Catapulted to fame after tousles with Prime Minister Robert Muldoon, Tom Scott originally trained to be a vet. He ended up helping Murray Ball turn Footrot Flats into a hit movie. The celebrated humourist and cartoonist has also told the story of Kiwi legends Edmund Hillary and David Lange, in both TV documentaries and dramas. Scott also co-wrote Rage, a TV movie about the 1981 Springbok tour.
Ian Cross trained as a journalist. His 1957 novel The God Boy has been hailed as a classic (and similar status afforded to the 1976 TV adaptation). As Listener editor he doubled its circulation; as broadcasting chair and chief executive he had a turbulent relationship with the Muldoon government — and failed to stem what he saw as the over-commercialisation of television.
Danny Mulheron has approached comedy from almost every angle: as a writer, director, inside a hippo suit, and as co-creator of the politically-incorrect Seven Periods with Mr Gormsby. But laughter is only half the story. Mulheron has also acted in a run of productions, presented car series AA Torque Show, and directed everything from documentaries (The Third Richard) to several TV dramas about iconic Kiwis.
Chris Bailey has made key creative contributions to a host of significant Kiwi television dramas, from sci fi classic Under the Mountain to Nothing Trivial. In 1998, Bailey, along with producer Chris Hampson and writer Greg McGee, founded production company ScreenWorks. These days he is managing director of South Pacific Pictures.
Pat Cox has been bringing television commercials to the screen since the 1970s. As a producer, he was instrumental in turning longrunning comic strip Footrot Flats into an animated feature. Footrot Flats: A Dog's Tale went on to become the most successful New Zealand feature of the 1980s.
Since studying flute then completing a Bachelor of Music in composition, Michelle Scullion has composed for television, film, radio and stage. Her score for Bad Taste, the debut feature from Peter Jackson, was a vital component in the film’s armoury. Her screen work includes Flying Fox and a Freedom Tree, sci-fi thriller Eternity, and many short films, including four directed by Grant Lahood.
Veteran actor Roy Billing has acted in so many films, TV shows and plays, his CV runs to more than 10 pages. Often cast as the straight-talking everyman, Billing has also provided award-winning screen portrayals of rugby-playing priests (Old Scores), drug barons (Underbelly), small-town mayors (The Dish) and avuncular judges (Rake).
David McPhail's television resume is that of a genuine stayer. Working with Jon Gadsby, his longtime comic partner in crime, McPhail co-starred — and famously impersonated Sir Rob Muldoon — in landmark sketch shows A Week of It and McPhail and Gadsby. Later he helped create the Barry Crump-style yarns of Letter to Blanchy, and played the no-nonsense teacher in Seven Periods with Mr Gormsby.
Danielle Cormack has showcased her naturalistic, seemingly effortless acting style on both sides of the Tasman. After roles in TV soaps Gloss and Shortland Street, she began a run of big screen starring roles — Topless Women Talk About Their Lives, The Price of Milk and Via Satellite (playing twins). On Australian TV, Cormack has starred as a prisoner (Wentworth), crime lord (Underbelly: Razor) and barrister (Rake).
New Zealand-born actor Barbara Ewing attracted early notice in 60s British horror films, and became a UK household name as buxom Agnes Fairchild on TV comedy Brass. Ewing was raised in NZ, before leaving to train at RADA in London. In 1979 she won a Feltex Award as the lead in NZ returning expat drama Rachel. Ewing has written plays and several acclaimed novels, including theatre-set bestseller The Mesmerist.