Sometimes referred to as the Godfather of New Zealand music TV, Kevan Moore was behind some of the iconic entertainment shows (Let's Go, C'mon) of the 1960s and 70s. Joining television at its birth, Moore was also responsible for shaping early current affairs content (eg Town and Around), and devising popular astronomy show The Night Sky.
Raised in Taranaki with seven siblings and roughly as many books, Anthony McCarten went on to co-write global stage hit Ladies Night. In 1998 he made his directorial debut with a movie of his play Via Satellite, followed later by Show of Hands. In 2015 he won two BAFTA awards after writing Stephen Hawking biopic The Theory of Everything. Winston Churchill drama Darkest Hour and Bohemian Rhapsody followed.
After starting in television as a continuity announcer in the early 80s, Geoff Bryan moved into sports presenting. Since then the veteran sportscaster has presented coverage of tennis, cricket, World Cup rugby, the Commonwealth Games and for every Olympics since Atlanta 1996.
Maurice Gee, who was named an Arts Foundation icon in 2003, is one of New Zealand's most acclaimed writers. His work for the screen includes creating 80s kidult series The Fire-Raiser and The Champion. Gee's novels have also inspired a number of adaptations, notably classic sci-fi series Under the Mountain and movie In My Father's Den.
Phillipa Dann’s work presenting music shows has taken her from 80s-era series Shazam! to MTV Europe. Dann studied English Literature and acted in series Pioneer Women, before winning a break fronting youth show Viewfinder. In 1986 she departed for a UK screen OE with husband Brent Hansen, before going on to present a run of shows for MTV Europe and VH1.
An ideas man who campaigned for a Government film body, Stanhope Andrews would become the National Film Unit's first manager. Andrews commanded the Unit for a decade. Along the way he oversaw dramatic expansion, set up regular newsreel Weekly Review, and opened the door to filmmakers of both genders.
Graeme Tetley began his long scriptwriting career with Vigil, one of the most acclaimed New Zealand films of the 1980s. He went on to co-create police show Shark in the Park, collaborate extensively with director Gaylene Preston (Ruby and Rata, Bread and Roses), and co-write Out of the Blue, the story of the Aramoana massacre. Tetley passed away on 13 March 2011.
Paora Maxwell spent three years as Chief Executive of Māori Television. He began in the job in May 2014 after time heading TVNZ’s Māori and Pacific Programmes Department, and 15 years making shows for his company Te Aratai Productions. Maxwell was set to step down from Māori Television in August 2017.
John Anderson got busy directing a run of television dramas in the 1980s, including award-winning Polynesian road movie Mark ll, and two of the final works by playwright Bruce Mason. The onetime actor reinvented himself as a documentary filmmaker in the 90s, then relocated to Kiribati, where he worked on more than 400 films covering everything from climate change to dance. Anderson died in Kiribati on 19 August 2016.
Having already established herself as a playwright, Norelle Scott made the transition to screenwriting by co-writing early Alison Maclean short film Rud's Wife. She then began amassing a CV of screen credits, including Shortland Street, Marlin Bay and cop series Shark in the Park. Currently based in Los Angeles, the former actor and writing lecturer continues her work as a screenwriter, script consultant, and playwright.