This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Wellington funk, soul, reggae act The Black Seeds manage to cram themselves into a single shot for this episode from a series made for secondary school music students. Bookended by stripped back performances of 'Keep on Pushing' and 'Going Back Home', they explain the development of these songs from their origins as bass grooves. Mike Fabulous has cautionary words for aspiring songwriters about the dangers of overcomplicated song structures while Barnaby Weir reassuringly suggests that virtuosity is not an absolute prerequisite for being in the band.
Exponents lead singer Jordan Luck discusses his career and approach to songwriting in this episode from a series for secondary school music students. Luck recalls his own first musical steps at Geraldine High School and the realisation that he could write his own material. He performs an acoustic version of his classic song 'Victoria' which he wrote about the toll of domestic violence on his landlord at the time — an example of his preference for writing from personal experience. He also previews 'Finesse', a work in progress about Invercargill.
In this episode from a series for secondary school music students, James Reid (from The Feelers) and his brother Donald (a singer-songwriter who has co-written several Feelers songs) recall their school days when music making was frowned on by guidance counsellors rather than encouraged by projects like this one. Armed with acoustic guitars and a piano, they play excerpts from four songs (‘Communicate’, ‘We Raised Hell’, ‘Fishing For Lisa’ and ‘Unleash the Fury’) and discuss their philosophy of songwriting which is “all about being in the moment”.
Mareko, Savage and Alphrisk from Dawn Raid act Deceptikonz offer a rhyme filled hip hop primer in this episode from a series for secondary school music students. Their vision of hip hop has little use for American-style guns and gangster rappers, but fighting with words is another matter and there are tips on the art of writing a battle verse (along with unlikely endorsements for The Discovery Channel and English classes). They also stress the importance of understanding an industry where artists arrive as musicians but need to leave as businessmen.
In this episode from a series for secondary school music students, singer Hinewehi Mohi recalls the controversy that followed her Maori language rendition of 'God Defend New Zealand' at the 1999 Rugby World Cup. She talks of her immersion in music at school and its importance to her following the birth of her daughter with cerebral palsy (and the Raukatauri Music Therapy Centre this inspired her to establish). As a songwriter who doesn't play an instrument, she explains the origins of 'Kotahitanga' — her Maori language-meets-dance pop hit with Oceania in 2002.
Rodney Fisher and Gareth Thomas from Auckland band Goodshirt preach a DIY message, in this episode from a series directed at secondary school music students. In the backyard of the house where they made their debut album, they perform stripped back versions of 'Slippy' (inspired by a Grey Lynn bus ride) and 'Blowing Dirt'. There's also a guided tour of the back shed where they built a recording studio with accessibly priced equipment that was good enough to produce a chart topping single in 'Sophie' — and stop them going into debt to a record company.
Wayne Mason — multi-instrumentalist and composer of The Fourmyula classic 'Nature' — talks about songwriting and his musical evolution in this episode, from a series made for high school students. He demonstrates his piano playing (on an energetic boogie-woogie work out) and a Scandalli accordion on 'High and Dry' (which he wrote in the Warratahs). He discusses the origins of 'Nature', and his songwriting technique (which always begins on a guitar); and muses on his high school band The Fourmyula which took him to Abbey Road, where he met The Beatles.
Drummer Shelton Woolright and guitarist Marcus Powell from West Auckland metal band Blindspott feature in this episode from a series made for high school music students. They talk about their beginnings playing in sheds and paddocks in Taupaki and their decision to “get serious” which led to a major label record deal and radio play in Australia and South East Asia. The third Blindspott single ‘S.U.I.T. (So Us Is This)’ gets an acoustic run through as its construction is explained and there are some school friendly excerpts from the music video.
SJD (aka Sean James Donnelly), winner of the 2013 Taite Music Prize, talks samples, lyrics and home studios in this series made for secondary school music students. Donnelly demonstrates his fondness for old synthesisers (he admits liking their crankiness, and the way they make their most interesting sounds as they start to fall apart). Talking a couple of years after the release of second album Lost Soul Music, he traces the origins of Lost Soul single ‘A Boy’, and its music video — which features his son, and was animated and co-directed by his brother Kieran.