Julie Christie, DNZM, is one of New Zealand's most successful television producers. She built her company, Touchdown Productions, into the country's leading producer of entertainment television and exporter of programme formats. In 2006 she sold Touchdown to global company Eyeworks in a multi-million dollar deal; she stayed on as managing director until 2012.
Within two years of acting in kidult TV adventure Sea Urchins, Kiwi Rebecca Gibney had set up shop in Australia. There she would find fame — and a long list of awards and nominations — thanks to a television CV which includes Wanted (which she also created), Packed to the Rafters, The Flying Doctors, mini-series Come in Spinner, and 21 Halifax tele-movies as forensic psychiatrist Jane Halifax.
With Hunter's Gold, Gather Your Dreams and Children of Fire Mountain, Roger Simpson blazed a successful trail for Kiwi drama shows aimed at a younger audience. Though he has written further New Zealand projects, Simpson relocated to Australia in the early 70s. Since then he has written and produced on a long run of television dramas, most often alongside producing partner Roger Le Mesurier.
Art department veteran Dan Hennah worked on a range of screen projects before becoming an art director and set decorator on The Lord of the Rings trilogy. Five times Oscar nominated, he won an Academy Award for his work on The Return of the King. Since then Hennah has graduated to production designing on a number of features, including taking on the job for Peter Jackson's three-parter of The Hobbit.
After almost two decades of directing and producing documentaries, David Harry Baldock left TVNZ in 1988 to launch Ninox Television. The company’s roster of reality-based programming included export hit Sensing Murder, local award-winner Our People Our Century and nine seasons of Location Location Location. These days Baldock is busy making arts programmes from Shanghai.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
Trevor Spitz, who died in March 2012, was a key player in the 1989 launch of channel TV3. The musician turned promoter had begun working in television in the 70s as a talent scout and producer of entertainment shows, and won success — and controversy — with hit television export That's Country. He was influential in the careers of many performers, including comedic duo McPhail and Gadsby and singer Suzanne Prentice.
A key player behind the scenes, Gary Hannam’s ability to find and exploit mechanisms for financing movies was a key driver in the rapid growth of the NZ film industry during the 1980s.
Ruth Harley has been a leader and change agent across 30 years in the screen industry. She was commissioning editor at TVNZ, then the first Executive Director of NZ On Air. From 1997 she spent a decade as CEO of the NZ Film Commission, then crossed the Tasman to head the newly created Screen Australia for five years. In 1997 Harley was awarded an OBE, and in 2006 was named a CNZM.
After helping out on Peter Jackson's debut feature Bad Taste, Cameron Chittock went on to design and help create 90+ puppets for Jackson's ambitious creature feature Meet the Feebles. Since then, Chittock has worked on children's shows for TV3, and created and directed a range of animated TV shows — including claymation export Oscar and Friends and Australian-Singapore co-production Bottle Top Bill.