Cameraman Murray Milne often finds himself working on jobs that involve swimming or hanging from helicopters. After starting on commercials, Milne worked with director Richard Riddiford, filming 80s road movie romance Arriving Tuesday, and Zilch! Following acclaimed shorts with Costa Botes, Milne did impressive work for Peter Jackson on Meet the Feebles and zombie epic Braindead. Since then Milne's work has mixed TV with aerial and underwater photography.
Milne’s [...] ability to combine cinematography with skiing, rock climbing, flying or diving has made him particularly adept at capturing the force, power and beauty of the New Zealand landscape. Duncan Petrie, in his book Shot in New Zealand
Charlotte Yates produced Ihimaera Live for the 2011 Auckland Arts Festival. The concert featured lyrics especially written by author Witi Ihimaera, set to music by 12 New Zealand composers and 55 musicians. This short documentary for Māori Television includes clips of the performances at Manukau's Events Centre, and interviews with Ihimaera and musicians Warren Maxwell, Horomona Horo and Waimihi Hotere as they search for the rhythm of word and sound. Yates and director Lala Rolls also collaborated on Tuwhare, which documented a musical tribute to Hone Tuwhare.
Simone Horrocks' first feature revolves around the disintegration of a man's life, after his daughter goes missing. Horrocks relocates Stephen Blanchard's novel The Paraffin Child from a washed-up UK coastal community to West Auckland/Piha. Outrageous Fortune talent Antony Starr plays the forest ranger who separates from his wife, then learns she is pregnant to the policeman investigating his child's disappearance. Horrocks says After the Waterfall investigates healing, resilience, and "how we live with unfinished business".
Award-winning reality show One Land sees families living without power or running water, 1850s style. In this first episode, two Māori familes arrive by waka at their new home: a purpose-built marae with a garden, on a hill above the Firth of Thames. The larger family speak only te reo; the other identifies as European. Recreating the changes which transformed Aotearoa, a Pākehā family arrive, then head on foot towards their promised parcel of land. If they're to get through this "social and cultural experiment" without starving, they will need to trade with their neighbours.
For the 2009 final of this iconic Kiwi game show, Taupō — "the spiritual home of trout", according to host Mikey Havoc — takes on Whakatāne. Civic pride is, as always, on the line. The crowd at Christchurch's Jellie Park are amped as two fit and motivated teams fling their bodies against a giant, inflatable obstacle course and compete in rounds with names like Rolling Road and Roller Derby. Hosts Mikey Havoc, Marc Ellis ( whose voice is taking a beating) and Hayley Holt quiz the teams poolside, while commentator Nathan Rarere enjoys skewering a long list of sporting cliches.
Maurice Gee's classic novel about aliens running amok under Auckland has rarely gone out of print, since its debut in 1979. First adapted as a memorable 80s TV series, this movie retooling sees teenage twins Theo and Rachel stumbling across shape-shifting creatures that are hiding beneath Auckland's extinct volcanoes. American showbiz magazine Variety praised Black Sheep director Jonathan King's "solid helming", and the excellent acting of Sam Neill as the mysterious Mr Jones. Oliver Driver plays lead villain Mr Wilberforce, under four hours of make-up.
The concept for this 2005 Touchdown reality show involved sending a bevy of Kiwi beauties to outback Australia, so they can compete to become "the ultimate Kiwi chick" (and win a $100,000 prize). In this second episode the girls discover that the week’s immunity winner (the 'Boomerang Babe') will have to pick a trio of contestants, so the local townsfolk can vote which one to eliminate. The girls must help host Vadim Dale (reality romance show Outback Jack) brand a calf, where things get bloody; spend a night in the outback alone; and negotiate a hay bale challenge.
In these excerpts pulled from ten consecutive episodes of Miss Popularity, Outback Jack star Vadim Dale despatches ten long-haired, image-conscious young Kiwis to the Aussie outback town of Burra. There they compete to become "the ultimate Kiwi chick" by doing odd jobs, outdoor challenges, snake encounters, and bake-offs for the local market day. Contestants included film students, a firefighter, a future Playboy model, and flight attendant Jessie Gurunathan. Locals voted one contestant off each week. Gurunathan finally claimed the $100,000 prize on the hit Touchdown show.
This short film follows a freshly-arrived Korean immigrant, trapped in suburban Auckland while her husband Kim works. Su Jung befriends her neighbours, who take her to their weekly swimming lessons, where she finds release in the water. But when swimming affects the cooking of dinner, Kim is piqued. For 2009 Spada New Filmmaker of the Year Zia Mandviwalla, Eating Sausage was the first in a quartet of shorts exploring cross-cultural collisions (Clean Linen, Amadi and Cannes-selected Night Shift). It was selected for the London and Pusan Film Festivals.
This TV2 take on The Truman Show sees Hawkes Bay vineyard worker Sam participating in a reality show where – unknown to him – all his housemates are fakes. In this first episode Sam’s flatmates play to the archetypes of reality TV, as host Mark Ferguson sets them ridiculous challenges (eg water bomb wet t-shirt reading). The Spinoff 's Alex Casey called it “a one off, never to be repeated format, and crikey it was good, bad TV.” The cast were only let into the show's secrets after winning their parts. Sarah Thomson ('rich bitch' Tiffany) was later an undercover cop on Shortland Street.
Featuring cameos from numerous softball legends (including the late Kevin Herlihy), Strike Zone is a love-letter to the game from director and NZ under-16 pitcher Cameron Duncan. Duncan stars as a dying coach trying to motivate his team to win a key game. The messages of teamwork and not giving up are made more poignant by the many real-life parallels: during filming torrential rain turned the diamond into a quagmire, and Strike Zone's teen director, himself stricken by cancer, almost died on set, before going on to compere the film's premiere.
This episode of arts show Mercury Lane features legendary musician Bill Sevesi, and poet Sonja Yelich (mother of musician Lorde). Sevesi takes centre stage: various musician friends join him to reminisce about packing Auckland dance halls in the 50s and 60s (at least until the arrival of 10 o'clock closing). After celebrating his 79th birthday, Sevesi is still as upbeat and music-obsessed as ever, especially when it comes to his beloved steel guitar and ukulele. In the final clip, Sonja Yelich performs her poem Teeth, with wry accompanying visuals from director Fiona Samuel.
When his father dies, soldier Will Bastion (Temuera Morrison) returns home after 20 years. Tradition dictates he take on the mantle of tribal chief, but he's not interested. His brother Kahu (Lawrence Makoare) seizes the opportunity, but he's a drug-dealer with grand plans to get stolen land back. Worried about Kahu's provocative approach, Will must choose whether to face off against his brother. Melding horseback action and indigenous land rights, Crooked Earth marked the first NZ film for director Sam Pillsbury since 1987's Starlight Hotel. Variety called it "handsomely mounted and compelling".
The major contribution made by horses to New Zealand’s development is investigated in this Bryan Bruce documentary – from the first to arrive (a stallion brought by missionary Samuel Marsden in 1814) to equestrian gold medallists and sires of Melbourne Cup winners in more recent years. This excerpt features extensive archive footage of some of the 10,000 horses sent to Europe and the Middle East during World War I (with only four returning); and talks to one of the last milk vendors to use a horse and cart (only retired with very mixed feelings in 1984).
Political cartoonist Malcolm Evans tells his father's story of war in this documentary. Major Hilary Evans was exempt from conscription, but chose to fight in World War II. He was a prisoner of war who escaped and lived rough in Italy's hills and mountains, to avoid recapture. Using his father's letters and diaries as well as interviews shot in Italy, Evans builds up a picture of his father, the soldier. Il Magiorre - My Father's War in Italy played as part of the Documentary New Zealand strand on TV One, and was named Best Documentary at the 2002 Qantas Media Awards.
On 7 February 1863, the worst maritime disaster in New Zealand history occurred. British warship HMS Orpheus ran aground on a notorious sandbar at Manukau Heads, with the loss of 189 of the 259 onboard. Directed by John Milligan (Trio at the Top), this documentary was part of a series examining the country’s worst wrecks. Presented by Paul Gittins, it discusses the disaster, its cause, and the consequent investigations. While the British admiralty laid blame on the harbourmaster, local Māori interpreted the wreck as utu, for a breach of tapu by a Pākehā settler the previous day.
Barry Crump's iconic deer hunting yarn A Good Keen Man captured Kiwi imaginations. Published in 1960, it quickly sold 300,000 copies, and with Crump cast as an "ironic, laconic sort of super-bushman", made him a legendary literary figure. This excerpt from the award-winning documentary looks at Crump's upbringing and early success as a writer. The full 72-minute documentary covers everything from his fractured family relationships, violence, a life-changing incident on a bush camp, and discovering religion, to the ads for Toyota that reignited Crump's profile in the 80s.
Staunch follows the politicisation of Ariana (Once Were Warriors’ Mamaengaroa Kerr-Bell) a young Māori woman who’s run into trouble with the law. Guided by a sympathetic social worker (Tamati Patuwai) she defends herself against assault charges following a police raid on her home. The Auckland-set TV3 drama was inspired by fact, and co-written by director Keith Hunter and playwright Toa Fraser; it won multiple gongs at the 2002 NZ TV Awards. Staunch was an early screen credit for Fraser (director of feature films No. 2, Dean Spanley, and ballet doco Giselle).
This Greenstone Pictures' series was a mixed plate of reality TV, cooking show and Stage One Anthropology. The (Kiwi) concept is simple: presenter Suzanne Paul invades a house with a camera crew and mystery dinner guest, while restauranteur Varick Neilson cooks the occupants dinner. Special guests included David McPhail, Temuera Morrison, Mike King and Kevin Smith. Two series were screened in 1998 and 1999, with a third screening in 2004.
This series was a mixed plate of reality television, cooking show and first stage anthropology. The (Kiwi) concept is simple: presenter Suzanne Paul invades a house with a camera crew, while restauranteur Varick Neilson cooks the inhabitants some dinner. This early episode features the under-stocked flat of a group of Auckland 20 somethings. When the week's mystery dinner guest turns out to be ‘New Zealand's sexiest man' (as voted repeatedly by TV Guide readers) Kevin Smith, the female flatmates applaud.
Onetime All Blacks Marc Ellis and Matthew Ridge cemented their on screen partnership with late 90s show Fresh-up in the Deep End. The Touchdown series saw the pair taking their lovable, duelling larrakin personas to a variety of locations: they did time in the armed services, the circus, flash restaurant Petit Lyon, and as butler and chauffeur to model Rachel Hunter. They also launched their own political party, did the Coast to Coast, and tried a variety of dance moves. Fresh-up in the Deep End ran for two seasons.
Treasure Island was an early local example of a reality show staple — contestants endured the great outdoors, and each other. Over nine seasons the series went through multiple variations, including a Couples at War season, and another featuring favourites from the past. During the 2004 season of Celebrity Treasure Island, contestant Lana Coc-Kroft was airlifted from Fiji, after she cut her foot on coral and got a life-threatening blood-poisoning disease. On 2002's Treasure Island: Extreme, Barrie Rice — an ex SAS soldier — dealt with being eliminated by hiding in the jungle.
This episode of Immigrant Nation features former Holidaymakers guitarist Pati 'Albert' Umaga, part of the first generation of New Zealand-born Samoans. Umaga's parents arrived in Wellington in 1950 as part of Samoa's Great Migration. Encouraged to speak Samoan at home, and English outside the house, Umaga drifted away from his family and culture, before finally coming to the realisation that Fa-a Samoan - The Samoan Way - has much to offer him in how he operates in Kiwi society. Umaga goes on to use his music as a way to reach Samoan youth.
Teen actors Nikki Si'ulepa and Toby Fisher won acclaim in Ian Mune's fourth feature as director. Si'ulepa plays a Samoan street kid who meets a well-off white teen, when both are facing mortality in a hospital ward. The co-production between NZ and Canada (where it debuted on cable TV) won over critics in both nations. "Si'ulepa dominates the camera and the action with a natural authority", raved Metro. Moon scooped the gongs at the 1996 TV Guide Awards (including for originating screenwriter Richard Lymposs); and won notice at Berlin and Giffoni film festivals.
This 1995 documentary about New Zealand humour features classic TV comedy moments from Fred Dagg, Barry Crump, A Week of It, McPhail and Gadsby, Letter to Blanchy, Billy T James, Pete and Pio, the Topp Twins, Gliding On, Lynn of Tawa and Funny Business. Tom Scott, John Clarke, David McPhail and Jon Gadsby talk about the nature of New Zealand satire; Pio Terei, Peter Rowley, and Billy T James producer Tom Parkinson discuss the pros and cons of race-based humour; and the Topp Twins explain the art of sending people up rather than putting them down.
Pacific Monarch by New Zealand sculptor Paul Dibble was installed in front of the Manawatu Art Gallery, Palmerston North, in 1995. This film documents the production of this large scale bronze sculpture, and in doing so reveals something of its maker. Dibble's knowledge and skill in manipulating the process of bronze casting to produce his delicately balanced sculptures is evident - the casting, the welding together of all the parts, and the assembling of a team of sympathetic experts.
This seven-part documentary series examines New Zealand as a nation of migrants. The original idea behind the show was to concentrate on upbeat personal stories. But many of the completed episodes go wider, balancing modern day interviews with a broader historical view of each group's immigrant experience down under. Immigrant Nation saw camera crews travelling to Europe, China, Sri Lanka and Samoa. Stories of escape, longing and prejudice are common - along with a feeling of having a foot in two worlds. An Immigrant Nation screened on TV One.
Dave Dobbyn in Concert is weighed strongly towards songs from Twist, the 1994 album that NZ Herald writer Graham Reid described as "breathtaking in its daring, ambition and reach". Dobbyn performs alongside a band which includes Twist producer Neil Finn. Although the offkilter soundscapes of the album are necessarily cut back on stage, Twist's strong musical bones remain clear. 'It Dawned on Me' showcases the curly-haired one in especially fine voice, while hit single 'Language' works wonders when stripped back to Dobbyn, Finn and twin acoustic guitars.
This Royal New Zealand Ballet performance of Stravinsky’s Petrouchka stays true to the original 1911 version by legendary ballet company Ballet Russes, in more than just spelling. As tormented puppet Petrouchka, Douglas Wright pays tribute to legendary performer Vaslav Nijinsky. Designer Raymond Boyce channels Alexandre Benois, while Russell Kerr's choreography evokes Mikhail Fokine. The sellout season was reviewed as "phenomenal" and "a visual feast… exploding with colour and shifting image". Future TV executive Andrew Shaw directed coverage of the ballet.
After his mother gets infected by a bite from a deadly Sumatran rat monkey, Lionel (Almighty Johnson Tim Balme, in an award-winning performance) has to contend with a plague of the living dead while attempting to woo the love of his life. Peter Jackson had already been tagged with the title ‘The Sultan of Splatter’ after his first two features, but this was the film that confirmed it. Armed with a decent budget, he takes a Flymo to fusty 1950s New Zealand and takes cinematic gore to a whole new extreme in the process.
Shortland Street is a fast-paced serial drama set in an eponymous inner city Auckland hospital. A South Pacific Pictures production, the iconic show is based around the births, deaths and marriages of the staff, family and patients. Screening five days a week on TV2 it is New Zealand’s longest running drama. Characters and lines from the show have entered the culture, most famously, "you're not in Guatemala now, Dr Ropata!". This 2007 promo, set to the theme song, collects together highlights from the first 15 years of the show.
Valley of the Stereos is a comic face-off that starts tinny, but gleefully escalates to bass heavy, as a not-so-zen hippy (Danny Mulheron) gets caught up in a vale-blasting battle with the noisy bogan next door (Murray Keane). Made by many key Peter Jackson collaborators, the near-wordless pump up the volume tale was directed by George Port, shortly before he became founding member of Jackson's famed effects-house Weta Digital. Ironically Weta's computer-generated miracles would help render the stop motion imagery seen in the finale largely a thing of the past.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
Director Peter Jackson's second feature Meet the Feebles offers even more bad taste than his debut. The irreverent, outlandish, part-musical satire is populated almost entirely by puppets, but it is by no means cute. The motley creatures are all members of a variety show that’s working up to a major performance. They include Bletch the two-timing pornographer walrus, an obese hippo femme fatale, a drug-dealing rat, and a heroin-addicted frog — in other words, something to offend everyone. Richard King writes about the creation of New Zealand's first puppet movie here.
Screened on a TVNZ arts show, this documentary looks at how the strings were pulled on Peter Jackson's low-budget puppet movie Meet the Feebles. An old Wellington railway shed fizzes with energy and imagination as a team peppered with future Oscar-winners crafts the gleefully subversive Muppets parody. Jackson muses on his influences, processes and propensity for "savage humour" in a fascinating interview. Included is footage of his childhood films — war movies and stop motion animation made with his first 8mm camera. Richard King writes about Meet the Feebles here.
This Richard Riddiford-directed comedic thriller plays out in pre-crash 80s Auckland with the CBD skyline changing daily, brick-sized phones, shadowy corporations on the rise and the share market on everyone's lips. With a second harbour crossing due to be announced, a telephone operator (future events maestro Mike Mizrahi) and a waitress moonlighting as a dominatrix (Lucy Sheehan) become ensnared in a web of corporate greed and blackmail. Chris Knox contributes the soundtrack, and extensive outdoor sequences include a memorable chase scene at Kelly Tarlton’s.
Poet Sam Hunt goes "between islands" on a home turf tour. To a backdrop of languid 'good day' Strait's scenery, he yarns with locals about stories of land and sea, and recites poetry: "[it's all about just] standing back and listening ... or watching". He chats with poet Alistair Te Ariki Campbell, goes groper fishing off Mana, and hears of a plan to float on a flax flutterboard across the Strait. Hunt then gets himself across via ferry for whaling stories at Oxley's Rock pub and meets boatbuilders and Cape Jackson farmers. The Costa Botes film includes (brutal) archival whaling footage.
This Richard Riddiford-directed relationship drama explores the restless homecoming of a Kiwi from her OE. Monica (Judy McIntosh) returns from Europe to sculptor Nick (Peter Hayden), who has stayed behind in Waiuku. She goads him into a road trip north, searching for connection to him and home. At a Dargaville pub they meet Riki (Rawiri Paratene), a charismatic poet who has left the city to find his Ngapuhi roots. Monica is intrigued by Riki's bond to his people and the land, which widens a rift between her and Nick. Caution: this excerpt contains bath tub sax.
Stalin’s Sickle takes Kiwi suburban paranoia to unexpected places as nine-year-old Daniel imagines his neighbour is feared Russian dictator Joseph Stalin. Set amidst 1962 Cold War conservatism, Daniel spots the south seas’ Stalin at church, spies on him to confirm his suspicions and schemes to send him on his way. But Daniel’s civil defence plan goes awry, leaving him with a worse threat to deal with. Based on the short story by Michael Morrissey, the Costa Botes-directed film won the Grand Jury Prize at Clermont-Ferrand Short Film Festival.
Two decades before the animals of Black Sheep run amok, comes this Sunday night horror about a couple trapped in the countryside as the sheep start getting restless. In between encounters with a cheerful butcher and a man of God, we learn that New Zealand has undergone revolution: anyone who farms or harms animals is now branded a criminal. Directed by Costa Botes; scripted by poet and lawyer Piers Davies, who co-wrote Skin Deep (plus cult movie The Cars that Ate Paris, with acclaimed Australian director Peter Weir).
For this documentary director Gaylene Preston goes behind the scenes during the making of Geoff Murphy's Utu — his ambitious 'puha western' set during the 1870s land wars. “It’s like football innit? You set up the event and cover it…” says Murphy, as he prepares to shoot a battle scene. In this excerpt, the film’s insistence on cultural respect is conveyed: Merata Mita discusses the beauty of ta moko as star Anzac Wallace is transformed into Te Wheke in the makeup chair, and Martyn Sanderson reflects on having his head remade to be blown off: “What’s the time Mr Wolf?”.
In this 1982 short film, Harry (Goodbye Pork Pie's Kelly Johnson) and Pheno (Donogh Rees) are bored Wellington rebels on a crime spree: tagging, stealing art and hijacking a bus to the badlands of nearby Makara Beach. It was the era of Muldoon, Springbok Tour protests, spacies and dole queues. The film captures the disillusionment of its youth, especially in the outcome of the duo's pursuit by a tyro cop (Duncan Smith). Johnson was fresh from Pork Pie, and Donogh Rees a young actor on the rise. Director Richard Riddiford went on to helm features Arriving Tuesday and Zilch.