Half-hour documentary Paper Boat uses off-screen interviews to follow the process of creating a book, from idea to book store. The chapters are built on interviews with an author; editor; designer; a printer and a binder; and finally a bookseller and a librarian — the latter talks about libraries as places of welcome and acceptance. The film's title was inspired by Gregory Kan's poetry collection This Paper Boat. Writer and ex librarian Alex Mitcalfe Wilson's debut film was one of three "advocating for art on the margins", which debuted on website The Lumière Reader.
Nominated for a Qantas Media Award, this documentary examines prejudices against Asians in New Zealand, as immigration grows (80,000 ethnic Chinese and 20,000 Koreans have arrived in New Zealand since 1988). Directors John Bates and Manying Ip look back at the history of Asian settlement in Aotearoa, from colonial xenophobia and the poll tax inflicted only on Chinese migrants, through ‘ching chong Chinaman’ abuse, to the present day — where 21st century migrants face struggles with discrimination, language barriers and integrating in their new home.
In 1968 eight Japanese teenagers won an art competition; their prize was a week long visit to the country they'd imagined on canvas. It's a busy itinerary — the students land in Wellington and take an obligatory cable car ride before visiting Parliament and the museum. The steamy wonderland of Rotorua is next, a dairy farm visit is a big success and Sir Edmund Hillary joins the teens for an authentic Kiwi barbeque. Shy smiles abound when one student meets her Kiwi pen pal for the first time. This is a rare example of a New Zealand television documentary from the 1960s.
Like the digital ‘mash-up’ concept to come, this 1970 film uses content from more than one source to create something new. In this film collage, relics of visual and material culture from New Zealand museums are combined to evoke life in earlier eras. These objects — from moa skeletons, to scrimshaw, to a stereoscope, and surveys of Māori culture and sex appeal (!) — are mixed with historical footage (including turn of the century Queen Street) and a classical score. Another Time was directed by Arthur Everard for the National Film Unit.
This edition of the early 90s magazine arts show begins with a visit to Auckland's Herald Theatre to preview a production of Romeo and Juliet, directed by Michael Hurst and starring 16-year-old actor Sophia Hawthorne. Raybon Kan explores fatal books; author Ian Cross is interviewed and Bill Ralston reviews Cross’s latest novel (with Ralston wanting to know why all New Zealand art is "so bleak, so barren"). Film Festival director Bill Gosden previews the event's programme, and comedy group Facial DBX is interviewed ahead of the Watershed Comedy Festival.
Starting in the late 1980s, Matt Elliott was a pioneering Kiwi stand-up comedian. He has gone on to write 1997 book Kiwi Jokers: The Rise and Rise of New Zealand Comedy and a 2009 bio of Billy T James.
The familiar voice of radio announcer Peter Hutt was also heard on the soundtracks of many National Film Unit productions. From 1946, when Weekly Review put a few minutes each week of New Zealand scenes and people on cinema screens, until 1972, when television was presenting hours daily of the country and its people, Hutt also developed his talent for directing, writing and editing films. Image credit: Auckland Libraries Heritage Collections, ID 34-232 (detail). Photographer Clifton Firth
A beautiful Wellington day greets passengers from the Southern Cross at the start of this 1950s magazine film. Seen here on her maiden voyage around the world, the cruise ship Southern Cross was built to carry immigrants from Europe. Meanwhile, students at what was then New Zealand's only fully residential teachers' college (near Auckland) are seen studying, before taking time off for dancing and sport. A trip to New Caledonia rounds up the report with the unveiling the Cross of Sacrifice, a memorial to the 449 Kiwis who died without a grave in the South Pacific during WWII.
For more than 20 years, Haunui Royal has been driven by the desire to be part of a vibrant Māori voice in broadcasting. The director turned executive got his break at TVNZ in 1988, before directing everything from a long line of documentaries (The Truth about Māori), to entertainment (Havoc and Newsboy's Sellout Tour). Later he spent seven years as General Manager of Programming at Māori Television.
Dame Pat Evison's extensive screen career saw her acting alongside George Henare, Roger Hall, William Holden, and a young Mel Gibson. Evison worked extensively on both sides of the Tasman, including long-running TV roles on Close to Home and Australia's Flying Doctors. She passed away in May 2010.