Made for the Rio 2016 Paralympic Games, this video mixes Kiwi landscapes with images of disabled athletes and performers, showing what they are capable of. The song’s lead vocalists, Natalie Te Paa and Cam Dawson, are both blind. Helping out behind the scenes are Callum Martin (The Checks), Leza Corban (Strawpeople) and ex-Split Enz members Eddie Rayner and Mike Chunn. As well as being an unofficial anthem for the Rio Olympics, the song aims to raise awareness of the 25% of New Zealanders who live with some form of disability.

This video goes for the patented band playing moodily in a warehouse approach. The debut single from Pluto's long in gestation second album is built around drums, guitar and the band's distinctive vocal sound. The lyrics to 'Long White Cloud' trade in tiredness, confusion and a woman who is kind, but no longer on the scene. Judged single of the year at the 2006 New Zealand Music Awards, it was also nominated for the Silver Scroll songwriting award. The song went on to feature during the water-logged opening titles of border security drama Orange Roughies.

After his hard-hitting debut single 'Stand Up' and the hit remix of 'Not Many', Scribe took a gentler approach on the third single from his five times platinum debut album. Rolling clouds open the music video, which trades bombastic beats and ominous synth tones for gentler piano. The chart-topping hook, originally written for Che Fu, was sung by Scribe himself after encouragement from collaborator P-Money. Photos from Scribe’s childhood appear on screen while he raps about the struggle to realise his potential, before glimpses of 'making of' footage from previous videos.

Goodshirt's attention-grabbing promos were typified by high concepts rendered with low-budget No 8 wire smarts — often with game participation from the band members. This mind-bending creation by director (and ex-Supergroover) Joe Lonie is no exception: a Mazda 929 (or an Austin 1300, if you watch the video's other version) is re-deconstructed, before leaving in a cloud of smoke, loaded with frog men. Lead singer Rodney Fisher gives the standout performance. He had to sing every lyric backwards to achieve the desired time-warping end result. 

‘Beings Rest Finally’ was the A side of the first of three singles released by Wellington post-punk outfit Beat Rhythm Fashion (the single shared its initials with the band’s name, as did the flip side ‘Bring Real Freedom’). A product of early 80s nuclear dread — the “disaster day” in the lyrics might refer to the death of millions — the band nevertheless saw it as a “happy sort of lullaby” rather than a sad song. The TVNZ video captures this combination of innocence and terror as children paint a colourful mural over news footage of war, unrest and a mushroom cloud.

"The season's old and the leaves have turned to gold / And the wind blows cold from the south ..." The song is mournful, dreamy and elegiac, and so is the music video, from Steve Young. The clip features amiably laidback performances by the band members, hanging out in various Dunedin locations — including synchronised guitar dancing (a la the Shadows) on a wintry-looking beach: grey clouds, pale blue sky and a charming "out now on Flying Nun" drawn in the sand as the closing shot. The orange $50 note in the busking bowl is a notable 80s relic.