Fed up with seeing animals unintentionally mishandled on set, former farm girl Caroline Girdlestone decided to do something about it. Now one of the most respected animal trainers in Australasia, she’s worked with almost any animal imaginable across more than 500 projects – ranging from the cute barnyard animals of Racing Stripes to the horrifying ovine creatures in Black Sheep.
Peter Feeney is a veritable Swiss Army knife of the screen, with credits as an actor, casting director and acting tutor. Feeney's 20 year plus acting CV ranges from drama (as Rose-Noelle skipper John Glennie, in TV movie Abandoned), kids TV (The Cul de Sac), comedy (Auckland Daze), New Zealand-shot US shows (Spartacus), and film. He won rave reviews as a mad scientist in movie hit Black Sheep.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.
Richard Bluck began working as a cameraman at the Avalon Television Centre in the 1970s. Alongside a host of other projects, he has brought his skills as director of photography to features Black Sheep, What We Do in the Shadows, Second-Hand Wedding and many short films.
Ex-graphic designer Jonathan King learnt about filmmaking while directing more than 100 music videos, including NZ Music Awards best video nominee Behold My Kool Style. King’s feature debut was 2007 comedy horror hit Black Sheep, about GE sheep run amok. It screened around the world. He followed it with an adaptation of Maurice Gee sci fi classic Under the Mountain, and self-funded twister REALITi.
The founding member of Oscar-winning special effects house Weta Digital, George Port laboured for seven months solo on the digital effects for Peter Jackson’s Heavenly Creatures. He went on to found Auckland effects company PRPVFX, which has supplied special effects for Xena: Warrior Princess, Rain of the Children and Green Lantern.
After an early screen appearance on Pulp Comedy and drama studies at Toi Whaakari, Nathan Meister has appeared in a host of feature-length titles. His TV roles include Rage and Tangiwai, but it's his frequent feature collaborations with director Jonathan King that have gained him the most exposure — with lead roles in Black Sheep (facing hordes of killer sheep) and a Moa-award nominated performance in REALITi.
Trained in state television, Judith Trye has gone on to forge a busy freelance career as an independent producer, on everything from comedy series (Serial Killers, Seven Periods with Mr Gormsby) to feature films (The Dark Horse, Black Sheep).
Oliver Driver's career has seen him fronting arts programmes and breakfast show Sunrise, and playing everyone from villainous alien Mr Wilberforce to a sensitive sperm donor and a wacky nurse. The ex-Auckland Theatre Company artistic director has also done time with music station Alt TV, co-starred in chalk and cheese comedy Sunny Skies and directed multiple episodes of Shortland Street.
Christopher Plummer went from playing punk music to cutting film, first at TVNZ editing documentaries, and then on a slate of award-winning films. They include the shorts Sure to Rise (Niki Caro), and Possum (Brad McGann); and feature films Channelling Baby, In My Father's Den, Black Sheep, No.2, Vincent Ward doco Rain of the Children, and Taika Waititi's breakout hit Boy.