Asked to pick her favourite Shortland Street storylines, Shortie longtimer Sally Martin starts with one of the show's most dramatic episodes — the 20th anniversary special from 2012. On board a helicopter when it crashed in the hospital grounds, Martin's character Nicole Miller was trapped in the wreckage. Martin has good memories of shooting the chopper scenes, which required overnight shoots. She also mentions a sickbed scene surrounded by admirers, and her struggles not to laugh while trying to teach first aid to an uncomprehending Bella (Amelia Reid-Meredith). 

This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".

After countless romances, breakups and revelations — plus the odd psycho and crashing helicopter — Shortland Street turned 25 in May 2017. Made on the run, sold round the globe, the Kiwi soap opera juggernaut has provided a launchpad for dozens of actors and behind the scenes talents. Alongside best of clips, the very first episode, musical moments and favourite memories from the cast, Shortland star turned director Angela Bloomfield writes about how the show has changed here, while Mihi Murray backgrounds how it began — and how it reflects New Zealand.

This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.

This collection celebrates Kiwi comedy on TV: the caricatures, piss-takes, and sitcoms that have cracked us up, and pulled the wool over our eyes for over five decades. From turkeys in gumboots and Fred Dagg, to Billy T, bro'Town and Jaquie Brown. As Diana Wichtel reflects, watching the evolution of native telly laughs is, "a rich and ridiculous, if often painful, pleasure." 

This documentary tells the heart-wrenching story of Eve van Grafhorst, who contracted HIV from a blood transfusion after she was born three months premature. 1980s' attitudes to HIV saw Eve banned from her pre-school in Australia, leading her family to settle in New Zealand, where Eve became a high profile poster child for AIDS awareness. This award-winning film chronicles Eve’s medical struggles, her HIV AIDS awareness work, and her astonishing bravery in the face of illness and death. Eve died peacefully in her mother’s arms in 1993, at the age of 11.

Open Door is a community-based TV series where groups or individuals make a documentary about an issue that concerns them. This frank and moving episode is about Positive Women, a support organisation for women and families living with HIV or AIDS. The HIV positive women interviewed include health care worker Jan Waddell, who became HIV positive after a needle stick injury, and Marama Pala, who was diagnosed after sleeping with Peter Mwai, the musician who was later charged with having sex with multiple partners while knowing he was HIV positive.

This documentary about the sex industry in New Zealand features frank but sympathetic interviews with sex workers (including the Prostitutes Collective) and their clients. Topics discussed include the sex workers' reasons for doing the job, physical and sexual safety, the impact of AIDS, the role of drink and drug abuse, and managing a relationship with a husband or boyfriend. The film screened on TV3 after arguments about censorship, which Costa Botes writes about here. A Double Standard makes a compelling case for the industry to be decriminalised. Law change occurred in 2003.

Peter Wells and Stewart Main’s acclaimed drama screened in primetime and was ground-breaking in featuring AIDS. Wells' script is based on the death of one of his friends — one of the first New Zealanders to die from the disease — but the living are the focus, as Wells creates an intimate “strange and foreign land” occupied by those close to someone who is dying. Andy’s friends confront both their own mortality and the deadly new disease stalking their community, while his conservative family grapples with never having come to terms with his sexuality. The excerpt features the opening 10 minutes. 

Director Dave Gibson heads to Wellington's red light district on Vivian Street to interview strippers and prostitutes for this TV One documentary. Night workers ply their trade on the busy street, and inside late night venues like Tiffany's strip club. The nearby Evergreen cafe is also used as a drop-in centre by the city's gay community. Prostitute Kayla talks about AIDS reducing client numbers, while stripper Crystal Lee is nervous before her first dance. Police mention an improved relationship with prostitutes; Tiffany's owner Brian Le Gros claims men visit his club for fun not nudity.