'Touchdown' was drawn from the second (and final) Stereo Bus album Brand New (1999). The stylishly minimalist video, directed by Alex Sutherland and Michael Lonsdale, appears to be a continuous shot, circling around band members and objects in a white studio set. Biffed chairs and bottles, and singer David Yetton, get up close to the lens while guitarist Jason Fa'afoi (who was co-hosting What Now? at the time) also makes multiple appearances. The slow pan matches the tempo of the band’s textured guitar pop; the promo won Best Music Video at the 2001 NZ Music Awards.
"I'm a fraud / I'm a sham..." The debut single from this influential Kiwi band introduced New Zealand television audiences to Toy Love's recipe of pop riffs and punk sneer. Although the group only existed for 18 months, they charted three times and made a lasting impression on the live scene on both sides of the Tasman. The single 'Squeeze' (backed by B-side 'Rebel') was recorded after a one-off deal with WEA. Vocalist Chris Knox is front and centre, crackling with malevolent energy in a video that mixes kids' toys with some gross out performance art.
This evocative music video scored a double-header: it was voted best video at both the NZ Music Awards, and the NZ Film and Television Awards. Emma Paki won gongs for singing and songwriting. Director Josh Frizzell mixes images of Paki singing on the streets with often sombre portraits of locals in their element, from children to gang members. Widely regarded as Paki's magnum opus, System Virtue became one of the most played local music videos of 1994. Killing Joke's Jaz Coleman produced the song; a much lusher version later appeared on 1996 album Oxygen of Love.
Sitting in the Rain is a New Zealand pop landmark. One of the earliest music promo clips, filmed for television in 1967 by the NZBC, it is a cover version by a local band that became better known than the original (by UK blues stalwart John Mayall). The Underdogs were a powerful electric blues combo, but with 'Sitting in the Rain' they knew that less is more; the film clip, used to fill TV scheduling gaps, is similarly unfussy. Like a surly, underground Monkees, the anarchic Underdogs don't hide the fact that the performance is mimed.
Complete with go-go dancers and psychedelic swirls, this delightfully campy video from Garageland evokes the style of 60s music shows (eg C’mon) more than the pop-punk and grunge-filled 90s from which it came. The unusually tall aspect ratio may be an allusion to the far less widescreen televisions of the past — a look abandoned in a second music video, made for the same song. The alternative video played with screens in a different way, using the same segmented-frame style that director Gina Birch refined in another Garageland promo, Feel Alright.
This Janice Weaver song was originally recorded by American singer Morgana King (who played Mama Corleone in the first two Godfather films). Allison Durbin's epic version featured backing from Quincy Conserve and was produced by Howard Gable (who she later married). The biggest selling release by a New Zealand artist in 1968, it topped the local singles chart and won the Loxene Golden Disc. Durbin's performances from the televised Loxene awards show and a TV special have long since been lost but this grainy Australian TV clip of her finest moment survives.