As a 20-something theatre actor Kelly Johnson starred as larrikin car thief Gerry Austin in Goodbye Pork Pie, the first NZ blockbuster. Johnson reunited with director Geoff Murphy for Utu, and starred as a farmer hitting the city in Carry Me Back. There were more vehicular hijinks in Queen Street and Pheno was Here. The Whangarei lawyer has also co-scripted short film Sink or Swim, and guested on Shortland Street.
Any comedy has to have a basis of truth ... when things are over the top it's usually because people are trying to be funny for the sake of being funny. Kelly Johnson
Made for TVNZ’s Heartland channel, this series saw veteran newsreaders looking back at memorable moments in New Zealand history, from the 1960s to the 1990s. Covering both news events and popular culture, the show combined archive content and interviews with those who were there. Each decade was covered over a week, nightly from 7.30 - 10pm. The TV legends presenting the screen nostalgia included Dougal Stevenson (covering the 60s), Jennie Forder (née Goodwin) (70s), Tom Bradley (80s) Judy Bailey (90s) and Keith Quinn (who joined in the second season).
In 1983, director Geoff Murphy stormed out of the scrub of the nascent Kiwi film industry with a quadruple-barreled shotgun take on the great NZ colonial epic. Set during the New Zealand wars, this tale of a Māori leader (Anzac Wallace) and his bloody path to redress 'imbalance' became the second NZ film officially selected for Cannes, the second biggest local hit to that date (after Goodbye Pork Pie). A producer-driven recut was later shown in the US. This 2013 redux offers Utu “enhanced and restored”.
This children's post-apocalyptic fantasy series follows a circus troupe, Maddigan's Fantasia on their quest to save the world's only remaining city, Solis. The show was created by children's writer Margaret Mahy, developed for television by writers Gavin Strawhan and Rachel Lang for South Pacific Pictures, who produced the 13 x 30min series for TV3. Award-winning and successfully exported, it marked a debut lead performance from Rose McIver (future Tinker Bell in US TV show Once Upon a Time) acting with Michael Hurst, Peter Daube, Tim Balme and Danielle Cormack.
Loosely based on the case of a real-life computer dealer who acquired international bank records and later died mysteriously on Auckland Harbour Bridge, Spooked marked Geoff Murphy’s first local movie in 15 years (after time directing in Hollywood). Everyman Kevin (Christopher Hobbs) is caught up in a barrage of intimidation after buying some used computer equipment and unwittingly receiving corporate secrets; Cliff Curtis plays the journalist investigating his case. There are also rare cameos by director Vincent Ward and Goodbye Pork Pie star Kelly Johnson.
Wellington dub/roots act Rhombus won fans with this video for the brassy, bouncy, self referential first single from their debut album ‘Bass Player’. Director Chris Graham pays fulsome tribute to classic road movie Goodbye Pork Pie (complete with cameo from the film’s star, original 'Blondini' Kelly Johnson). There are also appearances from a number of Wellington musical heavyweights, including Fat Freddy’s Drop, Trinity Roots (with a snatch of ‘Little Things’) and MC Rizzla, also known as Tiki Taane (who features on the original track).
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
Cowboys of Culture is director Geoff Steven's personal perspective on the Kiwi cinema renaissance of the 1970s. It traces the development of the local film industry from the ‘she'll be right' days when filming permits were unknown, and all that was needed to get a picture up were a Bolex camera, enthusiasm and ingenuity. Raw they might have been, but the films (Wild Man, Sleeping Dogs, Goodbye Pork Pie, Smash Palace) represented a vital new cultural force. The film features interviews with the major players, and clips from their movies.
This 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a trio of young Wellingtonions drawn together by a mysterious invitation. At an antique shop dinner they discover they share a colourful birth mother, before becoming players in a game for a legacy of $250,000. Conceived by Brian Bell, Seekers was one of a series of teen-orientated dramas made in the mid-80s (along with Heroes and Peppermint Twist). The 16 episodes screened from February 1986.
It's the 1870s, and Māori leader Te Wheke (Anzac Wallace) is fed up by brutal land grabs. He leads a bloody rebellion against the colonial Government, provoking threatened frontiersmen, disgruntled natives, lusty wahine, bible-bashing priests, and kupapa alike to consider the nature of ‘utu’ (retribution). Legendary New Yorker critic Pauline Kael raved about Geoff Murphy’s ambitious follow up to Goodbye Pork Pie: “[He] has an instinct for popular entertainment. He has a deracinated kind of hip lyricism. And they fuse quite miraculously in this epic ...”
In a lawless fuel wars future, marauders roam the wasteland looking for oil. Their malevolent leader Straker threatens his daughter Corlie; she’s rescued by loner Hunter and they harbour with eco-sensitive folk in the Clearwater Commune ... but not for long: there will be blood on the Central Otago plains! Following in the exhaust of Mad Max, the cult film was made during the 80s tax-break feature surge, with US director (Harley Cokliss) and leads flocking south during a Hollywood writers’ strike, and Kiwis as crew (“artists with chainsaws”) and supporting cast.
In this film two Kiwi larrikins, Sam and Jack (Alan Jervis and Pork Pie's Kelly Johnson) go on a road trip, seemingly fuelled by blokey banter. A pit-stop at Hokonui Pub leads to jail, a stolen road roller and much drinking, shaggy dog stories and tired and true shenanigans, before Sam has to return to the dreaded missus. The characters and scenarios were adapted from Barry Crump's Hang on a Minute Mate and There and Back. Mate was made for TVNZ, and screened in late 1982. Beer dispensary-spotters will appreciate the pub's high pressure hoses and 5oz glasses.
This feature tells the true story of the notorious 1941 manhunt for Stanley Graham. The West Coast farmer went bush after a shooting spree that followed police pressure to have him hand over his firearms. Seven men were ultimately killed. Written by Kiwi-born Andrew Brown (from Harold Willis’ book), Bad Blood was made during the tax break era for UK TV, but was released in NZ cinemas. Directed by Brit Mike Newell (Four Weddings and a Funeral), it won strong reviews. Aussie legend Jack Thompson and compatriot Carol Burns star as the isolated Bonnie and Clyde coasters.
After hitting Wellington for a Ranfurly Shield game, two brothers from the sticks (Grant Tilly and Pork Pie's Kelly Johnson) have to sneak their abruptly deceased father back home. If the body isn’t buried there, they won’t inherit the family farm. Set back when "blokes were blokes and sheilas were their mums", director John Reid’s shaggy dog tale — a Weekend at Bernie's, reeking of stale beer and ciggies — both lauds and satirises the Kiwi male. Among the six clips, the final clip sees Tilly's character getting things off his chest, now that Dad is finally unable to answer back.
This documentary sees director Gaylene Preston go behind the scenes during the making of Geoff Murphy's Utu — his ambitious 'puha western' set during the 1870s land wars. “It’s like football innit? You set up the event and cover it …” says Murphy, preparing to shoot a battle scene. In this excerpt, the film’s insistence on cultural respect is conveyed: Merata Mita discusses the beauty of ta moko as Anzac Wallace is transformed into Te Wheke in the make-up chair, and Martyn Sanderson reflects on having his head remade to be blown off: “What’s the time Mr Wolf?”.
One of those Blighters began life as a doco on Taranaki novelist Ronald Hugh Morrieson, but after interviews with many who knew him, morphed into something more offbeat: a semi-fictionalised tale of Morrieson’s mates reminiscing about his departure, interwoven with highlights from his tales of drunkards and con artists. The dramatisations are from his four novels - all became movies - plus one posthumously published short story. Amidst a cast packed to the rafters with carousing Kiwi screen legends, fellow multi-talented muso Bruno Lawrence plays Morrieson.
In this 1982 short film, Harry (Goodbye Pork Pie's Kelly Johnson) and Pheno (Donogh Rees) are bored Wellington rebels on a crime spree: tagging, stealing art and hijacking a bus to the badlands of nearby Makara Beach. It was the era of Muldoon, Springbok Tour protests, spacies and dole queues. The film captures the disillusionment of its youth, especially in the outcome of the duo's pursuit by a tyro cop (Duncan Smith). Johnson was fresh from Pork Pie, and Donogh Rees a young actor on the rise. Director Richard Riddiford went on to helm features Arriving Tuesday and Zilch.
Goodbye Pork Pie was a low-budget sensation, definitively proving Kiwis could make blockbusters too. Young Gerry (Kelly Johnson) steals a yellow Mini from a Kaitaia rental company. Heading south, he meets John (Tony Barry), who wants his wife back, and hitchhiker Shirl (Claire Oberman). Soon they're heading to Invercargill, with the police in pursuit. High on hair-raising driving and a childlike sense of joy, the Blondini gang are soon hailed as folk heroes, on screen and off. Remake Pork Pie is directed by Matt Murphy — son of Geoff, who drove the original film.
Three friends cruise inner-city Auckland in a 1946 Ford pickup, as they cope with the changing dynamic of their friendship and encroaching demands of the adult world. In the tradition of American Graffiti it captures the hope promised by a night on the town and a reality that struggles to meet expectations — punctuated by hoons, officious cops and dodgy tow truck operators. Queen Street is a fascinating look at Kiwi car and street culture in the pre-boyracer era, and a snapshot of a downtown that has changed markedly since 1981 when the film screened on TV.