Robin Scholes is one of New Zealand’s most experienced and respected producers. Her credits range from feature films (Once Were Warriors, Mahana, Mr Pip) to iconic TV shows (Magic Kiwis) and documentaries (Colin McCahon: I Am). In 1997 she was made an OBE for services to the film and television industry.
She's certainly a classic individual and a lot of fun to work with. Director Paul Swadel in a June 2004 interview for Onfilm
Inspired by Witi Ihimaera's Bulibasha, Mahana saw director Lee Tamahori making his first film on local soil since a very different family tale: 1994's Once Were Warriors. Temuera Morrison stars as a 60s era farming patriarch who makes it clear his family should have absolutely nothing to do with rival family the Poatas. Then romance enters the picture, and son Simeon sets out to find out how the feud first started. The powerhouse Māori cast includes Nancy Brunning (who is included in the interview clips) and Jim Moriarty. Mahana debuted at the 2016 Berlin Film Festival, before NZ release.
This miniseries was made for the centenary of New Zealand’s involvement in the Gallipoli campaign. Created by Gavin Strawhan and Briar Grace-Smith, the six one hour episodes explored the impact of World War l on characters connected to a Pākehā family. Each episode was framed around a letter written home. The characters include a nurse and doctor caring for wounded in Egypt, a lawyer turned officer in Gallipoli and his wayward brother, and a Māori preacher turned soldier and his sister. Directed for TVNZ by Peter Burger, the series was produced by Robin Scholes.
This miniseries is built around the fortunes of the fictional Smith family during World War l. Directed by Peter Burger (Until Proven Innocent), the first episode is framed around a letter home by nurse Bea Smith (played by Westside's Esther Stephens). This 10 minute opening excerpt jumps from a war hospital in Egypt, back to trysts on the home front: an illicit romance at medical school, high times on Auckland's Grey Street, and a mysterious arrival at the family store. Funded by NZ On Air’s Platinum Fund, When We Go to War debuted on Anzac weekend in 2015.
Web series The Factory is the largely light-hearted tale of one South Auckland family, and their love of music — though not everyone in this family agrees which type of music deserves loving the most. A $50,000 talent prize is up for grabs, and the Saumalu family are keen to compete, on behalf of the textile factory where their father and grandfather Tigi work. Only Tigi wants them to perform a traditional Samoan number. The kids would rather freestyle. The 20-part web series was first born as a hit stage musical from theatre group Kila Kokonut Kollective.
As a bitter civil war tears apart the lives of his students, an isolated English school teacher in Bougainville (House star Hugh Laurie) finds a unique way to create hope; 14-year-old Matilda (Xzannjah Matsi) is enthralled by his Charles Dickens-infused disaster survival lessons. The life during wartime tale was directed by Kiwi Andrew Adamson (Shrek), and adapted from the 2006 Booker Prize short-listed novel by Lloyd Jones. Adamson spent time in Papua New Guinea, as the teen son of missionary parents. Laurie and Matsi won best actor gongs at the 2013 Moa Awards.
Tigi Saumalu (Ben Taufua) has worked at an Auckland textile factory for so many years, he is presented with a useless plastic key by his palangi boss to mark the occasion. But Tigi is more excited about getting his grandchildren to represent the factory in an upcoming talent contest. That way he can “pass on the old ways” — and the old Samoan songs — to them. Only the Saumalu children are busy freestyling to a very different sound... Web series The Factory began as a hit stage musical from South Auckland-based theatre and music group Kila Kokonut Krew.
Web series The Factory follows a South Auckland family as they prepare to conquer a local talent quest. In episode two the Saumalus get their first worried indication of their grandfather’s musical plans for them, after a summons to the factory where he works. Meanwhile news in the mail leaves older sister Losa worried if she'll ever pass her degree, and younger sister Moana starts hanging out with a music-loving Indian teen, whose newest role model is Che Guevara. The Factory is directed by Supergroove bassist and music video king Joe Lonie.
A knife-wielding duet is the highlight of this episode of web series The Factory. Tavita (Taofia Pelesasa) oldest sibling in the Saumalu family, sneaks out one night to earn some under the counter cash; he ends up showing off his musical chops, alongside Moka (Milly Grant). Meanwhile Mum Lily (Anapela Polataivao) starts to worry that the family’s devotion to their grandfather will result in serious musical embarrassment, once the talent quest kicks off. Polataivao was one of the creators of The Factory’s original incarnation, as a hit stage musical.
Web series The Factory is a tale of family and music, inspired by a stage show that became one of the hits of the 2013 Auckland Arts Festival, then travelled to Australia and the Edinburgh Festival. In the fourth episode, try-hard next door neighbour Api tells Losa she ought to be singing alongside him, in the upcoming talent quest. Losa responds by comparing his haircut to a toilet brush. Meanwhile Losa's mother Lily is somewhat surprised to arrive at a party, and find her oven out on the street.
Contest day has finally dawned; but will the competitors make it on stage in time? In this fifth episode of the PI-flavoured web series, it is the big day for the X-Factory contest, but as the first teams start performing, one of the Saumalus is missing in action: oldest sibling Tavita (Taofia Pelesasa) is caught up in some delicate yet insult-filled negotiations involving black market paua. The makers of The Factory auditioned talent in various South Auckland halls and markets; nearly half of the cast are first time actors.
In this episode of the 2014 web series, South Auckland family the Saumulus finally make it on stage to perform in a best-of-the-factories talent quest. Tensions rise before the family debut, with teenager Tavita late to arrive. The Saumalus sneak through, but one of the judges warns that their act needs an upgrade: “this is X Factory not the History Channel.” Later a fish spill threatens to expose Tavita’s after hours work, as events at the laundry heat up. The Factory was inspired by the Kila Kokonut Krew musical stage show.
This 2014 web series follows a South Auckland family who set their sights on winning a best-of-the-factories talent quest. In the seventh episode the Saumalus have just snuck through to the next round of the quest, but patriarch Tigi doesn’t seem to have heeded the judge's advice to come back with something from “this century”. Factory boss Keith makes a shock announcement about the factory’s future: the sale of the factory threatens half the workforce. As discussions continue on how to respond to the news, Tavita gets the Romeo and Juliet blues.
In the eighth episode of this tale of family, factory and music, the Saumalus protest the sale of Murdoch Textiles and expeted loss of jobs. Indian-Kiwi student Dev (Shaan Kesha) enlists Moana in his plan to break into the boss’s office and make the workers' voices heard. Even if Dev’s blundering scheme doesn’t impress Moana, it does enable subtle marketing use of the show’s sponsorship from Telecom (now Spark) — “what’s your phone number again? 027 SHITFORBRAINS?”.
In the ninth episode of this web series, Dev (Shaan Kesha) tries to make up for his protests over the factory's impending sale to Chinese buyers: including a spraypainted message in the boss's office, calling him a 'ballbag'. Uni accounting studies pay dividends, as Dev persuades factory boss Keith (Cameron Rhodes) to call the sale of Murdoch Textiles off. There are even more surprising developments to come, after Moana introduces Dev to a Saumalu family dinner. Actor Rhodes was also seen in acclaimed 2014 horror film Housebound.
This 2014 web series follows a South Auckland family chasing a talent quest title. In this 10th episode (out of 20) the Saumalu family debates Moana’s shock announcement that she is getting engaged to Indian-Kiwi Dev. The head-girl and student DJ are a South Auckland Romeo and Juliet. Dad Kavana wants to send Moana home for some ‘Fa’a Samoa’ (‘Samoan way’) education. Meanwhile Moana finds out that Dev is already engaged, and decides to move things to the next level. The series was based on the hit stage show that debuted at the 2013 Auckland Arts Festival.
In September 1893 New Zealand became the first country to grant all women the right to vote in parliamentary elections. This fly on the wall docudrama reimagines this major achievement, following Kate Sheppard (played by Sara Wiseman) throughout the final push of her campaign. The 70-minute TV movie follows the template set by director Peter Burger and writer Gavin Strawhan in their 2011 docudrama on the Treaty of Waitangi, with key characters directly addressing their 21st century audience. At the 2012 NZ TV awards, Wiseman won for Best Performance by an Actress.
This docudrama follows an imaginary news reporter who travels back in time to cover the days leading up to the Treaty of Waitangi’s signing on 6 February 1840. Dropping the usual solemnity surrounding Aotearoa’s founding document, it uses humour and asides to camera to evoke the chaos and motives behind the treaty. Written by Gavin Strawhan, with input from novelist Witi Ihimaera, What Really Happened screened on TVNZ for Waitangi Day 2011. Its nominations at the Aotearoa TV Awards included Best Drama, director (Peter Burger) and actor Jarod Rawiri (who played Hōne Heke).
This is the opening episode of the Prime TV series celebrating 50 years of New Zealand television: from an opening night puppet show in Auckland in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ on Air, Sky and Māori Television) and interviews many of the major players. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within a story.
A tale of infuriating fathers and very fast go-karts, The Hopes and Dreams of Gazza Snell marks Robyn Malcolm’s first leading role on film. Malcolm plays Gail, long-suffering wife to the charming, ambitious Gazza Snell. Obsessed with go-karting, Gazza has banked heavily on the hope his sons’ racing talents will result in motorsport glory. But Gail is unconvinced. Australian talent William McInnes (Unfinished Sky, SeaChange) plays Gazza; the script is by Insiders Guide to Happiness award-winners David Brechin-Smith and Brendan Donovan (who also directs).
In this six part TV One series, suburban Mum Jodie (Jodie Dorday) accidentially kills her ex-rock singer husband Brian (Shane Cortese) and is convinced by her friends to bury the body. The comedy drama was devised by Maxine Fleming and Gavin Strawhan, and produced for Eyeworks Touchdown by screen legends Julie Christie and Robin Scholes (Once Were Warriors). Scholes was onboard to develop drama at the production company renowned for its popular factual television. It was the first NZ TV drama to use high definition cameras. A planned sequel was never made.
In this first episode of the six part comedy drama, a suburban Mum (Jodie Dorday from movie Via Satellite) reaches the end of her tether with her washed-up rock singer husband Brian (Shane Cortese), and he comes to the end of his life — atop a broken bong. After her three closest friends convince her she’ll face a murder rap, Jodie makes a fateful decision to dispose of the body. The show marked a move into drama for reality TV supremos Eyeworks Touchdown. "Think Sex and the City meets Desperate Housewives in an Outrageous Fortune kind of way." wrote Listener critic Diana Wichtel.
Tattoo artist Jake Sawyer (Jason Behr, American star of Roswell) travels the world looking for ethnic designs to exploit for his art. At a tattoo expo in Singapore, he is introduced to the traditional Samoan tattoo, and falls for Sina (No. 2's Mia Blake) the beautiful cousin of tattooist Alipati. When Jake recklessly steals a Samoan tattooing tool, he unwittingly unleashes a powerful spirit that endangers everyone he touches. This inaugural Kiwi-Singaporean co-production was directed by Peter Burger and produced by Robin Scholes (Once Were Warriors).
This documentary looks at the life and work of New Zealand's most celebrated painter, Colin McCahon. The first excerpt looks at McCahon's beginnings in Timaru and Dunedin, and his explorations of modernist techniques in paintings that reconceived 'the promised land' in an endemic landscape. The second excerpt covers McCahon's time in Muriwai in the 60s and 70s, and the influence of the environment and Māori spirituality on his work. Sam Neill reads from McCahon's letters and writings. Directed by Paul Swadel, it won best documentary at the 2005 Qantas Awards.
Gladiator: the Norm Hewitt story is the story of former All Black hooker Norm Hewitt's battle with alcoholism and his journey to redemption. After disgracing himself, a tearful public apology became a personal "defining moment" for Hewitt: he reinvented himself as a youth worker and ambassador for Outward Bound. Directed by Michael Bennet, shot by Rewa Harre and based on the best-selling biography by Michael Laws the doco takes him to meet legendary youth worker Mama Teri on the streets of South Auckland, and chronicles Hewitt's life change.
This TV2 take on The Truman Show sees Hawkes Bay vineyard worker Sam participating in a reality show where – unknown to him – all his housemates are fakes. In this first episode Sam’s flatmates play to the archetypes of reality TV, as host Mark Ferguson sets them ridiculous challenges (eg water bomb wet t-shirt reading). The Spinoff 's Alex Casey called it “a one off, never to be repeated format, and crikey it was good, bad TV.” The cast were only let into the show's secrets after winning their parts. Sarah Thomson ('rich bitch' Tiffany) was later an undercover cop on Shortland Street.
"E tu stand proud, kia kaha say it loud", Dean Hapeta's lyrics typify the socio-political messages in NZ's early rap music. The four elements of hip hop: breakdancing, graffiti, DJ-ing and rap are examined through interviews with key players in the hip hop scene (including King Kapisi, Che Fu, Upper Hutt Posse). A recurring theme in the Sima Urale-directed documentary is that local hip hop artists are less interested in the "girls, booze and bling" school of hip hop, and more interested in using their art to make a political statement.
In this leg of The Big Art Trip, hosts Fiona McDonald and Douglas Lloyd-Jenkins drive through Hawke’s Bay and catch up with artist Dick Frizzell to discuss landscape painting and his Phantom comic series. Then they’re off to Napier to meet musician Paul McLaney and his co-producer David Holmes, who explain their song production techniques. Painter and ceramic artist Martin Poppelwell shares his art, Douglas describes art deco and modernist architecture and they head south to nearby Waipawa to meet potter Helen Mason and painter Gary Waldrom.
Douglas Lloyd Jenkins and Fiona McDonald hit the Auckland area for this leg of their Big Art Trip. They meet up with Black Grace artistic director Neil Ieremia, who is running a mentoring programme for young dancers; sculptor/painter Roger Mortimer, who is transforming bland modern day business letters into replicas of beautiful old documents; sculptor Warren Viscoe, who is busy at a wood symposium, fashion designer Kate Sylvester, at her High Street boutique; and abstract painter Judy Millar, at work in her studio.
This second series leg of The Big Art Trip kicks off in Wellington with a visit to artist John Walsh, who chats about his Māori myth paintings and children’s book Nanny Mango. Douglas and Fiona also talk about Washday at the Pa with photographer Ans Westra and pop-in on jewellery designer Steph Lusted. They visit the Massey Memorial, explain typography and check out the Wellington Writers Walk before meeting architect Nicholas Stevens and viewing a cliff top house he designed. The episode winds up with a look at kinetic sculpture Pacific Grass, by Kon Dimopoulos.
This second season Big Art Trip episode opens in Wairarapa with hosts Fiona McDonald and Douglas Lloyd-Jenkins marvelling at sculptor Harry Watson’s carved statuettes. In Masterton they visit the Aratoi Museum and drop in on painter Robin White, who discusses her paintings, talks about the years she spent in Kiribati, and about the World War II POW camp in Featherston. In Wellington they catch up with first series' co-host, screenwriter Nick Ward, visit toast mosaic artist Maurice Bennett, watch Katherine Smyth throw a pot, and meet composer John Psathas.
The final episode in Series One of The Big Art Trip starts in Dunedin. Hosts Douglas Lloyd-Jenkins and Nick Ward explore found art and ceramic sculptures with artist Jim Cooper and visit jewellery artists Ann Culy and Rainer Beneke, before heading to the Kaka Point home of poet Hone Tuwhare (where he lived until his death in 2008). They head to Invercargill to meet classical singer Deborah Wai Kapohe, who takes them op-shopping and performs her original folk songs. Last stop is Cosy Nook in Southland where they meet painter Nigel Brown.
Episode 10 of season two of The Big Art Trip kicks off in Timaru, birthplace of artist Colin McCahon, where hosts Fiona and Douglas check out a collection of his paintings. Next it’s Dunedin to meet designer Vita Cochran, who makes handbags and other objects, and they visit the studio of Jeffrey Harris who talks about his evolving painting style. Dancer and choreographer Shona Dunlop MacTavish describes her career and life as a young woman in 1930s Europe and artist Grahame Sydney discusses landscapes, nudes, surrealism and his love for the Otago countryside.
Douglas Lloyd Jenkins and Nick Ward's arts road trip reaches Wellington where Jacob Rajan and Justin Lewis of Indian Ink Theatre Company discuss their acclaimed play 'Krishnan's Dairy'. Dancer Ross McCormack reflects on his journey from building site to dance school; and percussion group Strike incorporate movement and staging into their work. Ceramic artist Raewyn Atkinson is exploring the textures of Antarctica and there's a visit to the Dowse Art Museum to meet jeweller Peter Deckers and to view an exhibition of textile designer Avis Higgs' work.
Central North Island art is spotlighted in this episode of the road trip arts show. Douglas Lloyd Jenkins and Nick Ward discuss Len Lye's 'Wind Wand' and visit Michael Smither works in a Catholic church. Novelist Shonagh Koea reads in her favourite antique shop while photographer Sarah Sampson serves tea and discusses her fabric work and "chick art". Rangi and Julie Kipa reconcile traditional Maori process with modern art, performance artists Matt and Stark deconstruct the family sedan; and, in Wanganui, Ross Mitchell-Anyon is proud to call himself a potter.
The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward start this leg of the journey in Palmerston North, where they meet Centrepoint Theatre artistic director and actor Alison Quigan and sculptor Robert Jahnke. Next it's Wellington, and a chat about the bucket fountain in Cuba Mall, before they visit painter Marianne Muggeridge and drop in on Circa Theatre co-founder and actor Grant Tilly, who shares his secret passion for box making. They finish up with theatre-centric band Cloudboy, who discuss their music and their move from Dunedin to Wellington.
In the third episode of The Big Art Trip the little green car heads first to Piha, where hosts Nick Ward and Douglas Lloyd-Jenkins interview hip-hop artist King Kapisi. After that they visit jewellery and multimedia artist Lisa Reihana at her K Road apartment, discuss contemporary furniture with designer Kim Martinengo and drop in on hot glass artist Stephen Bradbourne. They also check out art in a corporate setting before meeting sculptor Emily Siddell, and finish up by visiting painter Andy Leleisi’uao at his home studio in Mangere.
In episode two of The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward discover the art of crochet with sculptor Ani O’Neill and attend CAKE Collective’s roadside poster exhibition where they talk to photographer Deborah Smith. They also visit renowned sculptor Greer Twiss in his studio, talk with young multi-media artist Gerald Phillips about his music videos for band Betchadupa, drop in on painter and political activist Emily Karaka and head to Whangarei to see filmmaker Gregory King and the veteran star of his short film Junk, Rosalie Carey.
In Episode Two of this series of The Big Art Trip, hosts Douglas Lloyd-Jenkins and Fiona McDonald visit the Grey Lynn home of painter Jacqueline Fahey and the downtown studio of photographer and rocketeer Yuk King Tan. Next they drive west to Laingholm and meet singer/songwriter Victoria (Taus) Girling-Butcher and her band Lucid 3. Then it’s back to Grey Lynn to meet artist John Reynolds and his oil stick paintings, and into the city to see the iconic Bushells sign and meet photographer Natalie Robertson, who is shooting a collection of NZ tea towels.
The Big Art Trip was a TVNZ arts series that took the form of a road trip around New Zealand visiting artists in their homes or studios. The series featured two presenters — design writer and art historian Douglas Lloyd Jenkins teamed with screenwriter Nick Ward in the first series, and with musician Fiona McDonald in the second. Ward and McDonald were very much the neophytes — the everyperson asking questions on behalf of the audience that allowed Lloyd Jenkins to background, contextualize and explain what was being seen, heard and experienced.
This is the opening episode of this arts series which teamed “expert” Douglas Lloyd-Jenkins with “everyman” (and screenwriter) Nick Ward — and sent them on a road trip in search of artistic talent all around NZ. First stop is Northland which is “teeming with artists” as the pair encounter corrugated iron sculptor Jeff Thomson, potter Richard Parker, the iconic Hundertwasser toilets in Kawakawa, Manos Nathan who fuses traditional Maori design and ceramics, and Zealandia — Terry Stringer’s remarkable and “beautifully coiffeured” sculpture garden, studio and home.
When his father dies, soldier Will Bastion (Temuera Morrison) returns home after 20 years. Tradition dictates he take on the mantle of tribal chief, but he's not interested. His brother Kahu (Lawrence Makoare) seizes the opportunity, but he's a drug-dealer with grand plans to get stolen land back. Worried about Kahu's provocative approach, Will must choose whether to face off against his brother. Melding horseback action and indigenous land rights, Crooked Earth marked the first NZ film for director Sam Pillsbury since 1987's Starlight Hotel. Variety called it "handsomely mounted and compelling".
Rain begins by evoking an idyllic kiwi summer. It's a 1970s beach holiday; Mum, Dad and the kids. Picture perfect. But, as the title hints, all is not sunny at the bach. Beneath still waters Mum is drowning in drink, Dad is defeated, and 13-year-old Janey is awakening to a new kind of power. An adaptation of the novel by Kirsty Gunn novel, Rain was director Christine Jeffs' widely acclaimed debut feature. The soundtrack was composed by Neil Finn and Edmund Cake. Kevin Thomas in the LA Times acclaimed Rain as “an important feature debut”.
Greenstone is the tale of a beautiful, missionary-educated Māori woman (Simone Kessell) whose romantic life is subject to the shifting loyalties of her father, Chief Te Manahau (George Henare). The cross-cultural elements of this ambitious colonial bodice-ripper were reflected off-screen as well: created by Greg McGee in response to a call by TV One for a local drama 'saga', the series saw major English creative input through being developed as a co-production with the BBC. After the withdrawal of BBC funding, the Tainui Corporation helped fund the eight-part series.
Greenstone is the tale of a Māori woman whose beauty is used as a pawn by her ambitious father, Chief Te Manahau. In episode one, the missionary-educated Marama (Simone Kessell) travels to England with her father (George Henare), who sets about arranging an arms deal while she falls for their English host, ex-military man Sir Geoffrey Halford. Created for TV One by Greg McGee, the ambitious series was initially developed as a co-production between local company Communicado and the BBC. Local iwi Tainui helped fund the series, after the BBC withdrew.
Kiwis are often accused of not being very good at expressing their feelings. This documentary (made for TV One's Work of Art programme) offers striking evidence to the contrary, using some of our favourite love songs as proof. A roll call of New Zealand's best-known musicians and songwriters talk here candidly about love, and play some of the songs inspired by their experiences. The result is a film that shines a light on love Kiwi-style, and provides a fascinating survey of New Zealand pop music from the last 30 years along the way.
A homage to Dusky Maiden images as well as a playful take on the low art of velvet painting, Sima Urale’s Velvet Dreams provides a tongue-in-cheek exploration of Pacific Island stereotypes. Part detective story, part documentary, an unseen narrator goes in search of a painting of a Polynesian princess that he has fallen in love with. Along the way he meets artists, fans and critics of the kitsch art genre, as well as the mysterious Gauguin-like figure of Charlie McPhee. Made for TVNZ's Work of Art series, Velvet Dreams played in multiple international film festivals.
Nina (Aleksandra Vujcic) has emigrated downunder from wartime Croatia. When she falls in love with Māori cook Eddie (Julian Arahanga) and marries a Chinese man who is trying to stay in NZ, her domineering father Ivan is furious. The second movie from Gregor Nicholas remains one of the few from NZ in which Pākehā culture hardly features. The result was one of the highest-grossing NZ films of the 1990s. International reviews praised its power and strong cast — especially Croatian discovery Aleksandra Vujcic ("instantly alluring" said Janet Maslin). Vujcic won one of five NZ Film awards.
The first part of this controversial, no-holds-barred portrait of Robert Muldoon — the dominant figure of 20th century NZ politics — traces his rise to power. In one of the show’s most contentious themes, Neil Roberts and Louise Callan explore the effect that the death of Muldoon's father from syphilis may have had on his political career. Interviews with colleagues and family members cover his childhood, war service, early years as a husband and father, his immersion in the National Party and the relentless, divisive style that saw him become Prime Minister in 1975.
In the second part of this controversial, no-holds-barred portrait, Neil Roberts And Louise Callan look at Robert Muldoon’s tenure as Prime Minister — and claim that his best days were behind him before he took power. They examine Muldoon’s brutally divisive leadership style, which saw him at odds with officials, ministers, unions, the media and social groups that opposed him. The tumultuous events of 1984 that resulted from Muldoon’s desperate attempts to cling to power — calling a snap election and all but refusing to leave office after his defeat — are explored in depth.
The 1994 Cannes Film Festival turned out to be a very good year for New Zealand: a little movie called Once Were Warriors began its rise to glory, and some even smaller films did big things. Frontline reporter Ross Stevens was in France to capture the action — from impressed reactions to Warriors, to the 'film is a business' talk of NZ Film Commission chair Phil Pryke. Director Grant Lahood's short film Lemming Aid comes second in the official competition, and the festival screens a special season of Kiwi shorts — only the second such event in Cannes history.
Once Were Warriors opened the eyes of cinemagoers around the globe to an unexamined aspect of modern New Zealand life. Director Lee Tamahori's hard-hitting depiction of domestic and gang violence amongst an urban Māori whānau was adapted from the best-selling Alan Duff novel. The film provided career-defining roles for Temuera Morrison and Rena Owen as Jake the Muss and Beth Heke. It remains NZ's most watched local release in terms of bums on seats. Among a trio of backgrounders, Riwia Brown writes about adapting Duff's book for the screen.
A family reunion is the perfect vehicle to introduce the characters of this early TV3 soap. Set in a rural hamlet just south of the Bombay Hills, it revolves around the Johnstone family who have farmed the area for 100 years; but times are changing and, following the market crash, so are their fortunes. Beneath the surface of reunion civilities lurks a marriage in tatters, a prodigal son returned, a family inheritance spat and a mystery teenager (Simone Kessell) confusing the bloodlines. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.
A documentary profiling the humanitarian work of Professor Fred Hollows (1929-1993), a New Zealand-born, Australian based eye specialist who saved the sight of thousands of underprivileged people in Australia, Eritrea, Nepal and Vietnam through a mix of common-sense and temerity. The "intellectual with the wharfie's manner" became an Australian folk hero and was named Australian of the Year in 1990. Producer John Harris went on to found Greenstone Pictures, along with Director Tony Manson, who later became a Senior Commissioner for TVNZ.
This fast-paced trip through Bruno Lawrence’s first 50 years combines interviews, clips from his many film and TV roles, and priceless material from the vaults (early acting parts, Edmund Hillary presenting Bruno with a Feltex). Bruno talks about favourite roles, the challenges of breaking into the US after hit Smash Palace, and the music-based film he long hoped to direct. LA Times critic Sheila Benson raves about both Bruno and Sam Neill. The Bruno interviews conducted for this doco would later win an extended airing in biographical doco Numero Bruno.
This episode from Communicado’s series about popular culture heroes focuses on entertainment legend Howard Morrison. Presenter Neil Roberts finds him doing what he does best — performing live at the Huntly Working Men’s Club. He traces Morrison’s life from a Rotorua upbringing through stardom with The Howard Morrison Quartet, a solo career with appearances as The Sexy Savage in Manila, his smash hit ‘How Great Thou Art’ and work in TV and film (in his own feature Don’t Let It Get You, and as a singing shearer in Australia with a young Olivia Newton-John).
This episode from the first season of the show celebrating Kiwi heroes pays tribute to the exemplar: Sir Edmund Hillary. The greatest "damned good adventures" of Sir Ed's career (up to then) are bagged: his first peak (Mt Ollivier — reclimbed with son Peter here), trans-Antarctic by tractor, up the Ganges by jet-boat, school and hospital building in Nepal; and of course Everest, whose ascent is recreated with commentary from Hillary. Graeme Dingle provides reflection and presenter Neil Roberts has the last word: "[Sir Ed:] our own bold, bloody-minded magic Kiwi".
Indie production house Communicado made their name with a stable of television shows that celebrated Kiwi culture. After the success of late-80s show That’s Fairly Interesting, the company began work on Magic Kiwis, a show devoted to heroes of popular culture. Mostly the cavalcade of Kiwi celebs were stars of entertainment (Howard Morrison, Split Enz) and sports (Susan Devoy, John Walker), with the odd politician thrown in. Over three series, the half hour shows combined classic clips and interview footage, all tied together in trademark upbeat style.
This short documentary series looked at New Zealand's landscape art from the arrival of Pākehā up until the 1980s. The four episodes moved from the development of a local version of the European tradition (through artists such as John Gully and Petrus van der Velden) through to the homegrown modernism emerging in the 20th Century: the distinct hard-edged styles of Binney, White and Smither, the spiritual abstracts of McCahon and Woollaston, to the later impact of Māori artists like Hotere, Whiting and Kahukiwa.
This 1986 Kaleidoscope excerpt visits the world’s premier film festival. Reporter and future Once Were Warriors producer Robin Scholes begins with the official competition – where two years before Vigil vied for the top prize, the Palme d’Or – then focuses on Kiwi films being promoted in the marketplace. She interviews the NZ Film Commission's Lindsay Shelton (selling Arriving Tuesday); Dorothee Pinfold (Dangerous Orphans), asks producer Larry Parr (Bridge to Nowhere) if Kiwi films can survive without tax breaks, and chats to Challenge Films' Henry Fownes and Paul Davis.
In this Kaleidoscope report, Lorna Hope profiles poet, novelist and critic CK Stead as he resigns from his position as a Professor of English at Auckland University to write full time. Stead is filmed teaching, writing (at his Karekare bach), at home in Parnell, and at Frank Sargeson’s Takapuna house. He discusses his academic career, family life, walking for inspiration, and how he began writing as a teen. He also mentions his novel Smith’s Dream (adapted into 1977 feature film Sleeping Dogs), and how its themes are echoed in the 1981 Springbok Tour protests, where Stead was arrested.
This six-part series about Aotearoa's flora and fauna marked the first set of documentaries to be made by the BCNZ's freshly born Natural History Unit. The 15 minute episodes showcase White Island, bird life in Ōkārito, the flightless takahē, Waipoua Forest in Northland, wetlands near Dunedin and winter wildlife in Central Otago. Many of the filmmakers went on to make a mark — including directors Neil Harraway and Robin Scholes, and cameraman Robert Brown (The Living Planet). Hidden Places - Ōkārito was named Best Documentary at the 1979 Feltex Television Awards.
Award-winner Hidden Places: Ōkārito marked an early milestone for the Natural History Unit (later to become NHNZ) — it was part of the first series made by the unit. The 15 minute episode follows birds, such as white heron, Russian godwits and royal spoonbills, all of them flocking to Ōkārito's "unique world of sea, lagoon, rivers and forests". Logging of kahikatea, the tallest endemic forest tree, also features. Robin Scholes, later to produce movie Once Were Warriors, wrote and directed this episode. It won Best Documentary at the 1979 Feltex Television Awards.
Kaleidoscope was a magazine-style arts series which ran from 30 July 1976 until 1989. Running for many years in a 90 minute format, the show tried varied approaches over its run, from an initial mix of local and international items — including live performances — to episodes which focused on a single artist or topic. In the early 80s Kaleidoscope collected three Feltex awards for Speciality Programme. Hosts over the years included initial presenter Jeremy Payne, newsreader Angela D'Audney, future Auckland music professor Heath Lees, and Warratahs fiddler Nic Brown.