continent on his wounded leg, in an attempt to reunite with his comrades. Now retired, having reached the rank of Major General, Walter Babington Thomas recounts his escapades.
With five series and close to 100 episodes, Frontseat, produced by The Gibson Group, was the longest-running arts programme of its time. Billed by TVNZ publicity as a "topical and provocative weekly arts series investigating the issues facing local arts and culture", and hosted by actor Oliver Driver, it (sometimes controversially) took a broad current affairs approach to the arts of the day, covering "all the big events, reporting the stories, and interviewing the personalities."
A weekly TVNZ arts series hosted by Oliver Driver, Frontseat was the longest-running arts programme of its time, aiming a broad current affairs scope at arts issues and events. In the excerpts from this episode journalist Amomai Pihama investigates Māori arts brand, Toi Iho. Winston Peters, gallery owner Katariana Hetet, and CNZ's Elizabeth Ellis are among those interviewed. In another story Driver speaks with artists and the curator of the Telecom Prospect 2004 show at Wellington's City Gallery and Adam Art Gallery.
Raised in New Zealand by parents from Tokelau, What Now? presenter Jason Fa'afoi and his brother, reporter (and future MP) Kris have made their Wellington digs a Tokelau music free zone. In this documentary they join their parents and sister on a life-changing journey home. Aged 12, Dad Amosa was one of the first locals awarded a scholarship to be educated in NZ. Mother Metita left as part of a major resettlement plan. Neither has returned to Tokelau in 35 years. The Dominion-Post called the result “a great little documentary”; The Press rated it the best NZ documentary of 2004.
Gibson Group series Frontseat was the longest-running arts programme of its era. Hosted by actor Oliver Driver, the weekly series aimed a broad current affairs scope at the arts. The first excerpt asks the question "is there really an art boom, and if so, why aren't the artists benefiting?" Art dealer Peter McLeavey, late artist John Drawbridge and others offer their opinions. The second clip asks whether NZ really needs eight drama schools. Richard Finn, Miranda Harcourt and newcomer Richard Knowles (later a Shortland Street regular) are among those interviewed.
In this early, Edinburgh-centric episode of arts show Frontseat, Flight of the Conchords return to the Edinburgh Fringe Festival for a sellout third season — although they argue the new show is “a shambles”. Also present at the fest are an array of Kiwi technicians, performers, and arts programmers. Meanwhile in his Marlborough vineyard, globetrotting cinematographer Michael Seresin critiques Kiwi society and its ugly towns, and calls NZ a “lonely, soulless sort of nation”. Also on offer: Artist Phil Dadson in Antarctica, and award-winning dancer Ross McCormack.
This award-winning documentary is an account of the last days and sinking of Russian cruise liner Mikhail Lermontov. On 16 February, 1986, she ran aground on rocks in the Marlborough Sounds. Passengers were successfully evacuated, but a Russian crew member lost his life, and several were injured. Evidence is given by those who were there, with a particular emphasis on presenting the stories of the Russian crew, who were largely unavailable to the media at the time. A minute into clip nine, one young Russian agent bears a striking similarity to Russian president Vladimir Putin.
Blokes 'n' Sheds is a documentary where you'll find the content is exactly as titled: a tour of selected New Zealand blokes in their sheds, with the affable Jim Hopkins as tour guide. Based on Hopkins' best-selling book Blokes and Sheds (1998) the television version was made with the direct uncomplicated style that is a hallmark of Dunedin's Taylormade Productions. The contents of the sheds in question include vintage cars, oversize traction engines, a self-designed plane, and an old paddle-boat from the Whanganui River.
Sunday was one of a number of magazine-style shows to screen on TVNZ, in a weekend morning slot. It was hosted by Radio New Zealand presenter Kathryn Asare, who the previous year had been drafted in to present a similar show, 10AM. Liz Gunn (Breakfast) later took over the reins. Many of the items on Sunday had an arts bent, including pieces on designer/producer Logan Brewer, and La Sagrada Família architect Mark Burry. Sunday is not to be confused with the long-running TVNZ current affairs show of the same name.
TV3's late night news show was devised in 1990 to provide a mix of credible news and entertainment. Once the serious news of the day was dispensed with, the brief was that the show could be a bit "off" with few rules - and the freedom to push boundaries. That's exactly what presenters like Belinda Todd, Bill Ralston, Dylan Taite and David Farrier proceeded to do in the show's often infamous "third break". Meanwhile, newsreaders including Joanna Paul, Janet Wilson, Leanne Malcolm and Carolyn Robinson did their best to keep a straight face. "Yo Nightliners!"