Producer Julia Parnell’s CV boasts a diverse range of credits — from comedy (Wayne Anderson: Singer of Songs) to sport (Wilbur: The King in the Ring), music (The Chills - The Triumph & Tragedy of Martin Phillipps) and te ao Māori (Restoring Hope). Parnell’s production company Notable Pictures is behind a run of award-winning short films (Dive, Friday Tigers), plus long-running mini-documentary series Loading Docs.
The prolific Dale Bradley has produced and directed feature films on both sides of the Tasman. After setting up company Daybreak Pictures with his brother Grant, and directing his first feature, Gallipoli tale Chunuk Bair, Dale Bradley developed and directed movies in New Zealand and then Australia. In 2013 the Bradleys established NZ/UK-based company Aristos Films.
The career of Grant Bradley demonstrates that New Zealand producers can find many sources to fund their movies, beyond the beaten path to the Film Commission. Bradley set up company Daybreak Pictures in 1990. After producing more than 20 titles for Daybreak, he relocated to Australia in 2008 with his brother Dale. The duo established NZ and UK-based company Aristos Films in 2013.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.
Paul Leach was the man behind the camera on many classic Kiwi films; author Duncan Petrie described him as New Zealand's "camera operator of choice". His CV spanned landmark titles Sleeping Dogs, Utu, Smash Palace, and breakthrough comedy Came a Hot Friday. He passed away on 10 April 2010.
Producer Steven O'Meagher is the founder of Auckland production company Desert Road, whose work includes acclaimed TV police drama Harry and Emmy-nominated docudrama The Golden Hour. O'Meagher developed Bill O'Brien's Aramoana massacre account 22 Hours of Terror into acclaimed feature Out of the Blue. The film went on to box office success and multiple Qantas awards.
Canadian-born cinematographer Thomas Burstyn made his feature debut supplying the film noirish imagery for 80s Kiwi chillers The Lost Tribe, and Mr Wrong. Since then Burstyn has stacked up Canadian award nominations, and an Emmy nom for The 4400. Working with Kiwi partner Barbara Sumner-Burstyn, he has expanded into directing docos alongside other photographic assignments, winning two Qantas awards for the Berlin-selected This Way of Life.
Paul Sutorius is an editor who is as comfortable cutting together scenes for drama, children's adventure, a horror movie or a documentary. Sutorius has worked extensively with director Gaylene Preston, and won awards for his editing on Preston's second feature Ruby and Rata and her Te Papa making-of-museum doco, Getting to Our Place.
Before Simon Morris became resident film reviewer and arts presenter for Radio New Zealand, he had a freelance television career encompassing scriptwriting, reporting and directing. He wrote for high-rating soaps like Close to Home, City Life and Shortland Street, directed classic music videos and was a key part of the Radio with Pictures team.
Though Michael Heath helped create a run of pioneering examples of the Kiwi cinema of unease, his contributions to our culture defy easy categorisation. His scripts include many films which have made a comfortable home between genres: children’s vampire tale Moonrise/Grampire, nostalgic Ronald Hugh Morrieson chiller The Scarecrow, Heath’s work with director Tony Williams, and his acclaimed song-cycle A Small Life.