Tawa-raised Carmel McGlone drifted into acting while studying music. Since then she has performed on both sides of the Tasman, and played Aunt Daisy, Lady Macbeth, Marilyn Monroe, and a gormless male in Digger and Nudger. McGlone’s first sizable screen role was an “enormously enjoyable” six months on 80s TV series Marching Girls. More recently she appeared in web hit Reservoir Hill, and starred in Hook, Line and Sinker.
It was very unusual for New Zealand television ... TVNZ were a bit scared of it. I think they thought it might leap out of the set and bite them. But it was just a nice lovely series. Carmel McGlone on The Marching Girls, in a 1990 interview
This hit TV series was spawned from big screen mockumentary What We Do in the Shadows (2014). After stumbling across the vampiric goings-on of the original movie, dim-witted police officers Minogue (Mike Minogue) and O'Leary (Karen O'Leary) are enlisted by a paranormal obsessed sergeant (Maaka Pohatu from The Modern Māori Quartet) to investigate unusual events— from cows up trees, to werewolves and zombie cops. Six episodes debuted on TVNZ 2 in 2018; four were directed by Shadows co-creator Jemaine Clement. A second season followed in 2019.
PJ (Rangimoana Taylor) has been driving trucks for 35 years. But one day after a medical test, he is told to get off the road. PJ’s worries over becoming instantly useless are exacerbated when his partner Ronnie and Ronnie’s ambitious sister go into business. A tale of love, family, and ordinary people struggling to process the type of news none of us ever needs to hear, Hook, Line and Sinker is the second, semi-improvised feature from longtime collaborators Andrea Bosshard and Shane Loader. The Dominion Post called the result “likeable, admirable and hugely enjoyable”.
Based on a novel by the late Ronald Hugh Morrieson — whose stories painted hometown Taranaki as a hotbed of colourful characters and dodgy dealings — Predicament is a prohibition-era tale of blackmail, anxiety and criminal partnerships. Awkward teen Cedric (Hayden Frost) meets two oddball misfits (played by Conchord Jemaine Clement and Australian comedian Heath 'Chopper' Franklin), and becomes entangled in a plot to blackmail adulterous couples caught in the act. Jason Stutter's film went on to win six Aotearoa Film Awards in 2011.
"As dark as Twilight, as twisted as Twin Peaks, and as bitchy as Gossip Girl" is David Stubbs' summary of the series he co-created, produced and directed with Tom Robins for Krafthaus Films. Beautiful but doomed Beth Connolly (played by the coincidentally named Beth Chote) washes up in Kafkaesque suburban Porirua, where folks are understandably freaked out by her dead-on resemblance to missing schoolgirl Tara. The winner of an International Digital Emmy in 2010, the series originally screened in 2009 and has since been sold to Swedish channel SVT.
Acting on the advice of friends from home (actually audience members texting in), Beth accepts a ride to school from the mysterious Matt in the third episode of this International Emmy Award-winning interactive web series. But someone is watching them. Matt, we discover, knew Beth's missing lookalike Tara and certain shady rumours about Matt's personal life are proved correct. Beth visits Tara's sister Lilli (Tai Berdinner-Blades) in hospital, where she encounters cray-cray Mrs Jay (Carmel McGlone), who drops a horrible burden onto Beth.
In the fourth ep of Krafthaus' award-winning web series, Beth Connolly (Beth Chote) wanders into the forest searching for clues about the gang, where she runs into sassy Petra (Abby Damen) and a male friend. Sammy takes Beth to the softly spoken James (Dan Caddy), brother of missing schoolgirl Tara, who has been following Beth to what is revealed as an obsessive degree. James promises to help her. Spooky Mrs Jay (Carmel McGlone) reappears and this time, it's as if she's a different person.
A text from an audience member advises Beth to go to Petra's party in the fifth ep of this International Emmy Award-winning web series for teens. While Beth tries to stay close to her friend Sammy, she is distracted by Petra, then Monika, then Matt ... each of whom tells her disturbing news relating to the disappearance of Beth's lookalike Tara. Despite their pact not to drink too much, Sammy ends up in a drunken fight with host Petra, who reveals the real reason why Lilli Jay is in hospital. Hurt that Beth left her alone, Sammy leaves the party by herself.
The sixth episode of this Emmy Award-winning interactive web series begins with Beth (Beth Chote) returning from the party late and trying to confide in her mother about the spooky goings on around Reservoir Hill. Beth continues to find cul de sacs negotiating life in the eerie suburb: James Jay denies that he assaulted Matt, but Beth tricks him into telling the truth. And James' half-sister Lilli has just returned from hospital, disorientated, and confuses Beth with her missing sister Tara. The episode ends on a disturbing revelation.
Nightmare and reality collide in this seventh episode of David Stubbs and Thomas Robins' interactive web drama Reservoir Hill, which picked up an International Digital Emmy in 2010. Beth (Beth Chote) reveals Lilli's secret to Sammy — only to find Sammy has known it all along. Sammy hints at her beef with Matt, but Beth is still drawn to him. James loses his cool and blurts out another accusation at Matt. It's the girls — Beth, Sammy and Monika — who venture up to the reservoir above suburban Porirua, to confront their worst fears.
In the final episode of this International Emmy Award-winning web series, Beth (Beth Chote) is on the run from the hooded, masked bike gang, and heads into the perennially grey and misty streets of Porirua. Although Matt (Tim Kano) promises to rescue her, Beth finds herself trapped on a dam surrounded by the hoodies — where at last she discovers the secret of the town's bizarre and spooky behaviour towards her. What she does next is even more surprising...
Freaky creator Thomas Robins’ second horror anthology for kids makes use of a sophisticated story structure. Years ago Room 21 at Killian High was cursed by its satanic school founder. A new principal dismisses warnings and opens the space, unleashing the curse onto new students. Each episode is split into three parts as three students battle demons. The number 21 plays an important role; the 21 students of Room 21 must overcome an eclectic range of demons or else the evil Killian claims their souls ‘forever’. A second season followed in 2008.
Sedition - The Suppression of Dissent in World War II New Zealand chronicles the experiences of Kiwi pacifists during wartime. New laws affecting meetings, mail and media coverage meant that talking about pacifism could result in arrest, and imprisonment. By June 1940, holding more than one copy of a 'subversive' magazine could mean nine months hard labour. Ironically many of the MPs backing the laws had earlier been imprisoned for their anti-war beliefs; while Christian Pacifist Society leader Ormond Burton was twice decorated for bravery during World War I.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
Tele-movie Clare is based on Clare Matheson's autobiographical book Fate Cries Enough. It recreates the experiences of the author (played here by Robyn Malcolm, then fresh from Shortland Street) who for 15 years was an unwitting part of a disastrous gynaecological study at Auckland's National Women's Hospital. The study would later become known as ‘The Unfortunate Experiment', after a Metro article by Sandra Coney and Phillida Bunkle. It was also the subject of a Commission of Inquiry, whose official report led to major changes in law around health consumers' rights.
Duggan stars John Bach as brooding Detective Inspector Duggan, attempting to solve murders amid the tranquillity of the Marlborough Sounds. New Zealand's answer to Inspector Morse, the show was conceived by Marion McLeod, and scripted by Donna Malane and Ken Duncum. Eleven episodes of the Gibson Group series were made, following on from introductory tele-features Death in Paradise and Sins of the Father. The turquoise waters of The Sounds make for an evocative setting in this sharp, classy Kiwi whodunit. Rachel Davies writes here about Duggan's birth.
This thoughtful but humorous documentary offers a wry tribute to sheep in New Zealand. Interviews with Chris Knox, Dog's Show presenter John Gordon, Dick Frizzell and Michael Parekowhai (among others) pull the wool away from our collective eyes, and examine Aotearoa's much ridiculed relationship with sheep. Artists' images, souvenirs, pets, and shows for tourists all feature, as do songs and plays. The documentary also examines the foundational role of sheep in the country's economy. This was one of the first productions from company Greenstone Pictures.
A young man suffering from mounting sexual frustration (Skitz regular Michael Sengelow) wakes up one day to find incredibly strange things happening between his legs. A comic fable about personal gardening, male organs, and finding the perfect partner, Prickle marked the directorial debut of one-time actor Murray Keane. Keane would showcase his talent for comedy again, when he directed episodes of Outrageous Fortune and Diplomatic Immunity.
Created by Fiona Samuel, The Marching Girls follows a Taita social marching team who decide to have a crack at the North Island champs. In the first episode of this feminist-Flashdance-in-formation 80s classic, young whippersnapper Leonie tries to modernise the girls' routine by getting them to march to the heavy metal tunes of Ironlung ("they're really big in Australia!"). This proves too much for Mahara (Patupatu Ripley), who's got enough on her plate with her new role as hesitant union spokesperson for her fellow workers down at the factory.
This 80s TV series sees real estate agent Selwyn, TV producer Nardia (early turns from Temuera Morrison and Jennifer Ward-Lealand) and art student Ben (Kerry McKay) as a trio of young Wellingtonions drawn together by a mysterious invitation. At an antique shop dinner they discover they share a colourful birth mother, before becoming players in a game for a legacy of $250,000. Conceived by Brian Bell, Seekers was one of a series of teen-orientated dramas made in the mid-80s (along with Heroes and Peppermint Twist). The 16 episodes screened from February 1986.