Month by month, this collection offers up NZ On Screen's most viewed clips for 2016. Alongside legendary adverts, the clips collection features talents lost to us over the year, from Ray Columbus to Martin Crowe and Bowie (via Flight of the Conchords). In this backgrounder, NZ On Screen Content Director Kathryn Quirk guides us through the list.
The artists profiled in this edition of the TVNZ Māori show share a heritage and the vicissitudes of life as professional musicians, but their fields and approaches to making music differ markedly. Entertainer Bunny Walters is rebuilding a career that became derailed after initial success with his hit 'Brandy'. Opera singer Richard Haeata is looking to make his way in a largely Pākehā world which he finds alienating in its individuality. And singer-songwriter Mahinārangi Tocker celebrates her gender and Māori identity but has little use for the music industry.
With a cast of stars from television, music (TrueBliss, Bunny Walters) and sports (Stu Wilson), this 2000 documentary offers a close-up on fame — Kiwi-style. There are insights on local paparazzi from women's magazine editors, who have lost friends over what they have chosen to publish. Angela D'Audney reveals the 'intimate' relationship between TV personality and audience — looking animated is a job requirement, if she wants to walk in public unaccosted; and swimmer Danyon Loader describes the challenges of being forced into the media spotlight as a shy teen.
This full-length documentary gives warm-spirited context to the song that has been the soundtrack to countless back lawn crate parties and freezing works chains (watch the credits). It was released as the B-side of singer Engelbert Humperdinck's Please Release Me, and became an unlikely hit in Aotearoa with fans who have done the "dance, dance, dance ...": including Dalvanius (who discusses its "pop-schlock" charms), Bunny Walters, The Topp Twins, and a special group of ten guitarists. The documentary also explores why "the national anthem of Patea" is so appealing to Māori.
This four-part TVNZ series from 1986 surveyed the history of soul music, with a roll call of talented Kiwi performers belting out the genre's classics. In this first episode — presented by Dalvanius with Stevie Wonder braids — the focus is on the influential 60s soul music of New York label Atlantic Records. Singers include Bunny Walters, Debbie Harwood, The Yandall Sisters, Peter Morgan and more; Ardijah chime in with their contemporary soul hit ‘Your Love is Blind’. The series writer was Rip It Up music magazine co-founder Murray Cammick.
This four-part 1986 series offered a lively musical survey of the history of soul. Each episode focussed on a United States city, and its influence on the evolution of the genre. Presented by Dalvanius, the show was built around performances of soul classics by Kiwi performers (Bunny Walters, Peter Morgan, The Yandall Sisters), filmed in a nightclub style setting at Auckland’s Shortland Street Studios. The series writer was Rip It Up editor and future record label owner Murray Cammick (Southside, Wildside).
In 1986 New Zealand applied the celebrity choir approach to promote Team NZ’s first tilt at the America’s Cup, with a host of musicians, broadcasters, sportspeople raising their voices in unison. The singers include Bunny Walters, Suzanne Day and Suzanne Prentice, plus Barry Crump, Roger Gascoigne, Precious McKenzie and Ian Ferguson. The 1987 challenge failed and All of Us remained a one-off; but one of its contributors, Dave Dobbyn, later put a lock on the Team NZ anthem with his own song ‘Loyal’.
Popco slotted in after Movin’ and before Norman, as part of a long tradition of Christchurch music shows which first began with Let’s Go in the early 60s. It featured a studio band, the Maggie Burke Dancers and vocalists including Bunny Walters, Annie Whittle, Tom Sharplin and Rob Guest, who performed the hits of the day. There were appearances from local acts including Ticket and Chapta, and overseas performers like Lindisfarne and Gary Glitter (who was overcome with vertigo and had to be rescued from a high diving board at QE2 pool, after miming one of his hits).
Ol’ Brown Eyes celebrates 40 years in showbiz with this variety concert, alongside some of his mates including Ray Columbus and Bunny Walters. The show is mostly live entertainment, punctuated by a few nostalgic field stories where Sir Howard acknowledges his upbringing and Māoritanga. The show ends with the Morrison whānau performing, followed by the hymn that gave Sir Howard a number one hit in 1982: ‘How Great Thou Art’. This TV special was dedicated to Sir Howard’s mother Kahu, who was an outstanding singer in her own right.
In April 1990, Billy Taitoko James came back from years of ill health, and made a triumphant return to performing his unique brand of music and comedy. It was a last hurrah for James, whose transplanted heart gave out on him the following year, but it's a worthy swansong. His unique brand of humour is captured at its affable, non-PC, best, with Billy T giving everything he's got — every gag is rounded off with his trademark 'bro' laugh — a loudly appreciative audience. NZ On Screen has two excerpts. Guests include Sir Howard Morrison. Read more about Billy T and the show here.