Programmes featuring the immortal Count Homogenized are among the most-requested by visitors to NZ On Screen. Homogenized - a vampire with a white afro and cape and a lust for milk - made his debut in this children's show, ultimately going on to star in his own series. In this early episode the Count turns up at Major Toom's haunted house on his unending search for bovine liquid sustenance, and befriends Toom over some wine. Shark in the Park actor Russell Smith's mischievous Count has lodged itself in the hearts of many Kiwis of a certain vintage.
Hosted by Francis Kora, this episode of The Gravy is the story of musician and anti-apartheid activist Tigilau (Tigi) Ness, who during the 1970s joined the Polynesian Panthers movement in Auckland. Tigi Ness, the father of hip hop musician Che Fu, recalls his childhood in central Auckland and troubled times with the 1974 dawn raids and protests during the 1981 Springbok rugby tour for which he served nine months in prison. The episode also tells the story of his musical life in reggae bands such as Unity Pacific. Animated segment The Truth takes a look at lambs.
This first episode of this much-loved kids series explores all things to do with lighthouses. It begins with a visit to Nugget Point; then things get eclectic. Earnest informational TV is interspersed with psychedelic graphics, cartoons, a sea shanty ("I want to marry a lighthouse keeper"), and funky lighthouse-themed songs. We meet Don (a lighthouse stamp collector); uncover the mysteries of how a ship fits into a bottle; and the three young presenters deconstruct their attempts at painting lighthouses, including a fine abstract effort from co-presenter Ray Millard. Classic.
Loosely translated, batucada means percussive samba jam, which aptly describes Batucada Sound Machine's musical roots. BSM began in 2003 when five drummers met once a month in the lounge bar of Galatos nightclub in Auckland to experiment fusing batucada with local beats and influences. Before long the band had grown to 13 members, who developed a strong live following both in New Zealand and abroad. They released a live EP, before recording their debut studio album Rhythm and Rhyme in 2008. With a guest appearance by hip-hop legend Che Fu, the album swings from pure dance-floor afro-beat to funk, hip-hop, and deep samba-reggae.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.
This segment from Grunt Machine is a visit to Wellington radio station 2ZM. Announcer Paul Holmes (and later Grunt Machine host — resplendent in afro and moustache) is interviewed after giving away an LP to Carol of Naenae. He isn't a fan of music charts and thinks 2ZM should drop its Top 20 because people just want to hear music now and not the hit parade. Elsewhere there are calls to record shops to check sales and compile the Top 20 that Mr Holmes would rather not have — and a listening session rattles through the new releases in very short order.
New Zealand television's first sitcom, Buck House centred on the antics of a group of university students sharing a flat in Wellington. In this sixth episode of the first series, Reg — played by a fast-talking, afro-headed Paul Holmes — gets embroiled in his flatmate Joe's latest illicit moneymaking scheme. 'Escorts Unlimited Ltd', as Joe (Tony Barry) tries to explain, is a surefire winner. That is, until Buck House's other flattie, the left-leaning Jo (Jacqui Dunn) invites a member of the local constabulary home for a cup of tea. The late night comedy was considered edgy when it debuted in 1974.
The Afro-soul-meets-Aotearoa roots and energy of The Hot Grits sound is summed up by this question on the collective's website: "What do you get when you fix a pound of Fela Kuti's Afrika 70, two cupfuls of The Meters, 250g of thinly sliced early James Brown and a level dessert spoon of psychedelic rock?" The 11-piece outfit has the kudos of having their first music video, Headlights, banned by state broadcaster TVNZ for showing toddlers simulating an adult night on the town.
Released in April 1977, 'It Doesn't Matter Anymore' became Mark Williams' second number one single. The singer funks it up in bell-bottoms and afro, while circled by cameras on the set of long-running music show Ready to Roll. Abandoning the violins of the Buddy Holly/Paul Anka original in favour of percussion and horns, producer Alan Galbraith's arrangement demonstrates that breakup songs can be catchy indeed. By the end of 1977, Williams and Galbraith had decamped for Australia. Williams would ultimately take over vocals for Dragon.