This 13 part Māori Television series looks at Māori architecture, exploring its unique buildings, history and its relationship to the communities it inhabits. Similar to the work that The Elegant Shed did in articulating a distinctly Pākehā architecture, Whare Māori broke ground for Māori design. Here architect Rau Hoskins takes on the David Mitchell interpreter role. Diana Wichtel in The Listener applauded: "beautifully shot local cultural history through architecture". 'The Village' episode won Best Information Programme at the 2011 Aotearoa Film and TV Awards.
This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).
The Elegant Shed was a six part doco series looking at NZ architecture since 1945. The influential series (and accompanying book) redefined Kiwi’s relationship to their built environment, celebrating the homespun and DIY (bach and boatshed, tramping huts, suburbia, small town main streets) as inspirations for a distinctly local architecture. Architect David Mitchell plays tour guide (replete with bohemian goatee and polyester suit), interviews key players (The Group, Ian Athfield) and surveys buildings from bespoke cribs to modernist towers.
Each episode of this award-winning te reo series looks a building or structure of special significance to its community. Architect Rau Hoskins interviews locals to find out about architecture, construction, and social and cultural history, and delve into each building's mauri and wairua. Waitangi's Treaty House, the whare at Parihaka Pā, the globetrotting Mātaatua meeting house, and a wharenui buried by the 1996 Tarawera eruption all featured. Four seasons were made by Scottie Productions; the first was named Best Māori Language Programme at the 2012 NZ TV Awards.
A magazine show with an edge, The Living Room did for arts television production what Radio With Pictures did for New Zealand music — it ripped open the venetian blinds, rearranged the plastic-covered cushions, and shone the light on Aotearoa’s homegrown creative culture. Often letting the subjects film and present their own stories, it was produced for three series by Wellington’s Sticky Pictures, who would go on to make another arts showcase, The Gravy. Amidst the calvacade of Kiwi talent, Flight of the Conchords and musician Ladi6 made early screen appearances.