This excerpt from the On Camera series sees Australian entertainer Rolf Harris recording in NZBC’s Christchurch studios for an episode of children’s TV show Kidset. In an ensuing interview — popping with sound effects made using only his voice — he talks about cracking his wobble board, his advocacy for aboriginal music, hit song ‘Two Little Boys’, and differences between children’s and adult audiences. Daughter Bindi drops in before Harris muses on being air-sick, and pounamu hunting in Hokitika. In 2014 Harris was convicted of numerous sex offences.
The concept for this 2005 Touchdown reality show involved sending a bevy of Kiwi beauties to outback Australia, so they can compete to become "the ultimate Kiwi chick" (and win a $100,000 prize). In this second episode the girls discover that the week’s immunity winner (the 'Boomerang Babe') will have to pick a trio of contestants, so the local townsfolk can vote which one to eliminate. The girls must help host Vadim Dale (reality romance show Outback Jack) brand a calf, where things get bloody; spend a night in the outback alone; and negotiate a hay bale challenge.
Teenage gang girl Tarnz speaks with brutal honesty about her extraordinary life in this documentary. From Maraenui, Napier, Tarnz formed her own girl gang in her teens, amassed 13 convictions and was imprisoned three times. Gang Girl - Tarnz Story was a finalist at the 2007 Winnipeg Aboriginal Film Festival in Canada. It was made alongside another girl gang documentary, Mob Daughters; both documentaries were produced by Front of the Box Productions and screened on TV2.
This documentary, made seven years after the death of legendary filmmaker and kinetic artist Len Lye, tells Lye's story: from being a young boy staring at the sun, to travels around the Pacific and life in New York. It includes excerpts from many of his films, and interviews with second wife Ann and biographer Roger Horrocks. Len Lye himself is often heard, outlining his ideas of the ‘old brain’ and how Māori and Aboriginal art influenced his work. The grandeur of his ideas are only matched by their scale, with steel sculptures designed to be "at least 20 foot high".
New Zealand’s first left-wing documentary filmmaker, Cecil Holmes achieved notoriety in the late 1940s through the highly publicised exposure of his communist activity as a Public Service Association (PSA) delegate in the National Film Unit. He went on to become a significant film director in Australia.Image credit: Alexander Turnbull Library, 1/2-023573; F (detail)
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.
Wi Kuki Kaa was a diverse, formidable presence on New Zealand stage and screen for almost 30 years. His iconic roles included Iwi in Barry Barclay-directed feature Ngati, Rewi Maniapoto in TV series The Governor, Wiremu in Geoff Murphy-directed Utu, the koroua in Trinity Roots' music video Little Things, a scarecrow maker in Worzel Gummidge Down Under, and many more.
Simon Price grew up in Dunedin. Named most innovative graduate at Melbourne's VCA Film School, he worked in Australia for many years as a writer/director, editor and video artist before returning home to help edit King Kong. Price's feature editing credits have since included Blackspot, landmark Samoan drama The Orator, Cambodian-set fable Ruin, Pā Boys, and docos Last Men Standing and Antarctica: A Year On Ice.
Starting her screen career on Shortland Street, Samoan-born Frankie Adams was thrown in the deep end with a role as a troubled teenager. After four years she left the street in 2014, and headed overseas. In 2016 she landed a part as an aboriginal teen on Australian drama Wentworth, alongside Danielle Cormack, followed by an ongoing role on American sci-fi show The Expanse, as Polynesian marine Bobbie Draper. She also made her big screen debut, co-starring as Ilisa, a pregnant Samoan woman who returns home in One Thousand Ropes— the second feature from Orator writer/director Tusi Tumasese.
Laurie Clarke began his career in 1983, as an editor for Australia’s ABC. Back home for the birth of TV3, he later spent nine years directing and producing for news show 20/20. Clarke is currently a company director at Top Shelf Productions; his list of credits includes Target, What's Really in Our Food, Making New Zealand, Heritage Rescue, and long-running media commentary show Media Take.