By the mid 1980s Auckland had shifted from city of sails, to city of cranes. In the lead-up to the 1987 sharemarket crash, it was in the grip of "an unprecedented building boom". This 1986 Kaleidoscope report looks at the demolition and development from an architectural angle, as malls and mirror glass transform the city. Interviewees include developer Seph Glew of the (ill-fated) Chase Corporation, and his architects. Architecture critic Mark Wigley rates the BNZ Tower an "insult", but says Auckland's "crude" new buildings have at least provoked debate about what the city needs.
Ten years on from the tumultuous 1984 General Election, this award-winning TVNZ current affairs doco examines the financial and constitutional crisis that resulted from Robert Muldoon’s initial refusal to yield power. Reporter Richard Harman, who conducted pivotal interviews at the time, talks to key players to piece together the events of five remarkable days. They also saw the opening salvoes between David Lange and US Secretary of State George Shultz over nuclear ship visits, and foreshadowed Roger Douglas’ controversial remaking of the NZ economy.
Director Sam Neill uses ‘Architect Man’ — a cartoon superhero trying to save Wellington’s buildings from mediocrity — to open this visual essay on contemporary Kiwi architecture. A montage of construction materials is followed by views on the high rise, woolshed, and Futuna Chapel. Renovation, DIY, prefabs and non-conformist design thinking are offered as hopes for the built environment’s future. Made by Neill when he was working at the National Film Unit, it was released in a shortened version (without the animation) in 1977, the same year he starred in movie Sleeping Dogs.
On this episode of the book show hosted by novelist Emily Perkins, the panel discusses Rachael King’s gothic toned second novel Magpie Hall. There’s a visit to Governors Bay on Banks Peninsular to meet a book club with a multi-national feel; and TVNZ journalist Tim Wilson talks about his favourite book – the ultimate in weighty tomes, Proust’s Remembrance of Things Past. In his ‘Under the Covers’ piece, Finlay Macdonald explores ‘A Good Keen Man’, Barry Crump’s breakthrough novel from 1960 – the work of a “man of the land with the soul of a poet”.
The Central Otago gold mining town of Cromwell celebrates its centenary in this NFU documentary. For a fortnight the townsfolk go about their ordinary business, but in colonial-era costume. They also re-enact the frontier-style life of gold rush New Zealand. Just 20 years before the film was shot, Cromwell banks were still receiving deposits of gold dust from customers. But the Cromwell of 1966 is also just a memory. While the old main street still exists, much of the town was flooded with the completion of the Clyde dam in 1993.
The Ralston Group was an early 90s TV3 political chat show where politicos and media industry insiders vigorously debated current affairs. In this mid-1991 episode ringmaster Bill Ralston prods RNZ political editor Richard Griffin, broadcaster Leighton Smith, North & South editor Robyn Langwell and lawyer Trevor de Cleene to tell it as they see it. They debate service on Air New Zealand, the reform of Accident Compensation Corporation, the National Party’s broken promise for a Guaranteed Retirement Income, and the vexed issue of personalised car number plates.
Gibson Group series Frontseat was the longest-running arts programme of its era. Hosted by actor Oliver Driver, the weekly series aimed a broad current affairs scope at the arts. The first excerpt asks the question "is there really an art boom, and if so, why aren't the artists benefiting?" Art dealer Peter McLeavey, late artist John Drawbridge and others offer their opinions. The second clip asks whether NZ really needs eight drama schools. Richard Finn, Miranda Harcourt and newcomer Richard Knowles (later a Shortland Street regular) are among those interviewed.
Train enthusiast David Sims captured the dying days of steam trains in this 1968 National Film Unit short. It features arresting images of a Kb class locomotive billowing steam as it tackles the Southern Alps, en route from Canterbury to the West Coast. Kb Country was released in Kiwi cinemas in January 1968, just months before the steam locomotives working the Midland Line were replaced by diesel-electrics. Sims earned his directing stripes with the film. As he writes in this background piece, making it involved a mixture of snow, joy and at least two moments of complete terror.