In the first episode of this reality series, groundwork is done to allow a 21st century family to live for 10 weeks as their ancestors did in 1900. The right house has been found — but the largely unmodernised Grey Lynn worker's cottage still needs an army of workers and consultants to muck in and turn it into a fully functioning home of the era. Meanwhile, the family search has produced the Feyens from Palmerston North. They appear ready for the challenge, but the realities of different standards of housework, hygiene, and clothing are slowly dawning.
The Feltex-winning series Pioneer Women dramatised the lives of groundbreaking New Zealand women. This episode looks at the story of controversial safe-sex campaigner Ettie Rout. In World War I she travelled to Egypt to care for Kiwi soldiers; there she found venereal disease was rife, and recommended that prophylactic kits be issued and that brothels be inspected for hygiene. To the establishment her pioneering ideas on health, sex and gender were ‘immoral’ and received with hostility; while the RSA and some doctors considered her a “guardian angel of the ANZACs”.
This episode of Pioneer Women dramatises the life of Waikato leader Te Puea Herangi: from prodigal daughter to leader of the Tainui people. Te Puea helped establish the Kingitanga movement, and led Tainui to prosperity through wars, confiscation of their land, and an influenza epidemic. Future TV3 newsreader Joanna Paul plays Te Puea. Produced by Pamela Meekings-Stewart, the Pioneer Women series screened in a high profile slot on TV One, and challenged the view that white male statesmen were the only noteworthy figures in New Zealand colonial history.
This episode in the Pioneer Women series dramatised the story of Hera Ngoungou. In 1874 in Taranaki, Māori kidnapped an eight-year-old Pākehā girl — Caroline “Queenie” Perrett — possibly in retribution for her father breaking a tapu. Her family didn’t see her again until she was 60, when she was a grandmother and had spent more than 50 years living with, and identifying as, Māori. A moving (Feltex award-winning) performance from Ginette McDonald (aka Lyn of Tawa) mixes stoicism with an acknowledgement of good times and a sense of loss for what might have been.
Planning and preparing dinner becomes a sweaty ordeal in the second episode of reality show/'social experiment', Pioneer House. The family have moved into 2 Elgin St and are dealing with the hands-on chores involved in running a typical lower middle class household in 1900. The summer heat makes a trip to the shops clad in corsets and petticoats "like running a marathon", and 17 year old Anneke feels stifled by the restrictions placed on young women of the day. On the plus side, Michael appreciates the extra 'family time' this new/old life is giving him.
The third part of this NFU series on aviation in New Zealand jets off post-World War II, where wartime aircraft and crew provided a base for the National Airways Corporation (later Air New Zealand). The romance of travelling via flying boat made way for mass global air travel; and NZ tourism and airports rapidly became more sophisticated. Presenter Peter Clements looks at how the NZ environment spurred innovation (ski planes, top-dressing, heli deer hunting), and traces the lineage of contemporary garage aircraft makers to DIY first flyers like Richard Pearse.
Kauri stand amongst the giants of the tree world, able to grow more than 50m tall and girths of up to 16 metres, and live over 2000 years. This NFU film looks at the ancient conifer and its relationship with people. A thoughtful narrative traces the kauri's utility, and contemporary efforts to preserve remaining trees — the tree’s timber and gum fuelled colonial growth, but milling devastated the great northern forests. Archive footage evokes the pioneer days: kauri dams, woodsmen dwarfed by felled trunks, and Dalmatian gum hunters scaling sky-scraping trunks.
Wild Man is the missing link between 1970s musical legends Blerta, and the burgeoning of Blerta trumpeter Geoff Murphy as a director whose talents knew few bounds. The Blerta ensemble relocated to the mud-soaked West Coast to create this tale of pioneer con men and silent movie style pratfalls. Bruno Lawrence and Ian Watkin arrange a fight — and betting — in each town they arrive in, while Bruno channels his inner wild man from under a leopard skin. Wild Man was released in cinemas alongside John Clarke and Geoff Murphy’s Fred Dagg comedy Dagg Day Afternoon.
This edition of a series of TV3 shorts retelling Kiwi World War I stories follows Māori soldier Rikihana Carkeek into war. The 24-year-old Te Aute College old boy was working as a clerk in Wellington when he volunteered for the Native Contingent. His grandson, Te Waari Carkeek, a kaumatua at Te Papa, reads excerpts from Rikihana’s diary: recounting waiting for a chance to fight in Malta, and the “hell on earth” carnage of Gallipoli. Carkeek returned home to Otaki and became a Ngāti Raukawa leader. This third episode screened during 3 News on 6 August 2014.
Seven decades after he began shooting films, Ted Coubray got his close-up in Mouth Wide Open. The documentary emerged shortly after his death in late 1997. It captured the hive of filmmaking activity that was 1920s Aotearoa — and Coubray's role as a pioneering cameraman, who even directed his own movie (horse racing hit Carbine's Heritage). The arrival of synchronised sound upped film budgets considerably; Coubray was one of the first in Australasia to create his own sound camera. In this opening sequence, he demonstrates one of his many camera-related inventions.