Robin Morrison's photographic work was popular and accessible — he affectionately presented New Zealanders to themselves. The 1981 publication of The South Island of New Zealand from the Road cemented his reputation. The book featured ordinary New Zealanders in the environments they'd created. This documentary by Tony Hiles explores Morrison's earlier work: his gritty Bastion Point and Springbok tour series, and the projects which documented communities on the brink of change.
In this unexpurgated (and until-now unscreened) interview, Keith Quinn talks to TP 'Terry' McLean, who Quinn has called “the best rugby writer we have ever produced”. The late author and NZ Herald sports editor reminisces widely, though All Blacks are often on the menu: the “God-like figure” of George Nepia (who McLean wrote a book with), “audacious, thoughtful, cunning, chess player” Bob Scott, and Colin Meads, who McLean is candid in his opinion of. Quinn quizzes McLean on his beginnings, favourite sporting memories, and all-time favourite All Black Captain.
Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
The Gibson Group drama series centres on a team of TV journalists working on a weekly current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, who has been lured back to Wellington from Australia by a network boss hoping her tabloid style will help ratings. Her workmates are not so confident. In this excerpt from the start of the first episode, Robbins hits the news (literally) as she runs into a disturbed nightclubber (Katrina Hobbs) on a rainy night. A pre-Lord of the Rings Fran Walsh was one of the series writers.
"You waste my time because you have not prepared for this interview. This interview frankly is a disgrace." This is an excerpt from Kim Hill's infamous 2003 interview with John Pilger, award-winning journalist, author and documentary-maker. Via satellite link from Sydney, Pilger discusses Middle East politics. He says what he would do about Saddam Hussein, and what he thinks about sanctions against Iraq. An angry Pilger says Hill is not asking informed questions. Hill pushes Pilger's book across the desk. Pilger implores Hill to: "Just read. Read. It takes time."
When his father dies, Paul (Matthew Macfayden), a world-weary war journalist, returns to his Central Otago hometown. He strikes up an unlikely friendship with a teenage girl (Emily Barclay). Their relationship is frowned upon and when she disappears, the community holds him responsible. The events that follow force Paul to confront a tragic incident he fled as a youth, and face dark secrets. Critically-acclaimed, In My Father's Den marked the debut of a formidable fledgling talent: it was the only feature from writer-director Brad McGann, who died of cancer in 2007.
Written by Tom Scott, Press for Service is a humorous take on the shenanigans of the parliamentary press as they battle with the prime minister over their journalistic freedom. With the idealism, sleaze and alcoholism, that traditionally go hand and hand with the job, we follow David Miller; striving to be a respected journalist. Miller writes a damning piece but forgets to check his sources. Opening and closing with John Toon's elegant aerial shots of Wellington and a buoyant score, the episode features prominent Wellington thespians Ray Henwood and Ross Jolly.
This acclaimed Gibson Group series was set behind the scenes on a current affairs programme. Katie Wolfe plays stroppy journalist Amanda Robbins, hired for her tabloid style in a bid to raise the show's ratings. In this excerpt from episode two, a surrogate pregnancy turns into a nasty custody battle. Amanda chases the story, whatever the cost (journalistic ethics included) and acquaints herself with the surrogate. But then her in-house rival Liz (Jennifer Ludlam, who won a TV award for this episode) gets a scoop interview with the parents of the disputed child.
This extraordinary moment in New Zealand political history occurred during the 2014 election campaign. Kim Dotcom, a colourful German-born file-sharing mogul exiled in NZ, had helped form a political party — Internet Mana — to “disrupt” the campaign. The party’s 24 August launch went awry when Dotcom fled from reporters keen to follow up a remark made during his speech (he hinted he could hack Prime Minister John Key’s credit rating). Internet Mana press secretary Pam Corkery infamously berated reporters, calling TV3's Brook Sabin a “puffed up little s**t.”
New Zealand's unique accent is often derided across the dutch for its vowel-mangling pronunciation ("sex fush'n'chups", anyone?) and being too fast-paced for tourists and Elton John to understand. In this documentary Jim Mora follows the evolution of New Zealand English, from the "colonial twang" to Billy T James. Linguist Elizabeth Gordon explains the infamous HRT (High Rising Terminal) at the end of sentences, and Mora interprets such phrases as "air gun" ("how are you going?"). Lynn of Tawa also features, in an accent face-off with Sam Neill and Judy Bailey.