Jess Feast is a documentary maker whose work covers everything from Berlin and ballet to the Flight of the Conchords. Cowboys & Communists examined cultural conflicts in post-cold war Berlin via a US-themed bar and residents of the tower block it’s housed in. 2013 breakout hit Gardening with Soul follows a year in the life of a vivacious nonagenarian nun and won the Best Documentary Moa (NZ Film) award.
Anthony Stones worked in design for NZ television for over 20 years, with credits ranging from drama to current affairs. After five years as TV2's head of design, he returned to his English birthplace in 1983. Outside of television, Stones made well-known public sculptures in Aotearoa, the UK and China; he died in China in September 2016, aged 82. Image credit: Photo taken and supplied by Dave Roberts
While still in his 20s Chris Thomson was given command of a number of landmark New Zealand TV dramas, including genre-hopping colonial tale The Killing of Kane and The Alpha Plan (1969), Aotearoa’s first dramatic TV series. After time working for the BBC, he moved to Australia and began a busy career as a director, including credits on high profile mini-series 1915 and Waterfront. Thomson died on 1 July 2015.
Dunedin-born actor Colin Tapley found character parts gave his movie career longevity. Tapley argued that the average time for a leading man in 1930s Hollywood was seven years. He played supporting roles in pre-World War II Hollywood films, and after the war extended his career into the late 60s with performances in British movies and TV. His best remembered film is 1955 classic The Dam Busters.
Kiwi hair and makeup artist Lesley Vanderwalt won an Oscar and a Bafta for her work on Mad Max: Fury Road. She also collaborated with director George Miller on Babe 2, Nicole Kidman mini-series Bangkok Hilton and the second Mad Max movie. The onetime Wellington hairdresser had makeup duties on early Kiwi classics The Governor, Skin Deep and Bad Blood, before a slew of Australian credits (Shine, Moulin Rouge!).
Bruno Barrett-Garnier calls his company soundnut for good reason. Barrett-Garnier began playing around with audio equipment as a child, and has gone on to work on sound for movies, TV shows, shorts and commercials. The sometime screen composer was one of the key soundies over four seasons of Spartacus; his CV also includes Fish Skin Suit, Giselle and Edmund Hillary movie Beyond the Edge.
The CV of editor Jeff Hurrell splices TV documentaries — often alongside director Bryan Bruce — with a run of short films, including 2011 award-winner Lambs. The short film work lead to him editing debut features for directors Jason Lei Howden and Paul Campion, Deathgasm and The Devil’s Rock. Hurrell also cut the high profile Born to Dance, and runs Wellington production house Martin Square.
Described by New Zealand Geographic as the "doyen of New Zealand diving", Wade Doak was an author, marine ecologist and conservationist. Along with Kelly Tarlton he was a pioneer of underwater exploration and filming in Aotearoa. Behind and in front of the camera, he contributed to documentaries for Wild South and production company NHNZ, and showcased Aotearoa’s undersea world to wide audiences.
Not to be confused with the newsreader of the same name, Richard S Long has had a prolific career as a cameraman and director. Since starting out in 1977, he’s shot news, run his own production company, and worked abroad, directing commercials and music videos in Asia and the US. In 2015 Long directed his debut feature Not For Children.
The voice and face of Ian Johnstone are a familiar part of the New Zealand television landscape. Since the early 60s, his work as a reporter, presenter and producer has allowed him to document many key events from the first four decades of local television.