Registering with NZ On Screen means you can:
We won't share your data with anyone (see our Privacy Policy) and we won't spam you. It's that simple.
A passionate advocate for Māori creative control, late director Merata Mita documented some of the most controversial events of Aotearoa’s last fifty years. Mita’s work includes Patu!, a documentary on the 1981 Springbok tour. Her 1988 drama Mauri remains only the second fiction feature directed by a Māori woman.
Swimming against the tide becomes an exhilarating experience. It makes you strong. I am completely without fear now.
– Merata Meta, to writer Helen Martin (Listener, October 14 1989)
Role/s |
|||
|---|---|---|---|
|
Subject |
2010 |
||
|
Co-Producer |
2010 |
||
|
Subject |
2007 |
||
|
The Land Has Eyes |
Executive Producer |
2004 |
|
Director |
2001 |
||
|
Rangatira: Merata Mita - Making Waves |
Subject |
1998 |
|
Saving Grace |
Director |
1997 |
|
Interviewer |
1997 |
||
|
The Dread |
Director |
1996 |
|
The Shooting of Dominick Kaiwhata |
Director |
1993 |
|
Mana Waka |
Writer |
1990 |
|
Director |
1988 |
||
|
Subject |
1987 |
||
|
Subject |
1987 |
||
|
Producer |
1983 |
||
|
Actor |
1983 |
||
|
Actor |
1982 |
||
|
Subject |
1982 |
||
|
Actor |
1982 |
||
|
The Bridge - A Story of Men in Dispute |
Co-Director |
1982 |
|
Bastion Point: Day 507 |
Co-Director |
1980 |
|
Presenter |
1980 - 1985 |
||
|
Karanga Hokianga Ki O Tamariki |
Co-Director |
1979 |
|
The Hammer and the Anvil |
Co-Director |
1979 |
The titles listed here may not reflect this person's full screenography. These are only the titles that are included in or referenced by this site.