Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Scriptwriter Jane Galletly entered the New Zealand television industry at a time when women writers were few and far between. Long drawn to the everyday lives of working people, she has devised and written award-winning drama (Moynihan, Pioneer Women), and worked on hours of classic soap, from Close to Home to EastEnders.
The career of pioneering documentarian Bill Saunders began in the early days of New Zealand television. He went on to champion a fly on the wall documentary style and win Feltex Awards for acclaimed films on Moriori, and the elderly. Saunders was the final remaining member of TVNZ’s documentary unit when it was disbanded in 1988, and an outspoken advocate of public service broadcasting until his death in 1995.
Peter Bland’s creative career encompasses two cultures, dozens of poems, the creation of Wellington’s Downstage Theatre and at least 30 screen roles – among them, his star turn as conman Wes Pennington in Came a Hot Friday.
Veteran newsman Richard Harman began his career at Auckland University student mag Craccum. As a long-time political reporter for TVNZ, he reported on the Rainbow Warrior bombing and the passing of the baton from Muldoon to Lange — also the subject of his award-winning documentary Five Days in July. In 1999 Harman founded company Front Page, where he launched current affairs shows Agenda and The Nation.
Ian Fraser made his name in the late 70s as one of New Zealand’s most respected interviewers, facing off against everyone from Robert Muldoon to the Shah of Iran. In 2002, after time spent in public relations and as head of the New Zealand Symphony Orchestra, he returned to Television New Zealand — this time as its chief executive.
Bill Sheat has applied his legal and organisational skills across the arts in Aotearoa, to influential effect. He was pivotal in the setting up the NZ Film Commission, and was its inaugural chair from 1978 to 1985. Sheat also spent time as chair of the Queen Elizabeth ll Arts Council, helped fund John O’Shea's 1960s musical Don't Let it Get You, and played a role in ushering Geoff Murphy’s Goodbye Pork Pie to the screen.
Whai Ngata worked in Māori broadcasting at Television New Zealand for 25 years, a period when the quantity of Māori broadcasting underwent a major expansion. Starting as a reporter, he rose to become TVNZ's general manager of Māori Programming, a post he held from 1994 until retiring in 2008. Ngata was named an Officer of the Order of New Zealand Merit in 2007. He passed away on 3 April 2016.
Don McGlashan showed his screen talents early, as one half of offbeat multimedia group The Front Lawn. Since then he has composed for film and television, alongside his own music. His score for Jane Campion's An Angel at My Table won acclaim; his screen awards include film No. 2 — which spawned number two hit 'Bathe in the River' — Katherine Mansfield tale Bliss, and TV series Street Legal.
Paul Henry has run his own radio station, and reported from Bosnia and Iraq. After presenting episodes of TV staples This is Your Life and Close Up, he won both fans and regular controversy during seven straight-talking years co-hosting live show Breakfast. After joining company MediaWorks he began hosting the three-hour long Paul Henry in April 2015. The morning show plays simultaneously on TV3, radio and online.