Being a big man with a “face like the map of Ireland” made him an unlikely starter, but in the mid-70s Glyn Tucker was one of New Zealand’s best known screen personalities. The larger-than-life character was a racing guru, and also a popular radio then TV presenter: his television roles ranged across sports commentator, punting pundit, crooner and light entertainment show host.
Alongside a radio career spanning more than half a century, Barry Holland, NZOM, has done numerous presenting jobs on television. Since starting his broadcasting career at Radio 1ZB in the early 60s, he has commentated the Olympic Games and the America’s Cup, and been the face of classic Kiwi TV series like On The Mat and Top Town.
Although better known as a songwriter and champion of New Zealand music, Arthur Baysting has also made a number of contributions to the screen. In the 1970s he was a scriptwriter on breakthrough dramas Winners & Losers and Sleeping Dogs, while his white-clad alter ego Neville Purvis graced cabaret stages and a short-lived TV series. Since then he has concentrated on writing songs and screenplays.
With a career spanning half a century, there's not much in the entertainment industry John McCready hasn't seen. From record company A&R to radio management and TV programming McCready built a reputation as a tough competitor with his finger on the pulse of public taste.
Since first winning fame as lead singer of 60s blues band The Underdogs, Murray Grindlay has gone on to apply his musical talents as a composer for feature films (Sleeping Dogs, Once Were Warriors), veteran jingle-writer (including the classic Crunchie train robbery commercial), and producer (hit single 'Sailing Away', Goldenhorse's Out of the Moon).
Ray Woolf’s career as a performer spans from rock’n’roll to jazz, including touring shows of The Rocky Horror Picture Show and The Sound of Music. Born in England, but New Zealand-based since the early 60s, Woolf’s television work includes singing, acting, and hosting his own talk show. He was New Zealand Entertainer of the Year in 1975.
Tying David Stevens' career down to a single nation or genre is a challenge. Stevens grew up in Africa and the Middle East, studied acting in the UK, then began his screen career in NZ. In 1972 he directed award-winning drama An Awful Silence, then moved to Australia. There he was Oscar nominated for co-writing movie Breaker Morant, and forged a busy career directing (A Town Like Alice) and writing (The Sum of Us).
Ray Columbus, OBE, began hosting television shows at the tender age of 19. After Columbus and the Invaders topped Australasian charts with 1964 single 'She's a Mod', Columbus spent time as a musician in America. The song was covered multiple times. He later returned to Aotearoa to resume a long career as recording artist, TV presenter and talent manager. Columbus passed away in late November 2016.
Justin Pemberton's work for the screen can be split roughly into two. His eclectic and award-winning run of documentaries includes motor-racing story Love, Speed and Loss and acclaimed Olympic saga The Golden Hour. He has also worked on many music projects, from music videos to documentaries about Anika Moa and the NZ Symphony Orchestra.
Composer Stephen McCurdy's screen music has crossed the gamut — from jazz, chamber pieces, rock, and pop, to the faux Peggy Lee song which opened each episode of 80s soap Gloss. McCurdy won NZ Film Awards for his scores to Came a Hot Friday and The End of the Golden Weather.