Hammond Gamble’s Street Talk were a star attraction in the late 70s Auckland pub scene. Their debut album had a heavyweight producer in LA scenester (and Runaways svengali) Kim Fowley. This TVNZ video uses an alleyway set to reflect the band’s “street music” rock’n’roll (with a dash of Springsteen-style bruised romanticism). The band might look new wave, but the rootsier Gamble is after a more conventional look. Whether any self-respecting bluesman would keep his guitar in a rubbish bin is another matter altogether.
This promo, directed by Simon Ward, showcases a single from Wellington’s Disasteradio. The bespectacled "D-rad" broadcasts a soup of synth-pop from the safety of his bedroom bunker via walkie talkie to his bandit girl, stranded outside in a post apocalyptic landscape. She fends off zombie marauders after her dog; he eats - and gets infected by - a pizza ... and talks to his hand. And his hand talks back.
A Swanndri clad Lawrence Arabia (aka James Milne) goes back to nature in this video directed by Stephen Ballantyne and shot at Arthur's Pass in Canterbury. A 60s tinged number from his first solo album, 'Talk about the Good Times' is a scathing dismissal of a former friendship anchored in an urban setting of gyms, box shaped apartments and expensive coffee. Fresh air, the bush, the wide open spaces of the river bed and Greg Chapman's Disney-esque animated animals make for a pastoral idyll to counteract the falseness and paranoia of city life.
This classic video takes a band, then throws them in the back of a moving vehicle as they try to play their song without falling over. Greg Page, a music video veteran ('Verona', 'Stop the Music'), remembers that "the concept was enormous, but sadly unrealised. But what we ended up with was a piece of magic I've never quite been able to reproduce." He talks about making this and another D4 video in a single weekend, here.
In the tradition of novelty songs, ‘Culture?’ was catchy to the point of contagion. Fuelled by carnival keyboards, it was The Knobz response to Prime Minister Rob Muldoon’s refusal to lift a 40% sales tax on recorded music (originally instituted by Labour in 1975), and Muldoon's typically blunt verdict on the cultural merits of pop music (“horrible”). The giddy, hyperactive video comes complete with Muldoon impersonator (Danny Faye), and casts the band as the song’s 'Beehive Boys'. In the backgrounder, Mike Alexander writes about his time as the band's manager.