Solo is a story about three people on the edge of nowhere, struggling to decide how much of themselves to share with those they care about. Young Australian hitchhiker Judy romances solo Dad Paul, who finds peace flying fire patrol planes above the forest. Paul's precocious son reacts badly to losing pole position to Judy, and takes to the air. Inspired partly by the oft-painful times when we are "more acutely in touch” with our emotions, Tony Williams' romance helped launch the Kiwi movie renaissance. But as he writes in the backgrounder, there was no fun in filming it three times. 

This collection is a celebration of the eccentric, exuberant career of NZ screen industry frontrunner Tony Williams. As well as being at the helm of many iconic ads (Crunchie, Bugger, Spot, Dear John) Williams made inventive, award-winning indie TV documentaries, and shot or directed pioneering feature films, including Solo and cult horror Next of Kin.

It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.

Without the NZ Film Commission, the list of Kiwi features and short films would be far shorter. In celebration of the Commission turning 40, this collection gathers up movie clips, plus documentaries and news coverage of Kiwi films. Among the directors to have had a major leg up from the Commission are Geoff Murphy, Peter Jackson, Taika Waititi and Gaylene Preston. In the backgrounders, Preston remembers the days when the commission was up an old marble staircase, and producer John Barnett jumps 40 years and beyond, to an age when local stories were seen as fringe. 

Hello Sailor's time in the sun saw them spending time in Ponsonby, LA and Sydney, becoming a legendary live act, and releasing an iconic debut album. This collection features documentary Sailor's Voyage, founder member Harry Lyon's account of the birth of the band, and tracks from Hello Sailor, both together and apart. Some of the solo songs were incorporated into the group's live set after they reunited. Included are 'Blue Lady', 'New Tattoo' and 'Gutter Black’, later reborn on TV's Outrageous Fortune.

Originally conceived as a TV series, Gaylene Preston's comedy was a local hit, uplifting recession-era audiences with a plucky misfits saga. Ruby (Yvonne Lawley), an 83 year old trying to dodge a retirement home, rents a room to Rata, a solo mum with sidelines in music and benefit fraud. Rata's son is into arson and shoplifting, while Ruby's nephew (What Now's Simon Barnett) is a hapless yuppie wannabe. Marginalised by the deregulated economy of the 80s and living on their wits, they may just find common cause despite themselves in this Graeme Tetley-penned tale.

In the first episode of comedy drama Step Dave, solo Mum Cara (Sia Trokenheim) finds herself rescued by womanising barman Dave (Jono Kenyon), after a disastrous blind date ends in a sprained ankle. Dave is convinced he's met 'the one'. Cara's daughters and mother in-law (Lisa Harrow) are horrified. And Cara fears there isn't enough time in her busy life for a man who calls her favourite song "ancient". Meanwhile Dave's flatmate is falling for the workmate who has stolen his desk. Created by Kate McDermott, Step Dave screened for two seasons — and was later remade in Russia.

Showcase was a popular mid 90s TVNZ talent quest, in which broadcaster Ian Fraser hosted a search "to find the very best" emerging musical talent. Filmed at Avalon Studios, this viewers' final from 1996 sees nine finalists compete for the public phone vote (there was a separate studio judges’ final). Songs range from Stevie Wonder and Sister Sledge covers to classical standards. Shona Laing, who got her break on a TV talent show, guest performs. Competitor Shaun Dixon went on to train under Pavarotti, and married another finalist from this episode, fellow opera singer Tania Brand.

Australian music video maestro Richard Lowenstein (INXS, U2, cult film Dogs in Space) directed this bouncy city-life clip for the song when Tim Finn first flew solo from Split Enz.  Bright colours, video scratching, an animated sausage dog — what more could you want? Finn walks along carrying a ghettoblaster in Wayfarer sunglasses; it must be the 80s. 'Fraction too Much Friction' got to number two on the Kiwi singles charts in 1983, and number eight in Australia. That year Finn recorded a last album with Split Enz, before leaving the band he co-founded roughly a decade before.

'The White Rabbit' was two minutes of surf guitar meets country music that made Peter Posa a household name in the 1960s, and led to encounters in Las Vegas with Frank Sinatra and Dean Martin. In May 1984 Posa got out his golden guitar and performed the beloved guitar instrumental to an enthusiastic audience, on TV show That’s Country. In 2012 he told Stuff’s Vicki Anderson: "It was heaven to play at the Christchurch Town Hall. The better the acoustics the better you play." Posa had a late career resurgence in 2012 when a 'best of' album debuted atop the Kiwi album charts.