This collection showcases Aotearoa Lesbian, Gay, Bisexual and Transgender screen production. The journey to Shortland Street civil unions, rainbows in Parliament and the Big Gay Out is one of pride, but also one of secrets, shame and discrimination. As Peter Wells writes in this introduction, the titles are testament to a — joyful, defiant — struggle to "fight to exist".
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
Gary Cradle (Gareth Reeves) wants to go straight, but has to face up to a drug habit, family dysfunction, and the burden of guilt over a past sin. Gregory King's redemptive recovery yarn debuted at the Rotterdam Film Festival. King's second feature won Qantas Film and TV Awards for the best film made for under $1 million, and Ginny Loane's camerawork. Actors Reeves and Ian Mune (playing his far from supportive father) were also nominated. In February 2009 the film gained media attention after being made available to watch free online, for 24 hours.
This episode of anthology series Winners & Losers takes a fresh angle on going straight. Smooth-talking criminal Mick (Ian Mune) dreams of starting over, by cultivating mushrooms with cellmate Charlie (Coronation Street's Ivan Beavis). Charlie claims to have committed a lawful murder, thanks to a technicality. In an inspired change to Barry Crump's original story, Mick commandeers a bus to finance the pair's plan. Crump praised the episode, but felt that Mick and Charlie treat their third cellmate unfairly. Director Roger Donaldson cameos in a red Swanndri during the bus scenes.
This NZ Music Month collection showcases NZ music television, spun from a playlist of classic documentaries and beloved music shows. From Split Enz to the NZSO, Heavenly Pop Hits to Hip Hop New Zealand, whether you count the beat or roll like this, there’s something here for all ears (and eyes). Plus music writer Chris Bourke gets Ready to Roll with this pop history primer.
He learnt kapa haka as a child. He learnt to smoulder on Shortland Street. He punched a country in the guts with Once Were Warriors. Temuera Morrison has starred in Māori westerns, adventure romps, and cannibal comedies. In the backgrounder to this special collection, NZ On Screen editor Ian Pryor traces Temuera Morrison's journey from haka to Hollywood.
Growing up around stage shows and TV studios, Dai Henwood knew from early on that he wanted to be involved in comedy.
Veteran producer/director John Laing has worked in film and television in New Zealand, Canada and the UK. His feature films include the Arthur Allan Thomas-inspired Beyond Reasonable Doubt, cross-cultural romance Other Halves and thriller Dangerous Orphans. Laing has also directed a long list of popular drama series for TV, including Go Girls, Nothing Trivial, Street Legal, Inside Straight and Marlin Bay; plus tele-feature Safe House.
In this interview publicising 1996 comedy The Birdcage, Robin Williams turns his humour settings to a surprisingly low level. Quizzed on matters political by Holmes reporter Ewart Barnsley, Williams argues that politically correct people can display the “same kind of repressive tendencies” as others, and admits that the portrait of homosexual parents in the Mike Nichols-directed comedy could be offensive to both gays and straights. But, he adds, the majority of viewers "go and laugh their ass off and find some common ground and humanity in it”.
Oddly Even was the winner of TVNZ's inaugural New Blood Web Series Competition for emerging screen talents. NZ Broadcasting School graduates Isla Macleod and Ashleigh Reid won $100,000 from TVNZ and NZ On Air to turn it into an eight-part web series, after the public voted their pilot episode the best. The comedy centres on chalk and cheese sisters — aspiring health food entrepreneur Liv, and the straight-talking Frankie, who crashes back into Liv's life and demands a room after going AWOL for eight years. Conflict ensues as the sisters can't see eye to eye.