Years before it became a national health crisis, star UK broadcaster David Frost hosted this audience discussion on NZ’s “battle of the bulge”. And far from his later interrogation of Nixon, Frost’s form here is loose and relaxed. Analysis makes way for his wry examinations of such du jour weight-loss products as portable saunas, laxative pills, “Easy-Slim” underwear, and the Slendermatic: a muscle vibration unit modelled by a bikini-clad lass reclining on a sheepskin rug. This was one of six Frost Over New Zealand specials filmed over a whirlwind four-day shoot.
This 1978 documentary casts a critical eye over a depressed NZ music industry, and asks what has changed since its 60s glory days of pop stars, screaming fans and C’mon. By the late 70s, few musicians are earning a living and chart hits have dwindled (although the recording industry is bullish). Ray Columbus waxes lyrical about ‘She’s a Mod’. Kevan Moore and Peter Sinclair are sanguine about TV’s role, a finger is pointed at radio airplay, and the careers of Craig Scott, Mark Williams, Sharon O’Neill and John Rowles are considered. The only thing not in short supply is blame.
‘Rain and Tears’ was inspired by a reworking of Pachelbel’s ‘Canon in D Major’ by Greek prog rockers Aphrodite’s Child (featuring Vangelis and Demis Roussos). Auckland band The Hi-Revving Tongues had their biggest hit with their version, which topped the New Zealand singles chart in 1969. This footage is from the Loxene Golden Disc contest, where they won the group award, and were nominated for best song. It’s a restrained performance which gives little hint of the band’s more psychedelic sound — or their enthusiasm for onstage pyrotechnics.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
Town and Around was a nightly magazine show, covering everything from current affairs and studio interviews to slapstick to stunts; including a notorious spoof on a farmer who shod his turkeys in gumboots. A popular and wide-ranging regional series, it ran for five years from 1965, and was the training ground for a generation of industry professionals (Brian Edwards, David McPhail, and Des Monaghan amongst many others). Town and Around was made prior to a national network link, and editions came out of Auckland, Wellington, Christchurch and Dunedin.
Star English interviewer David Frost was international television royalty when he jetted into New Zealand in 1973 to host a series of six hour long shows which were produced by Des Monaghan and directed by Kevan Moore (the longest duration he’d worked on). In the NZBC’s most ambitious undertaking up until then, the six episodes were recorded in just four days. The series began with political leaders — Prime Minister Norman Kirk and Leader of the Opposition Jack Marshall. The other subjects were abortion, obesity, champion athletes, marriage and children.
In the heady days of Beatlemania, Let's Go was the first viable successor to In The Groove (NZ's first TV pop music show in 1962). It was devised and produced by Kevan Moore — with DJ Peter Sinclair in his first big presenting role. Recorded in Wellington at the NZBC's Waring Taylor Street studio (with its notorious sloping floor a challenge for the big cameras), it featured a resident band — first The Librettos and then the Pleasers. Let's Go only lasted two years, but in 1967 Moore and Sinclair teamed up again for the hugely successful C'mon.
New Zealand TV and the space race grew up hand in hand. For 11 years, self-taught astronomer and enthusiast Peter Read explained each new development and talked about what could be seen in the heavens on his monthly show Night Sky. A commercial artist by training, Read painted the set’s early backdrops. He made several trips to the USA to witness launches, interviewed visiting astronauts and, with models in hand, broadcast live on the night of the first moon landing. When it was cancelled in 1974, Night Sky was the country’s longest running show.
The NZBC's premier 60s music show was the ultimate pop confection, complete with hip presenter Peter Sinclair, hyperactive go-go dancers, pop art set and breathless pace. In one of two surviving episodes, regulars Mr Lee Grant, Herma Keil and Billy Karaitiana cover the hits of the day, with help from guests The Gremlins (previewing the psychedelic pop of their song 'Blast Off 1970'), 50s rock'n'roll pioneer Bob Paris, and "southern songbird" Bronwyn Neil. The show is rounded out with a medley of nostalgia favourites — including a cameo from Sinclair.
New Zealand politics was a gentler art in the pre-Muldoon early 1970s, when superstar English TV interviewer David Frost made the first of two series downunder. Here he talks to Prime Minister Norman Kirk, and opposition leader Jack Marshall. Kirk is assured and statesmanlike (an act that proves hard for Marshall to follow) as he discusses topics ranging from supporting beneficiaries, to opposing French nuclear testing. ‘Big Norm’ purposefully talks about being in the job for another 25 years. Tragically, he died in office 13 months later.