Greg McGee's first play Foreskin's Lament (1980) is seen as a watershed moment in the maturing of a distinctly Kiwi theatre. Since then McGee has demonstrated (with tele-movie Old Scores) that rugby can be the stuff of comedy as well as critique. He has also created or co-created a run of television dramas - including long-running law show Street Legal - many of them awardwinners.
German-raised Alexander Behse has produced a run of documentaries exploring Māori subjects, from ta moko to te reo Shakespeare, to acclaimed Tūhoe HQ story Ever the Land. Behse got an MA in production from UTS Sydney, and has many TV credits as an editor. He made his directing debut with 2012 TV documentary Nazi Hunter, and was at the helm of award-winning TV series Radar Across the Pacific.
Pat Robins has been active in the screen industry since the 1960s, across varied behind the scenes roles. In the early 70s Robins, her then husband Geoff Murphy and their children took to the road with musical collective Blerta. After production managing on classics like Goodbye Pork Pie, Utu, and Ngāti, she first stepped out on her own as a director in 1985, with her first short Instincts.
Paul Leach was the man behind the camera on many classic Kiwi films; author Duncan Petrie described him as New Zealand's "camera operator of choice". His CV spanned landmark titles Sleeping Dogs, Utu, Smash Palace, and breakthrough comedy Came a Hot Friday. He passed away on 10 April 2010.
Geoff Dixon began making commercials in the 70s — the decade he launched legendary ad company Silverscreen Productions, whose clients included Cadbury, Toyota, Air New Zealand and Singapore Airlines. Ranging across New Zealand and beyond, his work includes iconic images of South Island back roads, Barry Crump crashing utes through the bush, and Michael Hurst singing a war cry for the Kiwi bloke.
Jeremy Dillon began as an actor, did time as a children's show host and found his true calling as the creator of the friendly monsters seen on shows like The Moe Show and Pop-Up. In 2010 he set up production company Pop-Up Workshop, with friend Zane Holmes.
David McPhail's television resume is that of a genuine stayer. Working with Jon Gadsby, his longtime comic partner in crime, McPhail co-starred — and famously impersonated Sir Rob Muldoon — in landmark sketch shows A Week of It and McPhail and Gadsby. Later he helped create the Barry Crump-style yarns of Letter to Blanchy, and played the no-nonsense teacher in Seven Periods with Mr Gormsby.
Former journalist Nevan Rowe made a high profile big screen acting debut as Gloria, the estranged wife of Sam Neill’s Smith in landmark feature Sleeping Dogs (1977). She also co-starred in 1980 kids movie Nutcase, as mad scientist Evil Eva. Rowe worked off-screen in casting and as a production manager, and in 1989 directed short film Gordon Bennett, starring Andy Anderson. She passed away in April 2016.
Writer James Griffin has had a hand in an eye-opening proportion of the successful TV comedies and dramas made in New Zealand since 1985. His credits stretch from Gloss and The Almighty Johnsons, to award-winner 800 Words and big screen comedy Sione's Wedding. Working alongside writer Rachel Lang, he also helped create Westie family drama Outrageous Fortune and its prequel series Westside.
A longtime collaborator with director Florian Habicht, Peter O'Donoghue is also a director in his own right — from shorts to hour-long, life in China documentary Happy Everyday. In 2010 the Australian-based Kiwi headed to New York to edit and co-write Habicht's acclaimed Love Story, whose storyline is partly shaped by feedback from New Yorkers. The pair then collaborated for a film on Brit band Pulp and the band's hometown.