This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
Exponents lead singer Jordan Luck discusses his career and approach to songwriting in this episode from a series for secondary school music students. Luck recalls his own first musical steps at Geraldine High School and the realisation that he could write his own material. He performs an acoustic version of his classic song 'Victoria' which he wrote about the toll of domestic violence on his landlord at the time — an example of his preference for writing from personal experience. He also previews 'Finesse', a work in progress about Invercargill.
In this episode from a series for secondary school music students, James Reid (from The Feelers) and his brother Donald (a singer-songwriter who has co-written several Feelers songs) recall their school days when music making was frowned on by guidance counsellors rather than encouraged by projects like this one. Armed with acoustic guitars and a piano, they play excerpts from four songs (‘Communicate’, ‘We Raised Hell’, ‘Fishing For Lisa’ and ‘Unleash the Fury’) and discuss their philosophy of songwriting which is “all about being in the moment”.
Mareko, Savage and Alphrisk from Dawn Raid act Deceptikonz offer a rhyme filled hip hop primer in this episode from a series for secondary school music students. Their vision of hip hop has little use for American-style guns and gangster rappers, but fighting with words is another matter and there are tips on the art of writing a battle verse (along with unlikely endorsements for The Discovery Channel and English classes). They also stress the importance of understanding an industry where artists arrive as musicians but need to leave as businessmen.
Singer Moana Maniapoto discusses her evolution as a Māori musician in this episode from a series for high school music students. After first singing in public on the marae and learning to harmonise at school, she paid her way through university by singing in nightclubs. She describes her epiphany in a Detroit church as she realised that she needed to sing Māori songs rather than keep trying to emulate American soul and r'n'b divas. An acoustic performance of 'Hine Te Iwaiwa' (from her Toru album) is followed by a demonstration of traditional instruments.
Rodney Fisher and Gareth Thomas from Auckland band Goodshirt preach a DIY message, in this episode from a series directed at secondary school music students. In the backyard of the house where they made their debut album, they perform stripped back versions of 'Slippy' (inspired by a Grey Lynn bus ride) and 'Blowing Dirt'. There's also a guided tour of the back shed where they built a recording studio with accessibly priced equipment that was good enough to produce a chart topping single in 'Sophie' — and stop them going into debt to a record company.
In this episode from a series for secondary school music students, singer Hinewehi Mohi recalls the controversy that followed her Maori language rendition of 'God Defend New Zealand' at the 1999 Rugby World Cup. She talks of her immersion in music at school and its importance to her following the birth of her daughter with cerebral palsy (and the Raukatauri Music Therapy Centre this inspired her to establish). As a songwriter who doesn't play an instrument, she explains the origins of 'Kotahitanga' — her Maori language-meets-dance pop hit with Oceania in 2002.
SJD (aka Sean James Donnelly), winner of the 2013 Taite Music Prize, talks samples, lyrics and home studios in this series made for secondary school music students. Donnelly demonstrates his fondness for old synthesisers (he admits liking their crankiness, and the way they make their most interesting sounds as they start to fall apart). Talking a couple of years after the release of second album Lost Soul Music, he traces the origins of Lost Soul single ‘A Boy’, and its music video — which features his son, and was animated and co-directed by his brother Kieran.
This episode from a series for high school music students features Auckland hip-hop act Nesian Mystik who can speak from personal experience about music education after forming at Western Springs College and first making an impression in Rockquest's Pacifica Beats. They perform stripped down versions of their APRA Silver Scroll winner 'For the People', and 'Better than Change' (written by Dallas Tamaira of Fat Freddy's Drop) and emphasise how simple music making can be — they started out with just their voices and a Playstation One programme.
In this episode from a series made for high school music students, Dallas Tamaira and DJ Mu recall Fat Freddy's Drop's early history as a duo with just turntables and a microphone in a vibrant Wellington scene. They reveal an aversion to rehearsals, preferring to develop their music in a live setting and Mu demonstrates the component parts of their song 'Midnight Marauders' on his secret weapon — an Akai sampler capable of emulating all of the instruments in their sound. His verdict that every school should have one may not have gladdened principals' hearts.