Andy Anderson began drumming and singing as a Hutt Valley teenager. Since then his diverse trans-Tasman performing career has included playing in rock bands, starring as Sweeney Todd and the Pirate King on-stage — plus more than 50 acting roles on-screen, often playing rogues and diamonds in the rough, in shows from Roche, Gloss and Marlin Bay, to The Sullivans.
I haven't always known it at the time, but as the years roll on I realize how fortunate I've been to have taken part in so many diverse and amazing projects. I've been blessed beyond measure. Andy Anderson
New Zealand, 1903. A veteran of the Boer War (Sexy Beast’s Ray Winstone) is hired to hunt a Māori seaman (Temuera Morrison), who has been framed for murder. So begins a cat and mouse chase where pole position keeps changing, and the South African is pressed to open up about his past. Directed by Brit Ian Sharp (Mrs Caldicot’s Cabbage War) and scripted by Dutch-born emigre Nicolas van Pallandt — who died before it got to the screen —Tracker was one of the last productions to win cash from the UK Film Council. The extras include interviews with both lead actors.
Numero Bruno is a warts and all biography of widely popular actor, musician and counter-cultural hero Bruno Lawrence. Lawrence's intense, charismatic screen presence was key to ground-breaking Kiwi films, Smash Palace, The Quiet Earth and Utu. Directed by Steve La Hood (the veteran director’s TV swansong), this documentary features interviews with family and friends, and liberal excerpts from Lawrence's film and musical work, including performances by 70s alternative Aotearoa icons Blerta and clips showcasing his seminal collaborations with Geoff Murphy.
Duggan stars John Bach as brooding Detective Inspector Duggan, attempting to solve murders amid the tranquillity of the Marlborough Sounds. New Zealand's answer to Inspector Morse, the show was conceived by Marion McLeod, and scripted by Donna Malane and Ken Duncum. Eleven episodes of the Gibson Group series were made, following on from introductory tele-features Death in Paradise and Sins of the Father. The turquoise waters of The Sounds make for an evocative setting in this sharp, classy Kiwi whodunit. Rachel Davies writes here about Duggan's birth.
Greenstone is the tale of a beautiful, missionary-educated Māori woman (Simone Kessell) whose romantic life is subject to the shifting loyalties of her father, Chief Te Manahau (George Henare). The cross-cultural elements of this ambitious colonial bodice-ripper were reflected off-screen as well: created by Greg McGee in response to a call by TV One for a local drama 'saga', the series saw major English creative input through being developed as a co-production with the BBC. After the withdrawal of BBC funding, the Tainui Corporation helped fund the eight-part series.
Duggan features John Bach in the title role of the brooding detective who solves murders, amid the tranquillity of the Marlborough Sounds. In this excerpt from the first part of two-parter 'A Shadow of Doubt', Duggan finds himself investigating the kidnapping of the daughter of friend Joanne Taylor (Jennifer Ward-Lealand). The suspects includes Joanne's business partner (Andy Anderson). A sharp, stylish Kiwi take on the classic English whodunit, this episode won an award for scriptwriter Donna Malane, and features evocative imagery by cinematographer Leon Narbey.
Greenstone is the tale of a Māori woman whose beauty is used as a pawn by her ambitious father, Chief Te Manahau. In episode one, the missionary-educated Marama (Simone Kessell) travels to England with her father (George Henare), who sets about arranging an arms deal while she falls for their English host, ex-military man Sir Geoffrey Halford. Created for TV One by Greg McGee, the ambitious series was initially developed as a co-production between local company Communicado and the BBC. Local iwi Tainui helped fund the series, after the BBC withdrew.
This series centred on a weekly TV current affairs programme in mid-90s Wellington. Katie Wolfe stars as stroppy journalist Amanda Robbins: lured back from Australia for her tabloid style in an effort to boost the show's ratings. Tackling timely storylines and shot ‘handheld’ in the NYPD Blue-inspired style, the TV3 series was well reviewed but faced its own ratings struggles (a later series screened on TV One). It was Gibson Group’s second foray into producing a TV drama series, after Shark in the Park. A pre-Lord of the Rings Fran Walsh was a series writer.
Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.
Wheel of Fortune is a game show that involves the solving of Hangman-style posers. Contestants spin the wheel to accrue prizes, guess vowels or consonants that may be in the answer, and earn the right to roll again. The 90s Kiwi edition was hosted by Phillip Leishman and Lana Coc-Kroft. In this 10 October 1992 celebrity episode the contestants were actor Andy Anderson, Fair Go reporter Rosalie Nelson, and Barcelona Olympic bronze medalist boxer (and future World Heavyweight title challenger) David Tua, who infamously requested the letter O, "for Awesome".
Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic.
On a holiday to Mt Tarawera, teenager Jenny (Katrina Hobbs) finds an odd shard of metal. In this third episode of the kids sci-fi series she meets its owner: 'Drom' — a survivor of an alien mission to deactivate a planet-annihilating space gun (aka Tarawera itself). They find themselves under siege from a Predator-like 'Guardian' of the gun. If Drom and Jenny and local kids Tessa and Lloyd (future What Now? presenter Anthony Samuels) can't defeat the mechanoid, catastrophe is imminent! The South Pacific Pictures series found international sales and cult repute.
This is the first of a two-part "money and greed" morality tale set in a Rogernomics-era 'New Auckland' of property deals and horse racing. Working class lass Tammy (Annie Whittle) and art consultant Joanna (Miranda Harcourt, fresh from Gloss) are an unlikely duo who inherit a racehorse and a greasy spoon cafe (instant coffee rather than cappuccino). Brit import James Faulkner plays a shady developer whose scheme is blocked by the duo. Murder, underhand unitary plans, yuppie love and old gambling debts complicate life for Tammy and Joanna.
Set in a Rogernomics-era 'New Auckland' world of property deals and horse racing, the second part of this 1989 mini-series sees the brassy odd couple Tammy (Annie Whittle) and Joanna (Miranda Harcourt) in deep water. The working class battler and the art consultant have done up their inherited greasy spoon, but they're the "only fly in the ointment" of the 'Vision 2000' scheme of a nefarious developer (Brit import James Faulkner). Girl power meets utopian unitary planning as the duo find bones in the basement, and get too close to the secrets of Huntercorp HQ.
This two-part mini-series is set in an 80s 'New Auckland' world of mirror glass and murderous corporate conspiracy. British actor James Faulkner (latterly Bridget Jones' Uncle Geoffrey) plays a shady developer with a smash and burn approach to urban planning. Blocking his utopian waterfront scheme is a cafe. The inheritors of the greasy spoon — and a racehorse — are a duo of feisty femmes: working class Tammy (Annie Whittle), and art consultant Joanna (Miranda Harcourt). The Shadow Trader marked an early producing credit for Finola Dwyer (An Education).
This Richard Riddiford-directed comedic thriller plays out in pre-crash 80s Auckland with the CBD skyline changing daily, brick-sized phones, shadowy corporations on the rise and the share market on everyone's lips. With a second harbour crossing due to be announced, a telephone operator (future events maestro Mike Mizrahi) and a waitress moonlighting as a dominatrix (Lucy Sheehan) become ensnared in a web of corporate greed and blackmail. Chris Knox contributes the soundtrack, and extensive outdoor sequences include a memorable chase scene at Kelly Tarlton’s.
This TVNZ light entertainment series takes its name from a Little Feat song but the music on offer is predominantly country. The set is barn-like but “yee ha” trappings never overshadow the performances (although big hats are in plentiful supply). Actor and musician Andy Anderson is a genial host (getting confessional at one point about his days on the “lunatic sauce”) and there are two numbers from Beaver. Bluesman Sonny Day channels Willie Nelson; the other soloists are Gray Bartlett, Brendan Beleski and Australian singer Annette Moorcroft.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
This episode of TVNZ’s Avalon studio-filmed "mainly country" music show opens with The Toner Sisters, ‘Rockin' with the Rhythm of the Rain’. Introduced by host Andy Anderson as “the big D on the big P, with the big ballad”, Dalvanius bangs out ‘Just Out of Reach’ on the piano. Sharon de Bont covers ‘When Will I Be Loved’. Anderson kids around with Rob Winch and John Grenell, before Grenell gets wistful on ‘Past Like a Mask’. The Ranchsliders get things moving with Paul Simon's ‘Gone at Last’. Then Anderson leads the team for Bonnie Raitt’s ‘Sweet And Shiny Eyes’.
This episode of the 1987 "mainly country" music show starts with host Andy Anderson touting homegrown talent. Al Hunter sings about Queen Street’s neon cowboy. Auckland’s Working Holiday sing Aretha's blues number 'Won't Be Long' with harmonica player Brendan Power. Jodi Vaughan performs a plaintive country ditty. Gore’s Dusty Spittle suggests listening to Mum's advice about overdoing it, accompanied by an illustrative skit (with actors Mark Hadlow and Alice Fraser). Then it’s Andy’s favourite Kiwi singer, Hammond Gamble. All the guests jam onstage to conclude.
The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.
Radio Waves charted the “lives and loves” of a commercial Auckland radio station in the age of Bee Gees and flares. Grant Bridger (‘Win Savage’) and Andy Anderson played DJs with Alan Dale as station manager; it was Dale’s screen debut, before fame in Australia (Neighbours) and the US (24, Ugly Betty). Devised by Graeme Farmer, Waves was an effort by SPTV to best TV One’s flagship soap Close to Home. While producer Tom Finlayson’s first drama was short-lived, its metro Auckland context — peopled with upbeat urban strivers — signaled a changing NZ on screen.
Radio Waves revolves around an Auckland commercial radio station. In this episode, drive-time DJ Win Savage (Grant Bridger) annoys an advertiser and doesn't seem to care. Andy Anderson is a hippy ‘jock’, Alan Dale plays urbane station manager Jack in his screen debut (before finding fame on Australia's Neighbours), and the many women on staff put up with their share of stick from all that male ego. Waves was short-lived — The Bee Gees and flares weren’t enough for viewers to shut the farm gate — but its urban strivers signaled a changing face for NZ on screen.
The Grunt Machine began life in May 1975 as a pop culture show for 12-20 year olds playing four days a week at 5.30pm. Presented by Andy Anderson, it featured music and reporter based items. Pulled in August, it returned in September as a much hipper late Friday night rock show fronted by David Jones. The 1976 season started with Paul Holmes (in his first presenting role) and featured a Split Enz special for its first show. Fellow DJ John Hood took over later in the year (lying on cushions to do his links). The final Grunt Machine aired in December 1976.
The airport interview with the visiting overseas celebrity was very much a staple of 70s New Zealand TV — but in this encounter the location looks suspiciously like NZBC's Avalon studios, and rock star Hiram W Violent bears more than a passing resemblance to John Clarke (of Fred Dagg fame). The wardrobe department has had a thorough ransacking and the question of Hiram's ability with the guitar remains thankfully moot. The interviewer is original Grunt Machine presenter and actor/musician Andy Anderson (who later starred in Gloss and The Sullivans).