Producer, Performer [Ngāti Kahungunu, Ngāi Tuhoe]
The multitalented Hinewehi Mohi, MNZM, is arguably best known for a single moment from her musical career — singing the national anthem in te reo at a 1999 rugby game. After getting a Bachelor of Arts at Waikato University in 1985, Mohi jumped into reporting for primetime Māori slot Koha. In 2004 she set up Raukatauri Productions, and launched long-running waiata programme Moteatea. It was nominated for two screen awards. Her TV work also includes producing Marae DIY and Matariki Awards coverage, and directing a documentary on Merata Mita. In 2016 Women in Film and Televison named her Te Reo Māori Champion.
...my rendition in 1999 wasn't so unique, but it was a first for rugby. I can't really explain the controversy because I don't really fully understand it . . . It baffled me and it still baffles me a little really. When I see the All Blacks singing it proud and Graham Henry singing it proud, it makes it all worthwhile. Hinewehi Mohi recalls singing the national anthem in te reo, The Dominion Post, 19 September 2011
This Māori Television series merged old media and new: giving a group of young people iPhones and storytelling workshops, and empowering them to tell their own fun stories. In this fourth season episode, the slices of life include: swimming with whales off Tonga, a Te Tai Tokerau marae challenge, holidaying in Sydney and learning to surf in Bali, filming live rugby league at Mt Smart, basketball trials, farewelling a mate at the airport with a haka, and a stage-shaking kapa haka act. Press on the 'CC' symbol below the screen to find subtitles for (occasional) te reo.
Poi E: The Story of Our Song tells the story behind one of New Zealand’s most iconic pop songs. Led by Dalvanius Prime, the Patea Māori Club single was released soon after the closure of the town’s freezing works. Conquering disinterest from record labels and radio, Poi E became New Zealand's highest selling single in 1984. Written and directed by Tearepa Kahi (Mt Zion), the "warm, funny, touching" documentary (NZ Herald) features interviews with those involved, and famous fans (eg Taika Waititi). Poi E won applause after premiering at the opening of the 2016 Auckland Film Festival.
The first Matariki awards recognise Māori achievers across everything from sport, to academia, to business. The audience pay special tribute to Scotty Morrison, the IronMāori team, and All Black Nehe Milner-Skudder. Nominated for the Waipuna-ā-Rangi Award for excellence in art and entertainment are Stan Walker, Cliff Curtis and artist Lisa Reihana; one of the trio will later score the night's supreme award. Musical guests Ria Hall and The Modern Māori Quartet combine to enliven 'Ten Guitars'. The awards were presented on behalf of Te Puni Kōkiri and Māori Television.
In this Māori Television series, young people aged from nine to 26 are armed with iPhones and given professional storytelling workshops, so that they can tell their own stories. The slices of life as a young Māori in the early 21st Century include sport, travel, fitness routines, pancake cooking, diet and fashion tips, kapa haka, and swimming with whales. Four series have been produced by Raukatauri Productions to date. Some of those who contributed to early episodes have stayed in screen work —including all-rounder Ngawaero Maniapoto, and actor Te Kaha Jonathan.
In this 2014 documentary, singer Whirimako Black explores the World War II experience of her late father Stewart Black (who enlisted as Tai Paraki), and its legacy for his whānau. With her daughter Ngatapa — also a singer — Whirimako returns to Cassino in Italy. The 1944 battle helped forge the reputation of the Māori Battalion, but they suffered heavy losses, and it left survivors like Paraki with trauma and shame. The pair respond in word and song to the place — and to their koro’s memories, which were captured by director Reuben Collier for earlier doco Monte Cassino 60 Years On.
This 2014 documentary celebrates Māori Television’s first decade. It begins by backgrounding campaigns that led to the channel (despite many naysayers). Interviews with key figures convey the channel's kaupapa – preserving the past and te reo, while eyeing the future. A wide-ranging survey of innovative programming showcases the positive depictions of Māoridom, from fresh Waitangi, Anzac Day, basketball and 2011 Rugby World Cup coverage, to Te Ao Māori takes on genres like current affairs and reality TV (eg Native Affairs, Homai Te Pakipaki, Kai Time on the Road, Code, and more).
When TV began in New Zealand in 1960, posh English accents on screen were de rigueur. As veteran broadcaster Judy Callingham recalls in this sixth episode of Kiwi TV history: "every trace of a New Zealand vowel was knocked out of you." But as ties to Mother England weakened, Kiwis began to feel proud of their identity and culture. John Clarke invented farming comedy legend Fred Dagg, while Karyn Hay showed a Kiwi accent could be cool on Radio with Pictures. Sam Neill and director Geoff Murphy add their thoughts on the changing ways that Kiwis saw themselves.
This edition in Prime’s television history series surveys Māori programming. Director Tainui Stephens pairs societal change (urbanisation, protest, cultural resurgence) with an increasing Māori presence in front of and behind the camera. Interviews with broadcasters are intercut with Māori screen content. The episode charts an evolution from Māori as exotic extras, via pioneering documentaries, drama and current affairs, to being an intrinsic part of Aotearoa’s screen landscape, with te reo used on national news, and Māori telling their own stories on Māori Television.
The meteoric career of one of NZ’s greatest entertainers is examined in this documentary. John Rowles went from a Kawerau childhood to stardom in London at 21; but, after headlining in Hawaii and Las Vegas, he saw it all slip away. Those roofing ads and near bankruptcy followed, but Rowles has retained his self belief and that voice. A stellar cast of interviewees analyse his strengths and weaknesses, including Sir Cliff Richard, Tom Jones, Neil Finn and late promoter Phil Warren. Amongst the star cameos, John’s sister Cheryl Moana explains the downside of his best-known local hit.
Marae DIY is a long-running Māori Television series that brings a tangata whenua twist to the home renovation reality format: "marae knock out their 10-year plans in just four days". This Qantas Award-winning episode heads to Manutuke Marae (south of Gisborne) mid-winter in 2006. Marae DIY creator Nevak Rogers (aka Nevak Ilolahia) has Rongowhakaata whakapapa. Alongside co-presenter Te Ori Paki, Rogers plays cheerleader as her whānau rally to meet the goals: from french doors for the kitchen, to makeovers for the nannies (including a moko by Derek Lardelli).
In this episode from a series for secondary school music students, singer Hinewehi Mohi recalls the controversy that followed her Maori language rendition of 'God Defend New Zealand' at the 1999 Rugby World Cup. She talks of her immersion in music at school and its importance to her following the birth of her daughter with cerebral palsy (and the Raukatauri Music Therapy Centre this inspired her to establish). As a songwriter who doesn't play an instrument, she explains the origins of 'Kotahitanga' — her Maori language-meets-dance pop hit with Oceania in 2002.
Long-running series Marae DIY brings a tangata whenua twist to the home renovation format. Series creator Nevak Rogers describes the bilingual production as "the programme which helps marae knock out their 10 year plans in just four days". The drama of the building mahi is mixed with humour, whānau-spirit, tikanga (protocol) and history, and even makeovers for the nannies. For Marae DIY's 11th season in 2015, it shifted from Māori Television to TV3. In 2007 the 'Manutuke Marae' episode won a Qantas Award for Best Reality Show.
Ask Your Auntie was one of the most popular shows on Māori Television. This half hour studio-based chat series gained a solid reputation for straight up, no-nonsense wisdom from the agony 'Aunties'. Host Ella Henry is joined by a rotating panel of talented and wise wahine including Mabel Wharekawa-Burt, Aroha Hathaway, Vanessa Rare, Veeshayne Patuwai, Kath Akuhata-Brown, Christina Asher, Whetu Fala, Ngawai Herewini and Rachel House.
Taste New Zealand presenter Peta Mathias hosts this 2003 Christmas special, featuring festive food and music. Musical guests Hinewehi Mohi, bass-baritone Conal Coad, Brooke Fraser (who sings 'Joy to the World') and King Kapisi perform, share Christmas memories, and cook their favourite seasonal dishes. Mathias herself sings 'O Come All Ye Faithful', backed by students of her old school, St Mary's College in Ponsonby. Other highlights include Mathias making music with King Kapisi, and Mohi's bilingual version of 'Silent Night' with choir Musica Sacra.
In this episode of te reo drama series Aroha, a woman finds her dream wedding night turning into a nightmare, after she is haunted by visions of a terrifying warrior. Kura (actor and On the Ladder presenter Tahei Simpson) is warned by a kuia that her nights will be troubled, but Kura's husband (Te Karere presenter Scotty Morrison) wants to ignore the prediction. The old woman may hold the only answer to an impossible situation. The kuia is portrayed by Tungia Baker (Death of the Land, Open House), who passed away in July 2005.
Lovers move towards each other through space and time in this episode of te reo series Aroha. Tapu (Cliff Curtis) plays a doctor who is unnerved by the strange behaviour of elderly patient Kahu. Kahu's death affects his niece Irikura (Ngarimu Daniels) deeply, and at the tangi secrets are revealed. Tapu and Irikura are haunted by visions of a shared past; Kahu's ghost has plans for them. This episode played in black and white. Celebrated Māori actor and mentor Don Selwyn plays Kahu. Director Guy Moana created tā moko and carvings for classic 1994 film Once Were Warriors.
When traumatised soldier Matiu returns from service overseas, he struggles to reconnect with his wife and children. In this episode of te reo series Aroha, the marriage between Matiu (Te Kauri Wihongi) and Wai (Rena Owen) mirrors the Māori legend of Niwareka and Mataora, a union between spiritual and earthly worlds. Matiu decides to seek out his ghosts; he symbolises his reunion with his family through a facial tā moko performed by his father-in-law (Wi Kuki Kaa). Mataroa was written by Aroha co-creator Karen Sidney. It won an award at Canadian festival ImagineNATIVE.
Te reo anthology series Aroha looks at love in all its different forms. This episode follows Tiare (Taungaroa Emile from Once Were Warriors), a shy young Rastafarian caught between several rocks and many hard places. He struggles to tell his sister’s friend Erena (Stacey Daniels Morrison) that he loves her, while grappling with whether to tell his ex Black Fern sister that her boyfriend — and father of her child — is cheating. Luckily, all his problems seem to have one solution…a good old game of rugby. The episode was directed by the late Melissa Wikaire, one of Aroha's creators.
This episode of the te reo Māori anthology series follows a scandalous relationship between Siva (Pua Magasiva), a 19-year-old Samoan man, and Haka (radio DJ Ngawai Greenwood) a 45-year-old Māori poet. Unable to contain their passion, the couple's public lovemaking hits the headlines. Siva's family take matters into their own hands. This episode marked the first on-screen starring role for Magasiva, who would make his name as nurse Vinnie Kruse in Shortland Street. Director Paora Maxwell later spent three years as Chief Executive at Māori Television.
Once Were Warriors star Temuera Morrison plays another bully in this episode of te reo series Aroha. Morrison is arrogant mechanic Steam, who verbally abuses an overweight young employee nicknamed Meat Pie (Vince Ata). Steam also has the hots for Meat Pie's mother (Mere Boynton) — his cousin. The story follows the obese young man as he's manipulated by his mum, mocked by his workmates, and pushed around by strangers. One day Meat Pie snaps. The cast also includes Pio Terei (as a woman!), Mika (as a mechanic) and Tame Iti. Puhi Rangiaho (Waka Huia) directs.
This 2002 documentary explores the stories behind one of Aotearoa’s most beloved songs: ‘Pokarekare Ana’. Claims for the authorship of the waiata aroha are examined, and Kiwis famous and lesser known reflect on the song’s place in the culture. Directed by Chas Toogood, the doco features classic performances: from St Joseph’s Girls’ Choir singing in the Waitomo Caves in 1960, to Inia Te Wiata going low in English, Kiri Te Kanawa soaring in concert, Hinewehi Mohi enlisting a 30,000 strong league crowd as backing singers, and sailing away in a 1987 America’s Cup campaign song.
This turn of the century comedy series follows the daily life of fictional colonial Māori chief Te Tutu (Pio Terei). In the first episode, 'Welcome', it’s 1838 and Te Tutu meets a shipload of newly-arrived New Zealand Company settlers. Ngāti Pati elders debate whether or not to eat them. Tama (Dalvanius) wants to, but Te Tutu pushes for the vegetarian option by outlining the threat of Pākehā diseases to Māori private parts. The boys can’t decide but when Tama’s wife arrives everything is ka pai, and the kōrero turns to real estate. The script is by series creator Ray Lillis.
This turn of the century comedy series was a satirical look at colonial life through the eyes of moderately hapless Māori chief Te Tutu (Pio Terei). Complications from over-fishing of kai moana (seafood) are the main plot spurs of this second episode. Meanwhile a newcomer to Aotearoa – Herrick's brother, an English army toff played by Charles Mesure (Desperate Housewives, This is Not My Life) – attracts the attention of Hine Toa (Rachel House), and hatches an evil plan (‘MAF’: Murder All Fishes). Meanwhile the patronising Vole continues his campaign of colonisation.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
In the tradition of Billy T's 'first encounter' skits, this series used satire to examine pre-Treaty of Waitangi relations between tangata whenua and Pākehā settlers. The topic of this fifth episode is health. After Te Tutu (Pio Terei) wakes with a bad back, his daughter Hine Toa (Rachel House) suggests trying out some alternative medicine: Pākehā bedding. Newly arrived Nurse Veruca (a cameo from Susan Brady) clashes with comical tohunga Tu Meke (William Davis) and stirs up symptoms in Henry Vole. Terei has commented that the show's take-no-prisoners humour was ahead of its time.
This topic of the sixth episode of this Māori/Pākehā satire is 'war'. Irish Colonel North (played by veteran actor Ian Mune) and his British Army soldiers arrive, on their way north to fight Hōne Heke — provoking chief Te Tutu (Pio Terei) and Ngāti Pati into action. Te Tutu’s warmongering with the settlers includes mooning, flagpole-felling and insulting Mr Vole's long-suffering wife (Emma Lange). When the signals aren’t picked up, a stolen rooster gets things moving. A fierce haka is answered by a traditional English song: 'Old Macdonald had a farm'.
The final episode of the first season of this colonial comedy tackles the Treaty, as settler Henry Vole argues that his land (purchased off a bloke he met at a bar in Tauranga) is fairly his. The pros and cons of a treaty are debated: “where all Māori may benefit from the administration that gave us the 18 hour working day for children”. Te Tutu counters with a Martin Luther King dream: “where the English are not marginalised in Aotearoa simply because they are a minority … where the English language won’t be lost because we’ll have Pākehā language nests …”
Launched in 1992, Marae is the longest running Māori current affairs programme. It aims to keep its audience in touch with the issues — political or otherwise — that affect Māori, and explain kauapa Māori from a Māori perspective. The Marae Digipoll is seen as a respected barometer of matters Māori. Marae was relaunched briefly in October 2010 as Marae Investigates, presented by Scotty Morrison and Jodi Ihaka Marae (and later Miriama Kamo) . Screening on TV One, Marae is presented half in english and half in te reoi. It is now made by company Pango Productions.
The artists profiled in this edition of the TVNZ Māori show share a heritage and the vicissitudes of life as professional musicians, but their fields and approaches to making music differ markedly. Entertainer Bunny Walters is rebuilding a career that became derailed after initial success with his hit 'Brandy'. Opera singer Richard Haeata is looking to make his way in a largely Pākehā world which he finds alienating in its individuality. And singer-songwriter Mahinārangi Tocker celebrates her gender and Māori identity but has little use for the music industry.
Regular Māori programmes started on Television New Zealand in 1980 with Koha, a weekly, 30 minute programme broadcast in English. It explored everything from social problems, tribal history, natural history, about weaponry, to the preparation of food, canoe history, carvings and their meanings, language and how it changed through time. It was a window into te ao Māori for Pākekā, and provided a link to urban Māori estranged from their culture. It was the first regular Māori programme to be shown in prime time.
These two clips provide a handy introduction to a Kiwi musical classic. The first clip sees John Rowles showing how he can hold the long notes, as he performs 'Cheryl Moana Marie' on a self-titled live special from 1976, made for state television. In the second clip — an excerpt from 2008 Buto Productions documentary The Secret Life of John Rowles — the singer recalls coming up with the chart-topping 1969 ballad, an array of Kiwi musicians provide their own take on it, and Rowles' sister talks about the ups and the downs of finding fame as a child, through someone else's song.