Entertainer [Te Arawa]
His name was synonymous with entertainment in New Zealand. Dubbed Ol' Brown Eyes — Māoridom's version of Frank Sinatra — Howard Morrison's voice and charisma carried him through decades of success both here and abroad. From the Howard Morrison Quartet to time as a solo performer, Morrison's take on songs like 'How Great Thou Art' ensured his waiata an enduring place at the top of local playlists.
I remember as a young boy, growing up – we were always told to stand up and make a speech, stand up and sing a song, do this and do that ... when I look back, he was grooming us, training us for our journey. Actor Temuera Morrison, on his uncle Howard
Rocked the Nation launched in 2008 with six one hour-long shows. Production company Satellite Media ransacked the archives and interviewed protagonists, to survey 100 key moments in Kiwi music history: including smash hits, riots, TV talent shows, and sex, drugs and rock’n’roll. Hosted by Karyn Hay, the series screened on C4 during NZ Music Month, and was the channel’s highest-rating series to that date. Follow-up series counted down 100 New Zealand Pop Culture Stories (2009, hosted by Rhys Darby) and 100 New Zealand Sporting Moments (2011, hosted by Dai Henwood).
The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.
This animated TV comedy series is a modern day fairytale following the adventures of five kids growing up in one of Auckland's grungier suburbs. With a fearless, un-PC wit and Simpsons-esque celebrity cameos, it managed to be primetime and family-friendly. The popular show was made by Firehorse Films, and developed from the brazen and poly-saturated comedy of theatre group Naked Samoans. Screening on TV3 for five series it won Best Comedy at the NZ Screen Awards three years running and a Qantas Award for Ant Sang's production design. "Morningside for life!"
This 2002 documentary explores the stories behind one of Aotearoa’s most beloved songs: ‘Pokarekare Ana’. Claims for the authorship of the waiata aroha are examined, and Kiwis famous and lesser known reflect on the song’s place in the culture. Directed by Chas Toogood, the doco features classic performances: from St Joseph’s Girls’ Choir singing in the Waitomo Caves in 1960, to Inia Te Wiata going low in English, Kiri Te Kanawa soaring in concert, Hinewehi Mohi enlisting a 30,000 strong league crowd as backing singers, and sailing away in a 1987 America’s Cup campaign song.
This documentary tells the life story of entertainer Sir Howard Morrison. He discusses his Te Arawa whakapapa, whānau, and Anglican faith. Made by Bryan Bruce, it Includes footage of Morrison's investiture, a visit to his old school Te Aute, early performances by the Howard Morrison Quartet in Rotorua, and performances from throughout his career. Morrison is candid about his ego, his foray into film, and his marriage. An especially touching moment is a visit to an old Tūhoe friend (Morrison spent his early years in the Urewera) with a cloak made for his father.
Rotorua may be famous for its picture perfect scenery, but dig a little deeper under the boiling mud and you'll find a history bubbling with warfare, adventure and romance. This TV One documentary, presented by Te Arawa's own Sir Howard Morrison, traces the iwi's origins —from a fight over a beloved dog in Hawaiki, to the shores of Maketū in the Bay of Plenty. Morrison travels around the Rotorua region visiting important historical sites like Mokoia Island and his home marae at Ōhinemutu, on the shores of Lake Rotorua. Paul Gittins (Epitaph) directed the one-off special.
From 1996 to 1998 broadcaster Ian Fraser took time out from hosting current affairs, to MC this popular musical talent quest (Fraser, a trained pianist, also tinkled the ivories himself during the series). There were two finals: one assessed by studio judges, and one from viewers' votes. The performers ranged from covers bands to opera singers, from country and western to soul. Future Opshop members Jason Kerrison and Shay Muddle were judged runners-up in 1996 (as Akustik Fungi). Other contestants included Lisa Tomlins, opera tenor Shaun Dixon and actor Stig Eldred.
The Grand Final of this 1996 musical talent quest series Showcase was hosted by Ian Fraser. The nine finalists perform songs from Mozart on guitar, to 'Everything’s Gonna Be Alright'. The opening act is Akustik Fungi: Jason Kerrison, one half of the duo, would later find fame as singer for chart-topping band Opshop, and return the favour as a judge on New Zealand’s Got Talent. The Showcase judges are Sir Howard Morrison, actor Rima Te Wiata, Dame Malvina Major (who performs) and Eddie Rayner (who got his break on TV talent show New Faces, while part of Split Enz).
Ol’ Brown Eyes celebrates 40 years in showbiz with this variety concert, alongside some of his mates including Ray Columbus and Bunny Walters. The show is mostly live entertainment, punctuated by a few nostalgic field stories where Sir Howard acknowledges his upbringing and Māoritanga. The show ends with the Morrison whānau performing, followed by the hymn that gave Sir Howard a number one hit in 1982: ‘How Great Thou Art’. This TV special was dedicated to Sir Howard’s mother Kahu, who was an outstanding singer in her own right.
John O'Shea was godfather to generations of Kiwi filmmakers; he was an inspirational force committed to bringing new perspectives to the screen. As Ngati actor Wi Kuki Kaa put it, "had he been a Māori, he would have been a kaumatua years ago". This documentary backgrounds O'Shea and his pioneering indie production company Pacific Films, ranging from his efforts to put Māori on screen, to banned 60s ads. The cast provides proof positive of O'Shea's influence — amongst the ex-Pacific staff interviewed are the late Barry Barclay, Tony Williams and Gaylene Preston.
One shaggy dog, dozens of humans, and a smorgasbord of Kiwi scenery: viewers were glued to the screen for this TV One promotional campaign, which began screening in August 1991. The six-part promo followed a lovable sydney silky poodle cross travelling the country by car, train and paw. En route, roughly 50 Kiwis make blink and you'll miss it appearances: including sporting figures, local townspeople, and 20+ TV personalities (see backgrounder for more info, and clues on who is who). The popular promos were directed by Lee Tamahori, before he made Once Were Warriors.
In the year of his knighthood, Sir Howard got to fulfil a long-held dream — playing with the Auckland Philharmonia Orchestra. Broadcast on TV One in October 1990, this is a big show, from its opening Space Odyssey theme, through the operatic numbers to finale ‘This is the Moment’. It is classic Howard Morrison in its blend of cabaret, humour and Māori culture. Sir Howard performs his most controversial song, ‘My Old Man’s An All Black’, with comedian Billy T James, and has ex-All Blacks captain Buck Shelford up on stage to lead the haka alongside Temuera Morrison.
This episode from Communicado’s series about popular culture heroes focuses on entertainment legend Howard Morrison. Presenter Neil Roberts finds him doing what he does best — performing live at the Huntly Working Men’s Club. He traces Morrison’s life from a Rotorua upbringing through stardom with The Howard Morrison Quartet, a solo career with appearances as The Sexy Savage in Manila, his smash hit ‘How Great Thou Art’ and work in TV and film (in his own feature Don’t Let It Get You, and as a singing shearer in Australia with a young Olivia Newton-John).
Howard Morrison visits France for the first time in this two-part Kiwi production, made to mark the bicentenary of Bastille Day. His tour of French culture begins on the Champs-Élysées on the big day itself, then ranges from Napoleon to Notre Dame, with visits to the Musée de l’Homme to see taonga, plus crepe-flipping and Parisian cabaret (where he belts out a song onstage). When the Māori leaves Metro range, it’s fishing in Neuvic and ‘Pokarekare Ana’ accompanied by accordion. In Corrèze he meets another Kiwi, and uses a minitel (an early version of the world wide web).
In April 1990, Billy Taitoko James came back from years of ill health, and made a triumphant return to performing his unique brand of music and comedy. It was a last hurrah for James, whose transplanted heart gave out on him the following year, but it's a worthy swansong. His unique brand of humour is captured at its affable, non-PC, best, with Billy T giving everything he's got — every gag is rounded off with his trademark 'bro' laugh — a loudly appreciative audience. NZ On Screen has two excerpts. Guests include Sir Howard Morrison. Read more about Billy T and the show here.
In this second part of Kia Ora Bonjour Sir Howard Morrison continues his exploration of France — plus an early Kiwi French connection. Back in Rotorua he welcomes Les Bleus (the French rugby team), teaches them about the haka, and looks back at Marion du Fresne’s first, fatal contact with Māori in 1772. In France Morrison checks out Bordeaux wines, takes a spa in Dax, goes fishing in multicultural Marseille, takes a TGV fast train, and cruises Paris in a Citroën. The Kiwi production was made for TV3, to mark the bicentennial of the French Revolution.
'My Old Man’s an All Black' was a big hit for the Howard Morrison Quartet in 1960. The song subverted 'My Old Man's a Dustman' to mock an apartheid South African decree banning Māori players from the touring All Blacks. In this 1990 performance, Morrison and Billy T James (months after heart surgery) update the song’s lyrics for a more recent controversy: the dropping of popular All Black captain Wayne 'Buck' Shelford. Howard ribs rugby’s supposed amateurism, and Billy T explains why Buck isn’t packing down in the scrum. The final haka includes an unexpected guest...
This seven-part documentary series chronicled the history of modern Māori music, from the turn of the century and Rotorua tourist concert parties, through to the showband era (Howard Morrison Quartet, Māori Volcanics, Māori Hi-Five) and reggae and hip hop. The programme ranged from ‘Ten Guitars’ to Tui Teka, from Guide Rangi doing poi to The Patea Māori Club, from opera singer Kiri Te Kanawa to Upper Hutt Posse, Ardijah, Herbs and Moana and the Moa Hunters. The acclaimed 1990 series was directed by Tainui Stephens (My Party Song, The New Zealand Wars).
Directed by Tainui Stephens, this 1990 TVNZ series surveyed Māori contemporary music. This second episode looks at the showband era (1950s - 70s), when musicians mixed genres (electric guitar, rock’n’roll) with Māori culture, to make a unique contribution to Kiwi show business. Acts like The Howard Morrison Quartet, The Māori Volcanics, The Quin Tikis and The Māori Hi-Fives took songs from marae to international cabarets. Music historian Chris Bourke praised the series for marking the role of showbands in the whakapapa of entertainers from Billy T James to Rim D Paul.
Howard Morrison gets the surprise of his life in this emotional reunion of his showbiz friends and whānau. Veteran This Is Your Life presenter Bob Parker consults his big red book to revisit all of Morrison's major career milestones. Known as 'The Sinatra of New Zealand' and 'Ol' Brown Eyes', Morrison was a New Zealand entertainment icon. The show brings back his first singing teacher, his Mum, Kahu, his sisters and many friends from the industry. The show is a roll call of major NZ entertainment figures who come to pay tribute to 'Mr Entertainment'.
Indie production house Communicado made their name with a stable of television shows that celebrated Kiwi culture. After the success of late-80s show That’s Fairly Interesting, the company began work on Magic Kiwis, a show devoted to heroes of popular culture. Mostly the cavalcade of Kiwi celebs were stars of entertainment (Howard Morrison, Split Enz) and sports (Susan Devoy, John Walker), with the odd politician thrown in. Over three series, the half hour shows combined classic clips and interview footage, all tied together in trademark upbeat style.
Based on the 1950s US show of the same name, This Is Your Life first began honouring and embarrassing famous New Zealanders in 1984. Past recipients of the Big Red Book have included Sir Howard Morrison, Davina Whitehouse, John Walker and many others. Bob Parker was the original presenter of the show (later hosts were Paul Holmes and Paul Henry). Before lives and careers are celebrated there's a moment of mild excruciation as viewers wait for the presenter to surprise the soon-to-be-anointed subject with the famous words: "This is your life''. XXXX
Speakeasy was an early 80s chat show hosted by broadcaster Ian Johnstone. Each episode explored a theme and invited a trio of subjects “who could talk well about their own experiences and views” (as Johnstone put it in his 1998 memoir Stand and Deliver). Produced by David Baldock, the subjects were “New Zealand events and issues but not news and politics”, and ranged from sports leadership, to returning home from overseas, to race relationships in Aotearoa. Interviewees included cricketer Glenn Turner, singer Howard Morrison and actor Ellie Smith.
This second episode of the early 80s chat show sees host Ian Johnstone welcome Howard Morrison, Pita Sharples and Rosa Tamepo to talk about ‘breaking in’. Morrison and Sharples discuss being Māori ‘breaking in’ to a Pākehā world. Tamepo reflects on being a Pākehā married to a Māori. Sharples recalls being a Kahungungu boy from the backblocks at Auckland University; Morrison twists the theme to talk about growing up as a Te Arawa tama in Tūhoe country. Made by David Harry Baldock, the show was inspired by the relaxed style of English interviewer Michael Parkinson.
This is Howard Morrison in his prime, wearing a white suit and a big smile. It’s a cabaret performance with all of Morrison’s hallmarks – big musical anthems, a few laughs and a lacing of Māori culture. His recent OBE award provides an opportunity for a self-deprecating gag – Ordinary Brown Entertainer – but this show proves he is anything but. A master of the ad lib, Morrison has a packed house hanging on his every word and note. Backed by the Yandall Sisters, he belts out a string of favourites, from ‘Begin the Beguine’ and ‘Mori the Hori’ to his hit single ‘Whakaaria Mai’.
“I hear the roooolling thunder”. Sir Howard Morrison’s classic bilingual rendition of the popular hymn comes from an October 1981 Royal Variety Performance, in front of Queen Elizabeth II and Prince Philip. Morrison's performance at Auckland's St James Theatre of 'Whakaaria Mai' marked a comeback for the veteran entertainer, who had been out of the spotlight working in Māori youth development. Released as a single a couple of months later, it topped the charts for four weeks, and led to the commissioning of a televised Howard Morrison Special in 1982.
This long-running travelling TV game show pitted towns against each other in a series of physical challenges. Leveraging nostalgia for a fast-fading time when NZ's population (and identity) resided in rural hub towns, Top Town was Kiwi light-entertainment gold. This 1977 final, presented by Howard Morrison and radio host Paddy O'Donnell, features short shorts, jockettes, greasy poles, 'balloon baloney', and beautiful scorer Theresa. A large crowd at Okara Park watch Timaru, Greymouth, Waihi and Woodville compete for civic bragging rights in the sun.
These two clips provide a handy introduction to a Kiwi musical classic. The first clip sees John Rowles showing how he can hold the long notes, as he performs 'Cheryl Moana Marie' on a self-titled live special from 1976, made for state television. In the second clip — an excerpt from 2008 Buto Productions documentary The Secret Life of John Rowles — the singer recalls coming up with the chart-topping 1969 ballad, an array of Kiwi musicians provide their own take on it, and Rowles' sister talks about the ups and the downs of finding fame as a child, through someone else's song.
Telethon was a 24-hour live television spectacular aimed at securing donations from viewers for a charitable cause. The first, in 1975, launched the second channel (TV2) and raised over half a million dollars for St John's Ambulance. By 1981 Telethon had hit the $5 million mark. Along with willing local celebrities, volunteers and a receptive public, it attracted overseas stars: Basil Brush, Entertainment Tonight's Leeza Gibbons and Coronation Street's Christopher Quinton (who famously got together after the 1988 show). "Thank you very much for your kind donation!"
The new performers section of the NZBC’s TV talent quest concludes after 12 weeks of competition — with an incongruous line-up of finalists including two performing family acts, a soft rock group, a pub band, two cabaret singers and glam rockers Space Waltz competing for a $750 prize. It’s a reminder of the light entertainment industry that dominated TV music shows in the 1970s, but the real entertainment here is watching the judges (Phil Warren, Howard Morrison, Paddy O’Donnell and Nick Karavias) as they bicker, squabble and interrupt each other.
This NZBC series from the first great era of TV talent shows (and the heyday of light entertainment on the box) featured three new artists and three new songs vying for the judges' favours each week. Performers include Steve Allen (fresh from the success of his Commonwealth Games song 'Join Together') and actor and singer Annie Whittle; and there's a rare glimpse of singer-songwriter John Hanlon. Auckland band Space Waltz steals the show in the New Faces section, debuting their glam rock anthem 'Out on the Street' to an unsuspecting nation (and judges).
In 1973 Prime Minister Norman Kirk announced that the anniversary of the signing of the Treaty of Waitangi would be a unifying national holiday called New Zealand Day. The inaugural 1974 day featured a royal entourage, was watched by 20,000 people and screened live for TV. Excerpts include the Aotearoa pageant (from giant moa to the Age of Aquarius, including kapa haka, settler cabaret, and Howard Morrison as Kupe), and Kirk’s iconic — and more enduring — speech. New Zealand Day was abolished by the next (National) Government, who renamed it Waitangi Day.
Studio One belongs to a long line of talent shows stretching back to the earliest days of NZ television. In two parts, it featured an original song competition which attracted leading songwriters; and 'New Faces'. The latter was for newcomers to TV, and it introduced novelty acts and brass bands, but was also instrumental in launching the careers of Split Enz, Shona Laing and Space Waltz. Later judges including Howard Morrison, Nick Karavias and Phil Warren could be brutal when they wanted to be — and their catch-cry of "no lurex" became a national mantra.
“The big ALL FUN show for the whole family to enjoy!” said the ads for this musical comedy, which was one of only two New Zealand features made in the 1960s. Moving from Sydney to a Rotorua music festival, the plot follows the romance between a lively drummer (Gary Wallace) and Judy (Carmen Duncan), and the hurdles they face to stay true. This is only an excuse for a melange of madcap, pep-filled musical fun. Made by John O’Shea’s Pacific Films, the movie features performers Howard Morrison, Kiri Te Kanawa and Lew Pryme, plus distinctive graphics by artist Pat Hanly.
Rainbow-coloured goats and a herd of children on horseback feature in this 1965 Australian movie. Expat Kiwi producer Roger Mirams called on a stable of actors from his TV work for this part-musical romp, about a group of youngsters who discover a way to change the colour of animal wool. The cast includes Grease's Olivia Newton-John (in her screen debut) and Howard Morrison (as a shearer who teaches the kids a Māori stick game). After co-founding Kiwi production company Pacific Films, Mirams had left Aotearoa in 1957 to launch a short-lived Australian arm of Pacific.