Black, white and red exuberance abound in this award-winning music video from Supergroove. The band's funk-heavy live performance is intercut with scenes of the band clowning around at the Otara Market, on a Three Kings volcano, and crowded into the back of an open-top VW. The hairstyle of vocalist and future Cambridge classics scholar Karl Steven — shaved, aside from an extended fringe arrangement at the front — is a relic from another era. An alternative video made for the same song revolves around the band doing everything backwards.
Peking Man's self-titled album took away a stack of awards in 1986. It also spawned chart-topper 'Room that Echoes', followed by number six hit 'Good Luck to You'. Directed by The Piano lensman Stuart Dryburgh, thw NZ Music Award-nominated video highlights sibling singers Pat and Margaret Urlich, sax and gel-assisted hairstyles. The Auckland cityscape is littered with construction cranes and glass high rises, shortly before the stock market crash of 1987; and legendary central city cafe DKD (at the back of the Civic Theatre) also takes a starring role.
After efforts to crack the UK market in the late 80s, The Dance Exponents returned to New Zealand, rebranded themselves as The Exponents and released chart-topping 1992 album Something Beginning with C. This song was one of a series of hook-laden follow-ups to the first single — top five hit ‘Why Does Love Do this to Me?’. The Kerry Brown-directed video sees the band playing the tune in front of a kaleidoscope of cosmopolitan backdrops (New York, fairgrounds, religious icons) which loosely echo the song's lyrics. Singer Jordon Luck is in dapper Mad Hatter mode.
This Neil Finn number finally turned Split Enz into chart-toppers in Australasia, and gave them an entree to the vital North American market. It was graced with Noel Crombie's most ambitious video to date and became an MTV favourite. Curtains on the outside? Just one of the many innovative design elements in a clip, which explored Neil's inner torment as he withered under the scrutiny of giant eyes, an Orwellian flat screen television, and his creative paranoia at being shunned by the rest of the band — unable to infiltrate the clique. Heavy stuff!