This high-rating 1999 documentary follows Gary McCormick to Ireland to investigate "those strands which tie" Kiwis to the Emerald Isle, from Dublin to the north, where his forebears originated in the 1870s. He meets locals, (musicians, tinkers, playwrights, scuba divers) and Kiwi expats, and talks The Troubles, Celtic Tigers, and why Irish emigrated to Aotearoa. Irish Connection was another collaboration between McCormick and director Bruce Morrison (Heartland, Raglan by the Sea). Companion title The London Connection saw McCormick examining Kiwi links to London. 

For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."

As a showcase history of Christchurch on screen this collection is backwards looking; but the devastation caused by the earthquakes gives it much more than nostalgic poignancy. As Russell Brown reflects in his introduction, the clips are mementos from, "a place whose face has changed". They testify to the buildings, culture and life of a city now lost, but sure to rise. 

Richard Driver interviews members of touring Irish band The Pogues for legendary late night music show Radio with Pictures. Despite a daunting reputation, frontman Shane MacGowan is on his best behaviour (and in possession of a very clean pair of heels) as he and bandmates Spider Stacy and James Fearnley expound on the importance (and inescapability) of their Irish roots. MacGowan’s experiences with New Zealanders in London appear to be a private joke, but there’s nothing confusing about their opinions on being produced by fellow musician Elvis Costello.

Soldiers, rubber bullets and an uncertain future: for the McKenna family, memories of life back in hometown Belfast are hardly rose-tinted. Made shortly before the Good Friday agreement radically altered Northern Ireland’s political landscape, this Immigrant Nation episode opens with Irish expats Mick McKenna and mother Mary. In between making rebel music in Wellington, Mick returns to Belfast and recalls an environment that bred violence. Meanwhile presenter Teresa O’Connor (cousin of West Coast MP Damien O’Connor) delves into her own part-Irish ancestry and identity.

This topic of the sixth episode of this Māori/Pākehā satire is 'war'. Irish Colonel North (played by veteran actor Ian Mune) and his British Army soldiers arrive, on their way north to fight Hōne Heke — provoking chief Te Tutu (Pio Terei) and Ngāti Pati into action. Te Tutu’s warmongering with the settlers includes mooning, flagpole-felling and insulting Mr Vole's long-suffering wife (Emma Lange). When the signals aren’t picked up, a stolen rooster gets things moving. A fierce haka is answered by a traditional English song: 'Old Macdonald had a farm'.

Fresh-up in the Deep End saw sportsmen turned TV larrikins Marc Ellis and Matthew Ridge facing challenges far outside their comfort zones. This episode has the pair taking on dancing, from ballroom and latin styles, through to cabaret, contemporary and Irish. En route they try some body percussion with Black Grace Dance Company, and do the can-can under the watchful eye of cabaret legend Debbie Dorday. Then they must put their new found skills to the test in full on competition. Ridge and Ellis' skills with a rugby ball in hand don't always translate onto the dancefloor.

In director Grant Lahood's 2013 Tropfest NZ entry a young boy takes Kiwi ingenuity to the next level by creatively adapting his gumboots to net sporting victory. But it’s a risky move. Sprung marks a return for Lahood to his dialogue free short film beginnings (eg. Cannes award-winner The Singing Trophy, and his debut Snail’s Pace). Like those shorts, Sprung has a devilish sense of humour, and a crisply edited contest of wills. The ode to the courage of the young and the unpredictability of science was scored by veteran film and TV composers Plan 9. 

A military exchange between New Zealand and the United Kingdom is the focus of this National Film Unit short. About 150 Kiwi soldiers head to London for Exercise Powderhorn in 1964, which includes guard duty at Buckingham Palace and the Tower of London. And they still have time to see the sights. Meanwhile a contingent from the Loyal Regiment in North Lancashire arrives in New Zealand for Exercise Te Rauparaha. They experience jungle warfare in a mock battle on the West Coast and practise mountain craft in the Southern Alps.

Vincent Ward's fifth feature follows an Irishwoman in 1860s New Zealand, as Māori tribes resist the occupation of their land by the British. Sarah (Samantha Morton) has had an affair with a Māori and borne his child. Years later the boy is kidnapped by his grandfather, a powerful tribal leader. Sarah embarks on a search for her child, aided by warrior Wiremu (Cliff Curtis). When she finds him, both mother and son must decide to which culture they belong. This excerpt from the notoriously ambitious film sees Sarah encountering charismatic chief Te Kai Po (Temuera Morrison).