Nearly two years after the launch of New Zealand's Film Archive, founding director Jonathan Dennis discusses preserving films and film memorabilia for the public to enjoy. He shows reporter Gordon McLauchlan old nitrate film decaying in a former ammunition bunker, then describes finding a print of 1920s movie The Devil's Pit (aka Under the Southern Cross). One of the film's stars, Witarina Harris (née Mitchell) watches part of the film with Dennis, and recalls her time on set. The pair would work closely together promoting the Film Archive (now Ngā Taonga Sound & Vision).
Invercargill mayor Tim Shadbolt ventures into the wilds of Borneo for this full-length Intrepid Journeys episode. His time in the jungles of Malaysia's Sabah region proves to be both beautiful and frightening; his sleeping arrangements are "pure unadulterated hell". After pushing himself to the limit climbing Mount Kinabalu and encountering a lethal pit viper snake, Shadbolt is moved by visits to sea turtles on Turtle Island, and the Orangutan Rehabilitation Centre in Sepilok. Orangutans are endangered in the area because they are losing their forest habitat to palm oil plantations.
This motors and mullets documentary focuses on a group who are obsessed by stock car racing. Shot by Stuart Dryburgh (Once Were Warriors) and Richard Scott, it follows a group of drivers and their crews and families, as they ready for Saturday night racing at Onehunga's Waikaraka Park Speedway. Hours are spent preparing and repairing the one-and-a-half tonne cars, which travel at up to 112 kilometres an hour in one of the few full contact motor sports. Passion, ego and cunning fuel the drama. Injuries and personal sacrifices are the price for the part-time petrol heads.
“For three days, Wellington, New Zealand will become the Monte Carlo of the South Pacific”. Monaco Monza Macao Wellington follows a champion saloon car team (BMW Schnitzer M3) racing in 1989's Nissan Mobil 500 Wellington street race. From their arrival from Macao, to crashes, dramatic victory and a Coromandel wind-down, the documentary goes behind the scenes of a race team on the international circuit. Features interviews with team manager Charlie Lamm, drivers (Emanuele Pirro, Roberto Ravaglia), and a young Jude Dobson as interviewer.
Pop Goes the Weasel was C4's twisted answer to iconic British pop quiz Never Mind the Buzzcocks, embracing a shambolic DIY approach with oversized props, lots of ribbing and an oiled up man in tights (the Weasel) handling the judging. It's fair to say that not every joke has aged well. This trans-Tasman stoush pits a young Dai Henwood and Evan Short from Concord Dawn, against Scott Owen from The Living End and a DJ called 'the Doctor'. Overseeing it all is quizmistress supreme, Jaquie Brown. Director Toa Fraser pops by to embarrass Henwood with a prank call.
This short film is a re-enactment of events leading to Ngāti Toa leader Te Rauparaha’s ‘Ka Mate’ haka; he composed the chant after evading enemy capture by hiding in a kumara pit. (The haka would become famous after the All Blacks adopted it as a pre-game challenge.) Directed by pioneering filmmaker Barry Barclay in te reo, produced by John O’Shea and written by Tama Poata, the short was made in the lead-up to landmark Māori feature Ngati. Many of the crew were enlisted via a work scheme, aimed at redressing the lack of young Māori working in the screen industry.
Each episode of this kids horror series features three ‘curse busting’ stories. In this first episode, student Jack Williams traces the curse back to creepy Charles Killian’s fondness for satanic rituals. Killian dies a fiery death and damns Room 21’s future students. Despite grave warnings, the new principal unlocks the classroom — and the curse awakens. In the second story it’s studious Celia’s turn to contain and destroy a ‘body jumping’ spirit before it claims her soul; the last tale pits Johnny against a fat-hungry warlock who comes a ‘splatter-tastic’ cropper. A second season followed in 2008.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
This first episode from the kidult series pits 12-year-old Terry Teo, sister Polly and brother Ted against a gang of gunrunners led by crime boss Ray Vegas (former Goon Michael Bentine), after Terry skates down the wrong driveway and stumbles on the crims and their illegal arsenal. Terry was fondly remembered by Kiwi kids who grew up in the 80s. Taking cues from the Stephen Ballantyne and Bob Kerr comic it was based on, there are Batman-esque graphics and arcade game-style animated sequences. Sean Duffy’s bald villain is called Curly and the bikie is Billy T James.
In this film two Kiwi larrikins, Sam and Jack (Alan Jervis and Pork Pie's Kelly Johnson) go on a road trip, seemingly fuelled by blokey banter. A pit stop at Hokonui Pub leads to shenanigans with a stolen road roller, varied shaggy dog stories and jail, before Sam has to return to the dreaded missus. The characters and scenarios were adapted from two of Barry Crump's novels featuring anti-hero Sam Cash: Hang on a Minute Mate and There and Back. Mate was made for TVNZ, and screened in late 1982. Pub spotters will appreciate the pub's high pressure hoses and five ounce glasses.