Julie Christie, DNZM, is one of New Zealand's most successful television producers. She built her company, Touchdown Productions, into the country's leading producer of entertainment television and exporter of programme formats. In 2006 she sold Touchdown to global company Eyeworks in a multi-million dollar deal; she stayed on as managing director until 2012.
Within two years of acting in kidult TV adventure Sea Urchins, Kiwi Rebecca Gibney had set up shop in Australia. There she would find fame — and a long list of awards and nominations — thanks to a television CV which includes Wanted (which she also created), Packed to the Rafters, The Flying Doctors, mini-series Come in Spinner, and 21 Halifax tele-movies as forensic psychiatrist Jane Halifax.
As an intrepid young cameraman for the National Film Unit, Don Oakley travelled to remote parts of New Zealand and brought to the screen scenes of the recently-rediscovered takahē, Opo the dolphin, and life in the backblocks. In a lengthy career, he also filmed in the studio and overseas, rising to be chief cameraman of the NFU.
Art department veteran Dan Hennah worked on a range of screen projects before becoming an art director and set decorator on The Lord of the Rings trilogy. Five times Oscar nominated, he won an Academy Award for his work on The Return of the King. Since then Hennah has graduated to production designing on a number of features, including taking on the job for Peter Jackson's three-parter of The Hobbit.
Starting with the National Film Unit in 1943, Bob Allen’s career as a motion picture sound recordist covered six decades. Based in the UK from 1953, he worked with well-known directors including Fred Zinnemann (Allen's work on The Day of the Jackal was BAFTA-nominated). He returned to his homeland to share his knowledge and experience as New Zealand feature filmmaking blossomed; and later to retire.
After starting his filmmaking career at the National Film Unit, cinematographer John Blick has shot many iconic Kiwi commercials, done extended time in Asia and the United States — and worked alongside everyone from Brian Brake and Peter Jackson (The Frighteners), to Skippy the Bush Kangaroo.
A key player behind the scenes, Gary Hannam’s ability to find and exploit mechanisms for financing movies was a key driver in the rapid growth of the NZ film industry during the 1980s.
Trevor Spitz, who died in March 2012, was a key player in the 1989 launch of channel TV3. The musician turned promoter had begun working in television in the 70s as a talent scout and producer of entertainment shows, and won success — and controversy — with hit television export That's Country. He was influential in the careers of many performers, including comedic duo McPhail and Gadsby and singer Suzanne Prentice.
A newspaper journalist by training, Karen Sims began her TV career on South Pacific Television’s News at Ten. In the early 80s she moved into presenting, with current affairs shows Eyewitness and Foreign Correspondent. She co-presented the nightly Eyewitness News alongside David Beatson, but continued to work as a journalist — and expected to be judged on her field stories and studio interviews, rather than as a celebrity.
Stephen Lovatt's acting career has taken him from Arcadia to Takapuna Beach, with stops in Shortland Street, Ramsay Street and ancient Rome. Award-nominated for his starring role in 2002 feature This is Not a Love Story, Lovatt's screen CV includes roles in Spartacus, Being Eve and a five-year-run in Australian export Neighbours. The Toi Whakaari grad is also an acclaimed theatre actor.