Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
The artists profiled in this edition of the TVNZ Māori show share a heritage and the vicissitudes of life as professional musicians, but their fields and approaches to making music differ markedly. Entertainer Bunny Walters is rebuilding a career that became derailed after initial success with his hit 'Brandy'. Opera singer Richard Haeata is looking to make his way in a largely Pākehā world which he finds alienating in its individuality. And singer-songwriter Mahinārangi Tocker celebrates her gender and Māori identity but has little use for the music industry.
With a cast of stars from television, music (TrueBliss, Bunny Walters) and sports (Stu Wilson), this 2000 documentary offers a close-up on fame — Kiwi-style. There are insights on local paparazzi from women's magazine editors, who have lost friends over what they have chosen to publish. Angela D'Audney reveals the 'intimate' relationship between TV personality and audience — looking animated is a job requirement, if she wants to walk in public unaccosted; and swimmer Danyon Loader describes the challenges of being forced into the media spotlight as a shy teen.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
This four-part TVNZ series from 1986 surveyed the history of soul music, with a roll call of talented Kiwi performers belting out the genre's classics. In this first episode — presented by Dalvanius with Stevie Wonder braids — the focus is on the influential 60s soul music of New York label Atlantic Records. Singers include Bunny Walters, Debbie Harwood, The Yandall Sisters, Peter Morgan and more. Ardijah chime in with their contemporary soul hit ‘Your Love is Blind’. The series writer was Murray Cammick, founder of music magazine Rip It Up.
This 1974 end of year special for music show Popco sees acts performing cover songs in locations around Christchurch, plus inside the studio. Presenting and singing are Hayden Wood, Rob Guest (before musicals fame) and Steve Gilpin (before Mi-Sex). The performers include Space Waltz (in their glam rock glory), Annie Whittle (on the banks of the Avon), the Maggie Burke dancers in Cathedral Square, Rockinghorse (featuring 'Nature' composer Wayne Mason), Mark Williams (sparkling in green lurex), Bunny Walters, Drut (complete with a flaming guitar) and Beaver (in the finale).
This four-part 1986 series offered a lively musical survey of the history of soul. Each episode focussed on a United States city, and its influence on the evolution of the genre. Presented by Dalvanius, the show was built around performances of soul classics by Kiwi performers (Bunny Walters, Peter Morgan, The Yandall Sisters), filmed in a nightclub style setting at Auckland’s Shortland Street Studios. The series writer was Rip It Up editor and future record label owner Murray Cammick (Southside, Wildside).
Promoter Joe Brown’s Search for Stars was a popular nationwide talent quest, broadcast on radio by Selwyn Toogood. This 1970 report from Living in New Zealand sees future TV executive Ernie Leonard interviewing entrants, during rehearsals at Rotorua’s Summer Carnival (including a young Tom Sharplin). Then it’s the 12 January grand final at the city's Sportsdome. Second place getter is 16-year-old Bunny Walters (who would go on to television fame, and score hits with 'Brandy' and 'Take the Money and Run'). Tui Fox won first prize: $2,000, and a recording contract with Brown.
Popco slotted in after Movin’ and before Norman, as part of a long tradition of Christchurch music shows which first began with Let’s Go in the early 60s. It featured a studio band, the Maggie Burke Dancers and vocalists including Bunny Walters, Annie Whittle, Tom Sharplin and Rob Guest, who performed the hits of the day. There were appearances from local acts including Ticket and Chapta, and overseas performers like Lindisfarne and Gary Glitter (who was overcome with vertigo and had to be rescued from a high diving board at QE2 pool, after miming one of his hits).
Ol’ Brown Eyes celebrates 40 years in showbiz with this variety concert, alongside some of his mates including Ray Columbus and Bunny Walters. The show is mostly live entertainment, punctuated by a few nostalgic field stories where Sir Howard acknowledges his upbringing and Māoritanga. The show ends with the Morrison whānau performing, followed by the hymn that gave Sir Howard a number one hit in 1982: ‘How Great Thou Art’. This TV special was dedicated to Sir Howard’s mother Kahu, who was an outstanding singer in her own right.