A Girl to Watch Music By was a six-part series, with each episode showcasing a popular female singer or singing act. Among those featured were recent chart-topper Allison Durbin, perennial Pat McMinn, Yolande Gibson, Eliza Keil from the Keil Isles, and The Chicks. Hosted by Ray Columbus — by 1969, already well on the way to becoming a television veteran — the series also featured a fondly remembered sketch where Columbus played puppet to a much taller Max Cryer. The show's title was likely a variation on 60s instrumental hit 'Music to Watch Girls By'. 

Sixties teen sensation Allison Durbin featured on an episode of this early music show, shortly after her version of 'I Have Loved Me a Man' topped the Kiwi charts. Durbin sings ballad 'Looking Through a Tear', before swapping the dress, probably reluctantly, for a polka-dot pantaloon ensemble. As she sings the hip-swinging 'Eso Besso' (That Kiss), a small group of pseudo-Mexicans attempt to show a sombrero can make a viable dance prop. Durbin relocated to Melbourne around the time this was shot, where she would be triple crowned 'Queen of Pop'.

Although made to showcase female singers, late 60s series A Girl to Watch Music By is possibly best remembered for the moment Ray Columbus became a puppet. In this episode host Columbus played ventriloquist's dummy, sitting on Max Cryer's knee. Wrote Cryer later in his book Town Cryer: "it looked very funny and we knew it and set to work on the choreography immediately." The song is called 'Where Would You Be Without Me'. The ventriloquist idea, which would be repeated again on rare "special occasions", was the brainchild of broadcaster Cherry Raymond.

This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.

In 2010 TVNZ’s Heartland channel celebrated the 50th anniversary of television in New Zealand by producing a decade by decade survey. This interview, taken from the 1960s instalment, sees the late Ray Columbus interviewed by Andrew Shaw. The pioneer of pop music in New Zealand reflects on the role that TV played in his career, from Club Columbus to C’Mon, to co-creating That’s Country. He muses on being a pop star in front of the camera, and working behind the scenes in television. Shaw asks him to rate the best song he’s recorded and his best TV performance. 

This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.

This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade  — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.  

Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen. 

The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?